After an epic, cinematic opening [...]showcases an unusual array of sounds that seem to come from the dawn of time. It is the world seen under a microscope which [...] transports the listener into an unknown space-time (Ondarock 'Sud e Magia / The late season' OST)
A bold work rooted in naturalistic sonorities of fairy-like beauty. One is literally carried away by this succession of pieces that travel through a fantastic landscape, bathed in magic and mystery.
Although minimalist in its conception, Valerio Camporini F’s music is rich in intrinsic events, playing with elastic tensions and the richness of timbres. The instruments swirl gently above enigmatic landscapes, maintaining a delicate balance between restrained flights and cosmological melancholy.
The diversity of wind instruments used gives each piece its own identity, while still forming part of a whole with wonderful evocative power. Everything is subtly supported by percussion acting as a backbone, a suspended foundation alongside luminous arrangements. Vital.(Silence and Sound 'Sud e Magia / The late season' OST)
Closing one’s eyes indeed leads to travel. What emerges is a sound stretched and slow without being dragged—almost like an eternal dawn embracing noon and painting it as a world with low, sober, Spartan rhythms. The more folkloric imprint fades, while an imaginary thread grows, delicately tying the narrative together (without ever slipping into mannerism).A record to drink in solitude, imagining a landscape. (The New Noise 'Sud e Magia / The late season' OST)
An album of contemporary classical music that takes elements of Japanese music [...] Valerio Camporini creates peaceful and even spiritual atmospheres, as well as disturbing and chilling, all of them appropriate for a film that consist on the complex clash of cultures. (Loop 'Sud e Magia / The late season' OST)
Valerio Camporini F. continues to shape a New Ancient Future through magical visions orchestrated with an incredible group of musicians. 'Form and Disintegration' follows the unpredictable paths of his previous album, Sud e Magia (Music and Studies for Sow the Wind). Synthesizers, violins, flutes, percussion, and the austere voice of Kerri Dietz come together to create scenes from an imaginary time, suspended between medieval rituals and futuristic atmospheres. Conceptual, yet without losing its connection to reality. VISIONARY. (Rockerilla 'Form and Disintegration' Eiga)
"Bound To Never Rest" stands as a testament to RAMM's ability to translate the ephemeral nature of contemporary life into a compelling auditory journey. It's an invitation to embrace the uncertainty and find solace in the ever-shifting landscape of sound. (As RAMM with Roberta D'Angelo. Reviewed by Chaindlk)
A luminous wave of sound is crossed by noise debris before becoming cautious, only to be struck again by sudden jolts. The effect is theatrical and cinematic, seeming like a true performance we are not permitted to witness [...] The admirable journey of RAMM, confirming their fantasy, color, and atmosphere, and names to be underlined and noted down (As RAMM with Roberta D'Angelo. 'Bound To Never Rest'. Reviewed by The New Noise)
There is a perfect restlessness about this album, and while for the most part volume, harsher textures, and discord are used only sparingly, rendering it a comparatively subtle work, the fact that any emerging flows are swiftly disrupted make it something that holds the focus and keeps the listener alert and just that bit on edge for its duration. (As RAMM with Roberta D'Angelo. 'Bound To Never Rest'. Reviewed by Aural Aggravation)