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Ultra is the ninth studio album by English electronic music band Depeche Mode, released on 14 April 1997 by Mute Records. It was the band's first album following the departure of Alan Wilder, who had become disillusioned with life in the band. Wilder's departure and lead singer Dave Gahan's drug problems, which culminated in a near-fatal overdose, had caused speculation that Depeche Mode was finished.[3]

Ultra was the first album the band recorded as a trio since A Broken Frame (1982); it was also their first where the band members were not involved with production, with these duties being handled by Tim Simenon of Bomb the Bass fame. Though not directly supported by a full-length tour, it was promoted via a brief series of concerts promoted as Ultra Parties.

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The album debuted at number one on the UK Albums Chart and at number five on the US Billboard 200. By April 2006, it had sold 584,000 copies in the United States.[4] In 1999, Ned Raggett ranked the album at number 50 on his list of the "Top 136 or So Albums of the Nineties".[5] That same year, the annual Ultra Music Festival in Miami was named after the album by its co-founder Russell Faibisch,[6] and acknowledging its influence on the Polish rock scene, Tylko Rock ranked it at number 71 on its list of the "100 Albums That Shook Polish Rock".[7]

The album was preceded by the singles "Barrel of a Gun", released on 3 February and "It's No Good" which was released on 31 March. It was followed by the singles "Home", released on 16 June and "Useless", released on 20 October.

Lyrically, much of the album was inspired by the turmoil the band had faced throughout the 1990s. Martin Gore said that the opening track "Barrel of a Gun" is about realising that you do not have to fit someone else's view of the world.[8] The demo version is similar in feel to the final version, although it was recreated from scratch. The drum pattern was cut up from a loop and re-sequenced, as Gore did not want to use an unedited drum loop, but also felt that loops can provide an "immediate atmosphere".[9]

Musically, the band explored many sounds within the realms of alternative rock but with larger electronic and trip-hop influences. The band also felt that they wanted to do something different since Alan Wilder had left the band.[10] Tim Simenon served as the album's sole producer, who had previously created two remixes for the limited 12" release of the live version of "Everything Counts" with Mark Saunders. He had also been a large fan of the band's music as far back as their appearance on Some Bizzare Album in 1981 with the track "Photographic". As Gore and Gahan were impressed with Gavin Friday's 1995 album Shag Tobacco, which he had produced, Daniel Miller arranged for him to meet with the band.

"Sister of Night", "Useless" and "Insight" were the first demos to have been written. The band played these demos to Simenon when they met, and despite their simplicity he was impressed. Upon hearing the demo of "It's No Good", he considered it to be a classic Depeche Mode song.[11][12] While the project started out as a small set of songs, it eventually evolved into a full album.[13]

Gahan continued to struggle with his heroin addiction during the early months of the album's production. He rarely turned up to scheduled sessions, and when he did, it would take weeks to get any vocals recorded; one six-week session at Electric Lady in New York produced just one usable vocal (for "Sister of Night"), and even that was pieced together from multiple takes.[14] Gore was forced to contemplate breaking the band up and considered releasing the songs he had written as a solo album.[15] In mid-1996, after his near-fatal overdose, Gahan entered a court-ordered drug rehabilitation program to battle his addiction to cocaine and heroin.[16] Recording sessions continued after he came out of rehab; according to Simenon, he sang "Barrel of a Gun" as if nothing had happened.

I can't hear it in the same way as a record I was involved with, but I certainly don't feel a yearning to be involved again, and I've no regrets about leaving at all. The album is difficult for me to comment on, though I do have something of a stock answer, which is: you can probably work out what I think about it by listening to Unsound Methods and then Ultra, because the two records tell you everything you need to know about what the musical relationship was between myself and Martin. It's almost as if we've gone to the two extremes of what we were when we were together. What the band had before was a combination of those extremes.

On 2 October 2007 (3 October in North America), Ultra was re-released as a two-disc set, along with Exciter, completing the Depeche Mode collector's edition catalog. The first disc is a remastered version of the original album, on a SACD/CD hybrid (except in the United States, where it is a CD only). The second disc is a DVD which features the album in DTS 5.1, Dolby Digital 5.1 and PCM Stereo. The B-sides from the album's singles can be listened to as well, including the standalone single "Only When I Lose Myself" and its B-sides.

In a retrospective review for AllMusic, Ned Raggett stated that "Depeche delivered a strong album as a rejuvenated band" with Ultra, giving particular praise to Gahan's "new control and projection" as a vocalist.[17] Writing for Pitchfork in 2022, Raggett described the album as "a crucial bridge between the increasing ambition of their early years and the easy confidence of their later ones."[23]

The album debuted and peaked at number 37 on the UK Albums Chart and spawned several hit singles in the UK and Europe. It was mainly performed and co-written by James Hearn; vocals and piano, Michael Harwood; vocals and guitar, Nick Keynes; bass, and Jon O'Mahony; drums and percussion. It was produced by ex Tears for Fears member, Ian Stanley.

Ultra is the ninth studio album by Depeche Mode and the first to be produced without Alan Wilder as a member since 1982's A Broken Frame. The album was released on 14 April 1997 by Mute Records. Though not directly supported by a full length tour, it was promoted via a brief series of concerts promoted as Ultra Parties.

Dave Gahan: "Ultra was a very important record to finish in retrospect. You know, we didn't tour with that record. That was probably the best decision that we made. Probably the only studio record that we ever didn't tour with, actually."

Martin Gore: "Did we actually make that decision?"

Gahan: "I don't know."

Andrew Fletcher: "Yeah, we did, didn't we?"

Gahan: "Yeah. I seem to remember sitting in a meeting and everybody's going ..."

Gore: "I think when we couldn't answer. I think they took it as a no."

Gahan: "Yeah. And I might've gotten arrested again or something like that."[1]

The release marks the iconic US singer, songwriter, promoter, record producer and DJ's tenth studio LP, and follows her collaborative album with Quentin Harris under the Black Stereo Faith moniker from 2017. The last Ultra Nat record-proper was 2013's 'Hero Worship'.

Lyrically, much of the album was inspired by the turmoil the band had faced throughout the 1990s. Gore said that the opening track "Barrel of a Gun" is about realizing that you do not have to fit someone else's view of the world.

Musically, the band explored many sounds within the realms of alternative rock but with a much more dark, smooth, and electronic feel. The band also felt that they wanted to do something different since Alan Wilder had left the band. "Barrel of a Gun" did not change much from its original demo and is one of the most aggressive tracks on the album.

Depeche Mode hosted two mini-concerts or "parties" used to promote the release of their ninth album, "Ultra". Alan Wilder had left the band in 1995. These two concerts and the several promotional television performances are the first to have Christian Eigner on drums. Dave Clayton is on keyboards for these two concerts and television performances; Peter Gordeno replaces him starting with the 1998 The Singles Tour.

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Ultra Beatdown is Dragonforce's fourth album, released August 20, 2008 in Japan through JVC and on August 26, 2008 worldwide through Roadrunner Records and Universal Music. On July 4, 2008, Ultra Beatdown's first single, "Heroes of Our Time", was posted on their MySpace profile. Four days later, on July 8, 2008, Heroes of Our Time's music video was released onto their MySpace profile. The album's songs "Heartbreak Armageddon", "The Fire Still Burns", and "A Flame For Freedom" were all played on 106.1 Rock Radio during an interview with the band's lead singer, ZP Theart on July 15, 2008. On August 14, 2008, Ultra Beatdown was made available for pre-order in the DragonForce official web store. On August 18, 2008, the album also became available for streaming on the band's MySpace page. Also, the album's songs, The Fire Still Burns, Reasons to Live, and Heartbreak Armageddon are featured in METAL INVASION 25 podcast, also Heroes of Our Time being featured in METAL INVASION 24. Ultra Beatdown features DragonForce's excessive use of electronic sounds in the album's songs, especially E.P.M., and Heroes of Our Time. be457b7860