Embedded Files
Academic Literary Resources
Academic Literary Resources
Literary Romanticism (1780-1840) and Victorian (1820-1901)
Literary Romanticism (1780-1840) and Victorian (1820-1901)
Landow, George P. "The Victorian Web". 1987 - 2020.
victorianweb.org/misc/vwintro.html
Levine, Robert S., et al. The Norton Anthology of American Literature Volume I: Beginnings To 1865. W.W. Norton & Company, 2022. Print.
Moretti, Franco. Graphs, Maps, Trees: Abstract Models for a Literary History. Kiribati, Verso, 2005. Print.
Pearson, Ty William Larry. "Great Expectations: A Timeless Exploration of Identity Transformation", University of Minnesota Duluth, ENGL 4292, 2023.
drive.google.com/file/d/1bSgNY_-5mikMxkdZFDi6Z-WfbxN8zGvz/view?usp=sharing
Pearson, Ty William Larry. "The Power of Place: An Analysis of Edgar Allan Poe’s The Fall of the House of Usher" University of Minnesota Duluth, ENGL 3563, 2023. google.com/file/view?usp=sharing
Pearson, Ty William Larry. "Wanderer Above the Sea of Fog: A Timeless Testament to the Power of Images and the Dangers of their Misappropriations", University of Minnesota Duluth, ENGL 4260, 2023. google.com/file/d/12b692bKHr1IQOcujFhvl/view?usp=sharing
Stroupe, Craig. "Romanticism Handout". University of Minnesota Duluth, WRIT 1506, 2020.
drive.google.com/file/d/17oKQ-cg2mD6iT-RuVB3Lwj58ADVIVxcr/view?usp=sharing
Traister, Bryce. Cambridge Companion to Early American Literature. Cambridge University Press, 2021. Print.
On the Marshes, by the Lime-kiln by Marcus Stone
Credit: Marcus Stone victorianweb.org/art/illustration/mstone/9.html
Moretti (19) in Graphs, Maps, Trees: Abstract Models for a Literary History.
Moretti (31) in Graphs, Maps, Trees: Abstract Models for a Literary History.
Literary Postmodernism & Digital Culture (1960 - Present)
Literary Postmodernism & Digital Culture (1960 - Present)
Pearson, Ty William Larry. "Cyberspace as Augmented, Literary Space": A Visual Explanation of Postmodern Digital Writing & Design." University of Minnesota Duluth, WRIT 4260, 2023.
Addonizio, Kim, and Dorianne Laux. The Poet's Companion: A Guide to the Pleasures of Writing Poetry. W.W. Norton & Company, 1997. Print.
Barthes, Roland. "The Death of The Author." The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006, pp. 277-280.
Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. United States, Farrar, Straus and Giroux, 2006.
https://www.d.umn.edu/~cstroupe/handouts/4250/birkerts_gutenberg-elegies-intro_C1_excerpts.pdf
This source is relevant to my research on print readers and writers contrasted with online readers and writers. I am particularly interested in Birkert’s idea that “thought is as much about the motion across the water as it is about the stepping stones that allow it” (11). He applies this concept to the nature of the slow, methodic, solipsistic deep reading popularized during the print era. Moreover, he contrasts the aforementioned concept of ‘thought’ with a discussion of how writers and readers ‘think’ in the digital age. Birkerts text differs from my research because his purpose is to eulogize the print era and caution against diving too fast into the digital age. I seek to provide an unbiased, objective picture of cyberspace literature with particular emphasis on internet self-publishing platforms.
Bissell, Tom. Extra Lives: Why Video Games Matter. Pantheon Books, 2010. Print.
Bourdieu, Pierre. “The Field of Cultural Production." 1993. The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006,
pp. 99-120.
Bradbury, Ray. Zen in the Art of Writing. United States, Ray Bradbury Enterprises, 1994.
Carr, Nicholas. “Is Google Making Us Stupid?” The Atlantic. 2008.
drive.google.com/file/d/1XC1lAFJTGy439823fGLnIdDJosWu1YfT/view?usp=sharing
This text is all about how the internet restructures human consciousness. As such, it is useful for components of my research pertaining to online readers and the nature of their activities. It might be interesting to contrast what Birkerts calls the “thingness” of print and its readers with the artificial, machine-like consciousness of readers today (25). This source differs from my research since it takes a psychological approach to digital literature. I plan to focus more so on the political, economic, technological, and sociological elements of cyberage publishing.
Cobley, P. Narrative. London: Routledge, 2014. Print.
Comfort, David. An Insider’s Guide to Publishing. Writer’s Digest Books, 2013. Print.
Darnton, Robert. “What Is The History of Books.” 1982. The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006, pp. 9-22.
This text furnishes a relevant framework for the new historicist stance I plan to use in my research. It provides plenty of keywords, phrases, and even a diagram about the “communications circuit” that can help me unpack the structure of Medium.com and similar online publishers (Darnton 12).
Filak, Vincent F. Dynamics of News Reporting and Writing: Foundational Skills for a Digital Age. SAGE Publications, Inc. 2022.
Firth et al. "The "online brain": how the Internet may be changing our cognition." World Psychiatry: Official Journal of the World Psychiatric Association (WPA), vol. 18, no. 2, Wiley, 2019, pp. 119–129, https://onlinelibrary.wiley.com/doi/epdf/10.1002/wps.20617
Fish, Stanley. “Interpreting The Variorum.” 1976. The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006, pp. 450-458
This text is relevant to my research about the variety of online audiences and self-publishing resources. Specifically, Fish’s ideas about “interpretive communities” parallel my thoughts about niche, digital communities (457). It is quite interesting to me to compare and contrast what Fish says with another similar theory about interpretive groups posited by C Thi Nguyen in his article “Escape the echo chamber”.
Foucault, Michel. "What is an Author." 1998. The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006, pp. 281-291.
Google Trends, Google, trends.google.com/trends.
Goldstein, R. “Q&A: Ray Bradbury”. TIME, 2010. content.time.com/time/arts/article/0,8599,2012734,00.html
Gvora, Joe. "Google Glass: What Happened To The Futuristic Smart Glasses?" ScreenRant, 2023.
screenrant.com/google-glass-smart-glasses-what-happened-explained/
Hammond, Adam. Literature in the Digital Age: An Introduction. Cambridge: Cambridge University Press, 2016. Print.
Literature in the Digital Age presents an overall optimistic vision of the authorial freedom fostered by cyberspace. In my research, I am interested in exploring whether the future of digital literature warrants such eagerness. How much freedom do the circuits of the cyberage literary scene really provide? This is one of the central questions my research seeks to answer. A dialogic look at the claims of West on the magazine market, Hammond on digital literature, and case studies of online publications on their business practices will undoubtedly help me unpack it.
Holley, Robert P., editor. Self-Publishing and Collection Development: Opportunities and Challenges for Libraries. Purdue University Press, 2015. JSTOR, https://www.jstor.org/stable/j.ctt1wf4dpf.
Iser, Wolfgang. "Interaction Between Text and Reader." 1980. The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006,
pp. 391-396.
The idea that “if communication between text and reader is to be successful, clearly the reader’s activity must be controlled in some way by the text” has unsettling implications for the fate of literature in the digital age (Iser 392). Due to the interactive, dynamic nature of the content on the internet, what Iser calls the “gaps” and “blanks” in a text are seemingly infinite (393). There is no way to have true control over the reader of an e-text. I am interested in examining the role of such “reader participation” in the formation of meaning in online texts (Iser 395).
Manovich, Lev. Software Takes Command. New York: Bloomsbury, 2013. doi.org/10.5040/9781472544988
This dense book provides an extensive overview of the software era. I am currently combing through my highlights and annotations from my first reading of it in 2022 and pulling pieces that apply most to my current research.
Mori, Masahiro. 2020. 'The Uncanny Valley Effect'
Murfin, Ross C. “What Is The New Historicism?” The Awakening: Complete, Authoritative Text with Biographical, Historical, and Cultural Contexts, Critical History, and Essays from Contemporary Critical Perspectives. Bedford/St. Martin’s, 2000, pp. 257-274.
“NEA Big Read: Meet Ray Bradbury” National Endowment for the Arts (2017). youtube.com/watch?v=Pqp38_uS-eg&t=1042s
Nguyen, Thi C. "Escape the echo chamber,” Aeon, 2018. https://aeon.co/essays/why-its-as-hard-to-escape-an-echo-chamber-as-it-is-to-flee-a-cult
Ong, Walter J., and Hartley, John. Orality and Literacy: The Technologizing of the Word. United Kingdom, Routledge, 2012.
Open Access - The Metropolitan Museum of Art
metmuseum.org/about-the-met/policies-and-documents/open-access
Pearson, Ty William Larry. "2022 Book Genre Popularity." University of Minnesota, Duluth, WRIT 4260, 2023. https://drive.google.com/file/d/1UhdbtWQ4HArFDDBbw0YjedkX7-VJc4U4/view
Pearson, Ty William Larry. “The Strange Fish Essay.” University of Minnesota Duluth, WRIT 4250, 2022.
https://drive.google.com/file/d/10NUJl2zvWGHfUIw6kRS9j1uFteS1-dyT/view?usp=sharing
“Project Gutenberg.” Project Gutenberg, www.gutenberg.org/.
"Public Domain." Creative Commons (CC). creativecommons.org/public-domain/
Poster, Mark. “The Digital Subject and Cultural Theory.” The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006, pp. 486-493.
This source provides interesting insights about the fate of the ‘author’ in the digital age. In particular, Posters' idea that “[d]igital writing may function to extract the author from the text…” intrigues me (489). Moreover, the dichotomies he draws between the “analogue author” and “digital author” are useful for constructing contrasting pictures of writers today, compared to writers in the print-dominated era (Poster 490). This source differs from my research because it's somewhat outdated in relation to the fast-moving, ever-evolving world of digital literature.
Rose, David. Enchanted Objects: Design, Human Desire, and the Internet of Things. Simon & Schuster, 2014.
I recently acquired this text from a used book sale and have not completed it yet. That said, from what I have read so far, Rose’s ideas about the digital age and the humanities are somewhat similar to my own. In particular, his notion that an “ordinary thing…augmented and enhanced through emerging technologies…gains some remarkable power or ability that makes it more useful, more delightful, more informative, more sensate, more connected, more engaging, than its ordinary self” applies loosely to my idea that a printed word, if digitized, can acquire a greater communicative potential (47). In short, digital text becomes what Rose might refer to as ‘enchanted’ text. His book differs from my research because Rose looks at how the spread of digital culture and the Internet of Things (IoT) impacts the humanities and creative economy broadly. I am interested specifically in the impacts of digital technologies on ‘literature’.
“Roger Ebert on Film Criticism – EMMYTVLEGENDS.ORG”. FoundationINTERVIEWS, 2008. youtube.com/watch?v=8FCVlQ_5aSI
“Siskel & Ebert Advise Young Movie Critics”. Interview Archives Learning Objects, 2019. www.youtube.com/watch?v=L9DzZIkwI
Sontag, Susan. On Photography. Picador. 1973. Print.
Taylor, B. “Art is hard work” Roger Ebert, 2006. rogerebert.com/roger-ebert/art is-hard-work
Tompkins, Jane. "Masterpiece Theater: The Politics of Hawthorne's literary reputation." The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006, pp. 337-344.
West, L.W. James. “The Magazine Market.” The Book History Reader, Milton Park, Abingdon, Oxon; New York: Routledge, 2006, pp. 369-376.
West elaborates on the concepts of 'advertising' and 'demand’ in relation to the magazine market economy. He goes on to substantiate his claims by sketching a few historical examples of authors who received success, or lack thereof based on how they met the needs of magazine markets in their times. West’s assertion that authors must conform to the standards of mass-market magazines if they want fiscal rewards or social capital is interesting to me because it foils the somewhat utopian notions of online self-publishing posited by many of its primary proponents.
Fiction and Creative Nonfiction
Fiction and Creative Nonfiction
Pre-1880
Pre-1880
Books and Short Stories
Books and Short Stories
[1764]
Castle of Otranto by Horace Walpole (unread but of interest)
[1789]
The Interesting Narrative of the Life of Olaudah Equiano by Olaudah Equiano
[1791]
The Autobiography of Benjamin Franklin by Benjamin Franklin
[1809 - 1849]
Edgar Allan Poe: The Complete Tales and Poems
[1813]
Pride and Prejudice by Jane Austen
[1818]
Frankenstein by Mary Shelley
[1819]
Rip Van Winkle by Washington Irving
[1820]
The Legend of Sleepy Hollow by Washington Irving
[1835]
Young Goodman Brown by Nathaniel Hawthorne
[1836]
The Minister's Black Veil by Nathaniel Hawthorne
[1838]
Oliver Twist by Charles Dickens (unread but of interest)
[1843]
A Christmas Carol by Charles Dickens
[1847]
Jane Eyre by Charlotte Brontë
[1852]
Uncle Tom's Cabin by Harriet Beecher Stowe
[1855]
Leaves of Grass by Walt Whitman
[1861]
Life in the Iron Mills by Rebecca Harding Davis
Great Expectations by Charles Dickens
[1864]
Notes from Underground by Fyodor Dostoevsky
Literary Modernism (1880 – 1960)
Literary Modernism (1880 – 1960)
Books, Short Stories, and Theater Productions
Books, Short Stories, and Theater Productions
[1884]
Adventures of Huckleberry Finn by Mark Twain
[1886]
The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
[1890]
The Picture of Dorian Gray by Oscar Wilde
[1892]
The Yellow Wallpaper by Charlotte Perkins Gilman
[1895]
The Importance of Being Earnest by Oscar Wilde (unread but of interest)
[1897]
Dracula by Bram Stoker
[1898]
The Blue Hotel by Stephen Crane
[1899]
The Awakening by Kate Chopin
[1915]
The Metamorphosis by Franz Kafka
[1920]
This Side of Paradise by F. Scott Fitzgerald
[1925]
The Great Gatsby by F. Scott Fitzgerald
[1927]
Hills Like White Elephants by Ernest Hemingway
[1932]
Brave New World by Aldous Huxley (undread but of interest)
Death in the Afternoon by Ernest Hemingway
[1937]
The Hobbit by John Ronald Reuel Tolkien
Of Mice and Men by John Steinbeck
[1938]
Anthem by Ayn Rand
Rebecca by Daphne du Maurier
[1941]
The case of Charles Dexter Ward by H. P. Lovecraft
[1942]
The Myth of Sisyphus by Albert Camus
[1944]
No Exit by Jean-Paul Sartre
[1945]
Animal Farm by George Orwell
[1948]
The Lottery by Shirley Jackson
[1949]
Nineteen Eighty-Four by George Orwell
Death of a Salesman by Arthur Miller (unread but of interest)
[1952]
The Old Man and the Sea and Ernest Hemingway
[1953]
Fahrenheit 451 by Ray Bradbury
The Crucible by Arthur Miller (unread but of interest)
[1955]
The Talented Mr. Ripley by Patricia Highsmith
[1957]
Atlas Shrugged by Ayn Rand (unread but of interest)
[1959]
Flowers for Algernon by Daniel Keyes
Naked Lunch by William S. Burroughs (unread but of interest)
Movies
Movies
[1902]
A Trip to the Moon by Georges Méliès
[1921]
The Kid by Charlie Chaplin
[1922]
Nosferatu by F. W. Murnau, adapted from Bram Stoker
[1927]
Metropolis by Fritz Lang
[1931]
The Public Enemy by William A. Wellman
[1932]
I Am a Fugitive from a Chain Gang by Mervyn LeRoy and Robert Elliott Burns
[1935]
The 39 Steps by Alfred Hitchcock
[1939]
The Wizard of Oz by Victor Fleming, L. Frank Baum and Noel Langley
[1940]
Rebecca by Alfred Hitchcock
[1941]
Suspicion by Alfred Hitchcock
Mr. & Mrs. Smith by Alfred Hitchcock (unwatched but of interest)
[1945]
Detour by Edgar G. Ulmer
[1946]
The Postman Always Rings Twice by Tay Garnett
Great Expectations by David Lean
[1952]
High Noon by Fred Zinnemann
Ikiru (To Live) by Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni, adapted from Leo Tolstoy
Singin' in the Rain by Gene Kelly and Stanley Donen
[1955]
The Night of the Hunter by Charles Laughton
[1957]
The Seventh Seal by Ingmar Bergman
[1959]
North by Northwest by Alfred Hitchcock
Literary Postmodernism & Digital Culture (1960 - Present)
Literary Postmodernism & Digital Culture (1960 - Present)
Books, Short Stories, and Theater Productions
Books, Short Stories, and Theater Productions
[1960]
To Kill A Mockingbird by Harper Lee
[1962]
A Clockwork Orange by Anthony Burgess
[1963]
The Bell Jar by Sylvia Plath (unread but of interest)
[1971]
Fear and Loathing in Las Vegas by Hunter S. Thompson
[1973]
The Flowers by Alice Walker
[1977]
The Shining by Stephen King
[1978]
Night Shift by Stephen King
[1981]
What We Talk About When We Talk About Love by Raymond Carver
[1990]
The Things They Carried by Tim O'Brien
[1992]
The Secret History by Donna Tartt
[1995]
Bloodchild by Octavia Butler
[1996]
Infinite Jest by David Foster Wallace
Bridget Jones's Diary by Helen Fielding
[1998]
The Rum Diary by Hunter S. Thompson
Changes by Neil Gaiman
[2002]
Heavier Than Heaven: A Biography of Kurt Cobain by Charles R. Cross
Journals by Kurt Cobain
[2006]
The Road by Cormac McCarthy
[2007]
Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10 by Marcus Luttrell and Patrick Robinson
[2008]
The Hunger Games by Suzanne Collins
Paper Towns by John Green
[2009]
Catching Fire by Suzanne Collins
[2010]
Mockingjay by Suzanne Collins
[2011]
Divergent by Veronica Roth
[2012]
American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History by Chris Kyle, Scott McEwen, and Jim DeFelice
[2013]
Vicious by V. E. Schwab
Vampires in the Lemon Grove by Karen Russell
[2016]
The Midnight Zone by Lauren Groff
Locally Laid: How We Built a Plucky, Industry-changing Egg Farm - from Scratch by Lucie B. Amundsen
[2018]
Don't Quit Your Day Job: The Adventures of a Midlist Author by Michael Fedo
Scrap; on Louise Nevelson by Julie Gard
[2019]
The Twenty-Ninth Day: Surviving a Grizzly Attack in the Canadian Tundra by Alex Messenger
[2021]
The Collected Works of Jim Morrison: Poetry, Journals, Transcripts, and Lyrics by Jim Morrison, Forward by Tom Robbins
[2023]
Julia by Sandra Newman
[2024]
Birds Aren't Real: The True Story of Mass Avian Murder and the Largest Surveillance Campaign in US History by Connor Gaydos and Peter McIndoe
Middle of the Night: A Novel by Riley Sager
Movies
Movies
[1960]
Psycho by Alfred Hitchcock
[1961]
Yojimbo by Akira Kurosawa
[1962]
To Kill a Mockingbird by Robert Mulligan adapted from Harper Lee
[1963]
The Birds by Alfred Hitchcock
[1967]
Bonnie and Clyde by Arthur Penn (unwatched but of interest)
[1971]
Play Misty for Me by Clint Eastwood and Jo Heims
[1972]
The Godfather by Francis Ford Coppola (unwatched but of interest)
[1973]
Badlands by Terrence Malick
[1974]
The Godfather Part II by Francis Ford Coppola (unwatched but of interest)
[1975]
One Flew Over the Cuckoo's Nest by Miloš Forman and Ken Kesey
Jaws by Steven Spielberg
[1976]
Taxi Driver by Martin Scorsese
Carrie by Brian De Palma, adapted from Stephen King
[1978]
Halloween by John Carpenter
Eraserhead by David Lynch (unwatched but of interest)
[1979]
Apocalypse Now by Francis Ford Coppola
[1980]
The Shining by Stanley Kubrick, adapted from Stephen King
Raging Bull by Martin Scorsese, adapted from Joseph Carter, Jake La Motta, and Peter Savage
[1982]]
Pink Floyd – The Wall by Roger Waters
[1985]
Stand By Me by Rob Reiner, adapted from Stephen King
The Breakfast Club by John Hughes
[1986]
Blue Velvet by David Lynch
Labyrinth by Jim Henson
[1987]
Full Metal Jacket by Stanley Kubrick, adapted from Gustav Hasford
[1988]
Heathers by Michael Lehmann
Beetlejuice by Tim Burton
[1989]
Batman by Tim Burton
Do The Right Thing by Spike Lee
[1990]
Misery by Rob Reiner, adapted from Stephen King
The Godfather Part III by Francis Ford Coppola (unwatched but of interest)
[1991]
The Doors by William Oliver Stone
Cape Fear by Martin Scorsese
[1992]
Bram Stoker's Dracula by Francis Ford Coppola, adapted from Bram Stoker
Candyman by Bernard Rose adapted from Clive Barker
Reservoir Dogs by Quentin Tarantino
Batman Returns by Tim Burton
Malcolm X by Spike Lee, Marvin Worth, James Baldwin, and Arnold Perl
[1993]
What's Eating Gilbert Grape by Lasse Hallström adapted from Peter Hedges
The Fugitive by Andrew Davis
Jurassic Park by Steven Spielberg adapted from Michael Crichton
The Nightmare Before Christmas by Henry Selick adapted from Tim Burton
[1994]
Natural Born Killers by William Oliver Stone
Pulp Fiction by Quentin Tarantino
Forrest Gump by Robert Zemeckis and Winston Groom
The Shawshank Redemption by Frank Darabont adapted from Stephen King
The Crow by Alex Proyas adapted from James O'Barr
[1995]
The Basketball Diaries by Scott Kalvert adapted from Jim Carroll
Se7en by David Fincher
[1996]
Scream by Wes Craven
Twister by Lee Isaac Chung and Joseph Kosinski
Trainspotting by Danny Boyle and Irvine Welsh
The Watermelon Woman by Cheryl Dunye
Leaving Las Vegas by Mike Figgis and John O'Brien
Fargo by Joel Coen
[1997]
Lost Highway by David Lynch
Titanic by James Cameron
Austin Powers by Jay Roach Mike Myers; Demi Moore; Jennifer Todd; and Suzanne Todd
The Devil's Advocate by Taylor Hackford
[1998]
Urban Legend by Jamie Blanks
Pleasantville by Gary Ross
The Big Lebowski by Ethan Coen and Joel Coen
[1999]
Sleepy Hollow by Tim Burton
The Green Mile by Frank Darabont
The Ninth Gate by Roman Polanski adapted from Arturo Pérez-Reverte
The Sixth Sense by M. Night Shyamalan
Girl, Interrupted by James Mangold and Susanna Kaysen
American Beauty by Sam Mendes
Office Space by Mike Judge
[2000]
Almost Famous by Cameron Crowe
Cast Away by Robert Zemeckis
American Psycho by Mary Harron and Bret Easton Ellis
[2001]
Blow by Ted Demme adapted from Bruce Porter
Donnie Darko by Richard Kelly
Waking Life by Richard Linklater
[2002]
Signs by M. Night Shyamalan
8 Mile by Curtis Hanson
[2004]
Secret Window by David Koepp adapted from Stephen King
Million Dollar Baby by Clint Eastwood
[2005]
Grizzly Man by Werner Herzog
War of the Worlds by Steven Spielberg adapted from H. G. Wells
Batman Begins by Christopher Nolan
Charlie and the Chocolate Factory by Tim Burton
[2006]
Idiocracy by Mike Judge
Fast Food Nation by Richard Linklater
Silent Hill by Christophe Gans adapted from Team Silent and Konami
Everything Will Be OK by Don Hertzfeldt
[2007]
Across the Universe by Julie Taymor
Superbad by Greg Mottola
Disturbia by D. J. Caruso
Into the Wild by Sean Penn
Room 1408 by Mikael Håfström adapted from Stephen King
30 Days of Night by David Slade
The Number 23 by Joel Schumacher
We Own the Night by James Gray
No Country for Old Men by Ethan Coen and Joel Coen adapted from Cormac Mc Carthy
[2008]
Changeling by Clint Eastwood
Step Brothers by Adam McKay
Twilight by Catherine Hardwicke, Bill Condon, Chris Weitz, and David Slade adapted from Stephenie Meyer
The Dark Knight by Christopher Nolan
The Hurt Locker by Kathryn Bigelow
The Onion Movie by Tom Kuntz
I Am So Proud of You by Don Hertzfeldt
[2009]
Knowing by Alex Proyas and Ryne Douglas Pearson
The Road by John Hillcoat adapted from Cormac McCarthy
Zombieland by Ruben Fleischer
[2010]
Blue Valentine by Derek Cianfrance
Scott Pilgrim vs. the World by Edgar Wright
Shutter Island by Martin Scorsese
Alice in Wonderland by Tim Burton
Inception by Christopher Nolan
Black Swan by Darren Aronofsky (unwatched but of interest)
[2011]
The Rum Diary by Bruce Robinson adapted from Hunter S. Thompson
It's Such a Beautiful Day by Don Hertzfeldt
[2012]
Argo by Ben Affleck
The Dark Knight Rises by Christopher Nolan
Ted by Seth MacFarlane
21 Jump Street by Phil Lord and Chris Miller
The Master by Paul Thomas Anderson
Django Unchained by Quentin Tarantino
[2013]
We're The Millers by Rawson Marshall Thurber
The Purge by Everardo Valerio Gout, Gerard McMurray, and James DeMonaco
The Great Gatsby by Baz Luhrmann
The Wolf of Wall Street by Martin Scorsese
Her by Spike Jonze
The Book Thief by Brian Percival adapted from Markus Zusak
[2014]
Divergent Neil Burger by adapted from Veronica Roth
Tusk by Kevin Smith
Night Crawler by Dan Gilroy
Lucy by Luc Besson
Gone Girl by David Fincher
The Imitation Game by Morten Tyldum
The Fault in Our Stars by Josh Boone adapted from John Green
[2015]
The Hateful Eight by Quentin Tarantino
Kurt Cobain: Montage of Heck by Brett Morgen
[2016]
10 Cloverfield Lane by Dan Trachtenberg
The Accountant by Gavin O'Connor
Crimson Peak by Guillermo del Toro (unwatched but of interest)
Split by M. Night Shyamalan
Why Him? by John Hamburg, Jonah Hill, and Ian Helfer
American Honey by Andrea Arnold
[2017]
1922 by Zak Hilditch adapted from Stephen King
Three Billboards Outside Ebbing, Missouri by Martin McDonagh
Get Out by Jordan Peele
T2 Trainspotting by Danny Boyle
The Vanishing of Sidney Hall by Shawn Christensen
[2018]
A Quiet Place by John Krasinski
Bad Times at the El Royale by Drew Goddard
The Mule by Clint Eastwood
Bohemian Rhapsody by Bryan Singer and Dexter Fletcher
A Star is Born by Bradley Cooper
[2019]
Once Upon A Time In Hollywood by Quentin Tarantino
Zombieland 2 by Ruben Fleischer
Tread by Paul Solet
El Camino: A Breaking Bad Movie by Vince Gilligan
The Lighthouse by Robert Eggers
ReMastered: Devil at the Crossroads by Brian Oakes
Dolemite Is My Name by Craig Brewer, Larry Karaszewski, Scott Alexander
Joker by Todd Phillips
The Professor by Wayne Roberts
[2021]
Candyman by Nia DaCosta
Don't Look Up by Adam McKay and David Sirota
Shoplifters of the World by Stephen Kijak and Lorianne Hall (unwatched but of interest)
[2022]
MK Ultra by Joseph Sorrentino
Top Gun: Maverick by Joseph Kosinski
[2023]
Cocaine Bear by Elizabeth Banks
The Super Mario Bros. Movie by Aaron Horvath and Michael Jelenic
[2024]
Trap by M. Night Shyamalan
The Crow by Rupert Sanders
Beetlejuice Beetlejuice by Tim Burton
Megalopolis by Francis Ford Coppola
Joker: Folie à Deux by Todd Phillips
Nosferatu by Robert Eggers
TV Shows
TV Shows
[1959 - 1964]
The Twilight Zone by Rod Serling
[1990 - 1991]
Twin Peaks & Twin Peaks: The Return [2018] by David Lynch and Mark Frost
[1999 - 2007]
The Sopranos by David Chase (unwatched but of interest)
[1999 - present]
Spongebob by Stephen Hillenburg
[2007 - 2015]
Mad Men by Matthew Weiner (unwatched but of interest)
[2008 - 2013]
Breaking Bad by Vince Gilligan
[2009 - 2020]
Tosh.0
[2011 - present]
Ridiculousness
[2011 - 2018]
Portlandia
[2011 - present]
American Horror Story
[2012 - 2015]
Key & Peele by Jordan Peele, Keegan-Michael Key, and Peter Atencio
[2012 - 2018]
The Eric Andre Show
[2013 - 2019]
Drunk History by Derek Waters and Jeremy Konner
[2013 - Present]
Rick and Morty by Justin Roiland and Dan Harmon
[2014 - 2020]
BoJack Horseman
[2017-2018]
The End of The F***ing World by Jonathan Entwistle, Lucy Tcherniak, Lucy Forbes, and Destiny Ekaragha
[2017 - 2022]
Ozark by Bill Dubuque and Mark Williams
[2017 - 2020]
13 Reasons Why by Joseph Incaprera
[2020 - 2021]
The Stand
[2020 - 2021]
Tiger King
[2021]
Squid Game by Hwang Dong-hyuk
[2022]
The Sandman by Neil Gaiman, David S. Goyer, and Allan Heinberg
[2024]
Feud: Capote vs. The Swans by Gus Van Sant
[2018 - 2025]
You by various directors, adapted from Caroline Kepnes
Consoles and Video Games
Consoles and Video Games
Nintendo
Super Nintendo (SNES)
Nintendo 64
Gamecube
PlayStation 1
PlayStation 2
Xbox
PlayStation 3
Xbox 360
PlayStation 4
PlayStation VR
Xbox One
PC Gaming
[1985]
Super Mario Bros by Nintendo
[1988]
Super Mario Bros. 2 by Nintendo
Super Mario Bros. 3 by Nintendo
Ninja Gaiden by Tecmo and Hudson Soft
[1990]
Super Mario World by Nintendo
[1991]
The Legend of Zelda: A Link to the Past
[1994]
Donkey Kong Country by Rare
[1996]
Super Mario 64 by Nintendo
Mario Kart 64 by Nintendo
[1997]
GoldenEye 007 by Rare and Ultimate Play the Game
[1998]
The Legend of Zelda: Ocarina of Time by Nintendo
[2007]
Uncharted: Drake's Fortune by Naughty Dog
[2009]
Uncharted 2: Among Thieves by Naughty Dog
[2010]
Alan Wake by Remedy Entertainment
[2011]
L.A. Noire by Rockstar Games
Uncharted 3: Drake's Deception
[2012]
Alan Wake's: American Nightmare by Remedy Entertainment
[2013]
BioShock Infinite by by Irrational Games and 2K
The Last of Us by Naughty Dog Entertainment
[2014]
The Evil Within by Tango Gameworks
[2014]
Watch Dogs by Ubisoft
2048 by Solebon LLC
[2015]
Fallout 4 by Bethesda Softworks
[2016]
Uncharted 4: A Thief's End
Watch Dogs 2 by Ubisoft
[2016]
Quantum Break by Remedy Entertainment
[2017]
The Evil Within 2 by Tango Gameworks
[2019]
Control by Remedy Entertainment
[2020]
The Last of Us Part II by Naughty Dog Entertainment
[2023]
Alan Wake 2 by Remedy Entertainment
[2023]
BreakTime Google Chrome Plug-in
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