valse (imperative vals, present tense valser, passive valses, simple past and past participle valsa or valset, present participle valsende)

valse (present tense valsar, past tense valsa, past participle valsa, passive infinitive valsast, present participle valsande, imperative valse/vals)


Valse Indir


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La valse, pome chorgraphique pour orchestre (a choreographic poem for orchestra), is a work written by Maurice Ravel between February 1919 and 1920; it was first performed on 12 December 1920 in Paris. It was conceived as a ballet but is now more often heard as a concert work.

The idea of La valse began first with the title "Vienne", then Wien (French and German for "Vienna", respectively) as early as 1906, where Ravel intended to orchestrate a piece in tribute to the waltz form and to Johann Strauss II. An earlier influence from another composer was the waltz from Emmanuel Chabrier's opera Le roi malgr lui.[5] In Ravel's own compositional output, a precursor to La valse was his 1911 Valses nobles et sentimentales, which contains a motif that Ravel reused in the later work. After his service in the French Army, Ravel returned to his original idea of the symphonic poem Wien. Ravel described his own attraction to waltz rhythm as follows, to Jean Marnold, while writing La valse:

Ravel completely reworked his idea of Wien into what became La valse, which was to have been written under commission from Serge Diaghilev as a ballet. However, he never produced the ballet.[6] After hearing a two-piano reduction performed by Ravel and Marcelle Meyer, Diaghilev said it was a "masterpiece" but rejected Ravel's work as "not a ballet. It's a portrait of ballet". Ravel, hurt by the comment, ended the relationship.[7][8] Subsequently, it became a popular concert work and when the two men met again during 1925, Ravel refused to shake Diaghilev's hand. Diaghilev challenged Ravel to a duel, but friends persuaded Diaghilev to recant. The men never met again.[9] The ballet was premiered in Antwerp in October 1926 by the Royal Flemish Opera Ballet, and there were later productions by the Ballets Ida Rubinstein in 1928 and 1931 with choreography by Bronislava Nijinska.[10] The music was also used for ballets of the same title, one by George Balanchine, who had made dances for Diaghilev, in 1951 and the other by Frederick Ashton in 1958.

Apart from the two-piano arrangement, which was first publicly performed by Ravel and Alfredo Casella, Ravel also transcribed this work for one piano. The solo piano transcription is infrequently performed due to its difficulty.[7] Lucien Garban produced a transcription for piano four hands in 1920.[11] He had previously transcribed Ravel's Le tombeau de Couperin in 1919, in a similar fashion. The pianist Glenn Gould, who rarely played Ravel's music, made his own arrangement of it in 1975.[7] In 2008 Andrey Kasparov produced an improved treatment of La valse for piano four hands, with Ravel's original scoring distributed more effectively between the performers.[12][13] Sean Chen recorded his own arrangement on the Steinway & Sons label in 2014.[14]

Frederick Ashton also created a La valse ballet in 1958 for The Royal Ballet. At the premiere Francis Poulenc complimented Ashton on what he thought was the first successful interpretation of Ravel's intentions for the music.[18]

Sure, I am Always Talkin\u2019 Food, but I teach NT2 (Dutch as a second language) on the side. Mainly to young internationals who came to Amsterdam for or with love and intend to stay. For privacy reasons the names in these columns are fictitious.


We need to talk about false friends.

Having them around in our daily life is already very pesky, but when learning a new language, false friends are downright annoying.

We\u2019re talkin\u2019 words in one language that are the spitting image of a word from another language. 

That is, in spelling, not in meaning. 

Words that are just feigning to be friends.

Weirdly enough false friends and valse vrienden themselves are by no means false friends, these terms mean exactly the same thing in either language.

Between German and Dutch exist many false friends, but you find them also between Dutch and English and even between Dutch and Flemish.

Let\u2019s take an example close to my heart: patat. In much of the Netherlands this is the word for freshly deep-fried potato sticks, called friet in the rest of our country (friet patat, potayto potahto - it\u2019s a bit of a controversy here).

In Flanders, on the other hand, patat is just the raw ingredient for this popular snack called fritten (or frieten) there.

For the full picture, friet in French is pommes frites and in German simply Pommes.

Now let\u2019s take it one step further to chips and crisps. The former are in the UK what in the Netherlands is friet or patat. The latter, crisps, are what the Dutch call chips, extremely thin potato slices that are usually not freshly deep-fried and are eaten cold. 

Still there?

In the States you\u2019ll look in vain for crisps in the supermarket. Instead, you score a family bag of potato chips, while in the diner you don\u2019t order chips, nor pommes frites, but french fries with your burger or steak.

\u2019Last weekend I ordered my steak raar,\u2019 Customer success manager Shiv from the US recalls an example from her life in Amsterdam. \u2018It made the Dutch waiter look weirdly at me.\u2019

Me (jokingly): \u2018Ik zou jou ook raar aankijken.\u2019 (I would look weirdly at you too.)

Now Shiv in turn looks weirdly at me.

\u2019Raar is not rare, it\u2019s plain weird,\u2019 I elaborate on this false friendship.

Beware of false friends. En bewaar ze niet. (Don't keep them.)

How is this helpful? Well, it shows you the anagrams of valse scrambled in different ways and helps you recognize the set of letters more easily. It will help you the next time these letters, V A L S E come up in a word scramble game. 006ab0faaa

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