For nearly a half-century, cyber security, cyber attacks, and the criminals who perpetrate those acts have been a topic of fascination in Hollywood. With increased tech reliance and adoption beginning at the turn of the 21st century, the appetite for and popularity of these types of movies and TV shows has exploded worldwide.

73-year-old animator Hayao Miyazaki has announced that "The Wind Rises", his latest film, nominated for an Academy Award, will be his last. It's sad news. Audiences have flocked to see his beautifully imagined and lushly magical films since "Princess Mononoke," his first international hit in 1997, and the worlds he has given us, the colors and sights and sounds, the plots and characters, create a powerful legacy. In "The Wind Rises," the fictionalized story of Jiro Horikoshi, Japan's World War II airplane designer (he was responsible for designing the lethal "Zero" fighter plane), one character says, staring up at the racing clouds in the sky, "Airplanes are beautiful dreams." Miyazaki's films are beautiful dreams, too. His presence is already missed.


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All of this takes place in the 1920s and 1930s, as the world arms up for war. "The Wind Rises" is a mild anti-war film (in an early scene, when Jiro beats up a school bully, his mother scolds him saying, "Fighting is never justified."), perhaps too mild, considering its topic. But Miyazaki sticks close to Jiro's journey, following him through his dreams, his schooling, his investigative trips to Germany, and his sweet courtship of the girl Naoko, who will become his wife. Still, with all of that, "The Wind Rises" has an uneasy undercurrent about what these "beautiful dreams" will become when used in warfare. Planes then turn into nightmares, raining death down on the people below.

"The Wind Rises" portrays these moral qualms, when Jiro's dreams suddenly turn dark and ominous, when the pretty swooping biplanes suddenly morph into threatening heaving monsters bursting down through the turbulent clouds. Jiro's problems are technological in nature, and "The Wind Rises", similar to "The Aviator", patiently takes us through his various breakthroughs in construction and design (he gets an inspiration for curved wings from looking at a mackerel bone). The Zero fighter plane, which put Japan on the map in World War II, was a long-range aircraft with a high degree of maneuverability. By the end of the war, technology had developed so quickly that the Zero was left in the dust by other fighter planes, and Japan resorted to using the Zero mainly in kamikaze operations. The film has been criticized for glorifying the deadly Zero, for glorifying Horikoshi and whitewashing some of the more problematic elements of his career. You could certainly make that case, and the soft-pedaling of what the Zero actually did in the war, and how it was used, is the only weakness in the film.

The images in "The Wind Rises" are breathtaking, with one striking scene after another, imaginative, whimsical, powerful. There are a couple of magnificent sequences, one being the Great Kanto Earthquake of 1923, the most powerful earthquake in Japanese history at that time. It devastated Tokyo and the surrounding areas, and the fires that erupted following the quake turned into a raging firestorm, which leveled miles of the city. The scene unfolds in an eerie and terrible way, the ground buckling and cracking, houses sinking into the depths, power lines sparking as they topple over. The landscapes are suffused with poetry and beauty that almost aches, and the cloudscapes are like an undulating Maxfield Parrish sky, the sunset-lit clouds rearing up into mountains with planes swooping around the peaks.

About The Movie U-Turn: An Intriguing Turn of EventsU Turn is a Hindi Thriller movie focusing on Radhika. She is a hardworking and dedicated intern working at a local newspaper. One day, she hears about a nearby flyover that is riddled with mysterious deaths. She decides to take it up for investigation. She takes help from a beggar near the flyover to get the numbers of the vehicles involved in the case. As she investigates further, it is revealed that everyone who takes an illegal U-Turn on the flyover turns up dead. Who is the actual culprit? Watch the Hindi movie to find out.

Japanese horror (or "J-horror") films are their own kind of scary. Whether they're about serial killers or angry ghosts, these films create a different type of fear, one steeped in existential dread about what it means to exist and the loneliness that is inherent to the human condition. It's a special brand of nihilism that's often accompanied by the absurd, creating horror that points at the absurdity of life itself. This tone is what makes these films so hard to adapt to a Western perspective. They are so explicitly Japanese that removing the cultural context in turn removes the horror. It's not just horrific imagery, but in a deeper psychological fear born from increasing loneliness in the age of technology.

Kaneto Shindo's 1964 horror classic "Onibaba" is set in 14th-century Japan, where an old woman and her daughter-in-law are trying to survive during a civil war. As they await the return of their son-slash-husband, the women murder soldiers, loot their bodies, and sell the stolen goods so they can afford to survive. But when their neighbor returns from war, things get complicated, and a strange love triangle threatens the women's violent, yet simple, way of life.

Shot in a beautiful monochromatic color palette, Kaneto Shindo's 1968 ghost story "Kuroneko" is a devastatingly gorgeous revenge tale about a woman and her daughter-in-law, who return as angry spirits after being raped and murdered by violent samurai during a war in feudal Japan. If that sounds similar, it's because Shindo wrote and directed "Onibaba" just four years earlier.

At the turn of the century, one of Japan's biggest fears was the increasing isolation that came with the growth of the internet. Kiyoshi Kurosawa encapsulates that cultural anxiety in his 2001 film "Pulse," which is about a ghostly virus that leaks from the internet into reality. In parallel story lines, two young women discover that something strange is happening to their friends, who begin committing suicide after leaving cryptic notes asking for help.

The 1969 film "Horrors of Malformed Men," directed by Teruo Ishii, pulls elements from two Edogawa Rampo novels: "Strange Tale of Panorama Island" and "The Demon of the Lonely Isle." It's twisty and turny, resulting in a frothy blender of film noir, body horror, and the truly demented.

Toshiharu Ikeda's "Evil Dead Trap," written by Takashi Ishii, is as underrated as they come. What begins as a typical slasher film takes a hard left turn into bonkersville in the final 20 minutes. Truly, you won't see it coming.

When this action hit first came out, fans of the original series were upset that the film underplayed the whole cooperation-between-teammates-with-different-skills thing, focusing instead on the heroics of the lone Cruise character. Fair enough. But what a movie! Director Brian De Palma delivers an atmospheric Cold War thriller that turns into a North by Northwest-style adventure before transforming into a go-for-broke action spectacle. Meanwhile, Cruise becomes a bona-fide action hero here. (Previously, most of his action movies had simply asked him to control large, powerful vehicles.) Watch the justly celebrated, wordless Pentagon break-in sequence: what makes it work so well is the subtle slapstick Cruise brings to being suspended in air.

Why yes, Steven Spielberg's sci-fi potboiler about a world where you can be arrested for future crimes (instead of past ones) does feel amazingly prescient. But what makes it so special is its unique ability to juggle dark social themes, a tense mystery plot, and an insane, freewheeling sense of fun. And as the pre-crime cop-turned-fugitive at the heart of this tale, Cruise is one of the film's most formidable weapons. He merges the driven, upright character of his early years with the more physical action hero of his later years. But he's supremely vulnerable, too: a man who hides his doubt and suffering under a cloak of unquestioning determination.

Suicide Squad was a tough production and the movie underwent some reshoots, but it turned out fine for all parties involved as it grossed over $745.6 million globally. It is now the 13th highest-grossing superhero release of all time domestically and has surpassed the international box office of Deadpool, a movie to which it was often compared in terms of tone.

Director: Na Hong-jin


A masterpiece of atmospheric horror, The Wailing is long, intense and ambitious, but it never feels like a slog. It also borrows elements from across the landscape of horror - from zombies to demons to creepy kids - but never turns into a messy patchwork. The story, centering on a police officer racing to save a village from a mysterious virus before it can claim his daughter, unfolds gradually enough that it all seems natural, allowing the sense of dread to envelop you like a fog.

Another gem from Pier Paolo Pasolini. This famous adaptation of Jason and the Argonauts myth focuses on the sorceress Medea, who helped Jason in his quest and was promised by him to be his wife. After returning to his land as a hero, Jason abandons Medea and marries instead a Corinthian princess. Enraged, Medea plots revenge against Jason and his new wife, with tragic events following. With the famous soprano Maria Calls starring, Pasolini successfully adapts the famous Greek tragic play by Euripides.

Undoubtedly, one of the most famous characters from Greek Mythology is the crafty Odysseus (Ulysses in Latin), the hero of the epic poem of Homer, Odyssey. The story follows Odysseus and his crew on their way back to Ithaca after the fall of Troy. A journey that would normally last weeks, lasted 10 whole years! Their epic adventures include many ordeals that the God Poseidon sent to their way, after they showed arrogance towards the Olympians. Terrifying mythical monsters, gigantic Cyclops, beautiful Nymphs and enchanting Sirens are only a few of the trials Odysseus has to face before he returns to his loyal wife Penelope. A personal favorite! e24fc04721

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