Trust Me Song Download Mc Insane

MC INSANE is talking about his feelings and how society treated him bad when all he did was trust and love. He is seeking love and trust from those he cares and love about and sharing his sad stories how people left him. How his love left him. Heartbreak Season

Hi to all...this is my new video recorded between Oviedo (mostly), Zaragoza and Pescara during the Christmas holidays...what i want to show in this video is "the ideas" behind rather then the tricks itself (the tune in the song that the girl can't...

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In the first verse, Twisted Insane reflects on the betrayal he has experienced from those he once considered friends. He recalls the disappointment of seeing people he grew up with engage in unethical behaviors, causing him to question his trust in others.

In the second verse, Twisted Insane confronts those who have betrayed him and taken advantage of his trust. He explains the importance of discerning between genuine relationships and those that are fake or manipulative.

The songs of Insane Clown Posse center thematically on the mythology of the Dark Carnival, a metaphoric limbo in which the lives of the dead are judged by one of several entities. The Dark Carnival is elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all".

The group began recording their debut album, Carnival of Carnage, with producer Chuck Miller. After recording only three songs for $6,000 with Miller, Alex Abbiss made his first major managerial move by finding another producer, Mike E. Clark.[10] The group finished recording the album with Clark, who continued to work with them throughout their career. The album featured appearances from local rappers, including Esham and Kid Rock.[7] Just weeks prior to the release of their album, John left the group because he felt that it was "taking up too much of [his] life".[10] When Bruce and Utsler attempted to call a meeting to talk about the issues, John did not attend.[10]

The group's second studio album, Ringmaster, was released on March 8, 1994, and its popularity enabled the group to sell out larger nightclubs across Detroit.[14] Because Bruce and Utsler made reference to the Detroit-produced soft drink Faygo in their songs, they "figured it would be cool to have some on stage with [them]".[15] During a concert in 1993, Bruce threw an open bottle of Faygo at a row of concertgoers who were giving them the finger. After receiving a positive response, Bruce and Utsler have since continued to spray Faygo onto audiences.[15] A subsequent national tour increased sales of the album,[12] earning Ringmaster a gold certification.[16] The group's second EP, The Terror Wheel, was released on August 5, 1994. One of the songs from the EP, "Dead Body Man", received considerable local radio play.[12] The same year marked their first "Hallowicked" concert, which has since continued annually on Halloween night in Detroit.[12]

After the termination of the Hollywood Records contract, Insane Clown Posse signed a new contract with Island/PolyGram Records, which agreed to release the album as intended.[21][28] Entertainment Weekly music critic David Browne gave the record a C-minus rating: "[With] its puerile humor and intentionally ugly metal-rap tunes, the album feels oddly dated".[22] The Great Milenko was certified platinum with over 1.7 million copies sold.[1] One of the group's first projects with Island Records was an hour-long documentary titled Shockumentary, which aired on MTV. The station initially refused to play the documentary, but Island Records persuaded them to air it as a personal favor.[28] Shockumentary helped increase album sales from 17,000 to 50,000 copies per week.[28] Island also rereleased the group's first two albums, as well as a 2-CD compilation album composed of rare songs and demos titled "Forgotten Freshness Vol. 1".

One month after ICP's Strangle-Mania Live, Insane Clown Posse began their second nationwide tour, "The House of Horrors Tour", with Myzery added as one of the opening acts. While searching for the second opening act, Bruce received a telephone call at his home from former House of Krazees members Jamie Spaniolo and Paul Methric, who told Bruce that the group was officially disbanded and asked to be on the tour.[30] Spaniolo and Methric provided a demo tape containing three songs: "2nd Hand Smoke", "Diemotherfuckdie", and "How Does It Feel?"[30] Bruce was extremely impressed, and immediately had a contract drafted with Psychopathic Records for the new group to sign. Bruce, Spaniolo, and Methric agreed on the band name Twiztid. The House of Horrors Tour thus featured Insane Clown Posse, with opening groups Twiztid, Myzery, and Psycho Realm.[30]

By late 1998 over one million copies of The Great Milenko had been sold,[41] and Insane Clown Posse was ready for its fifth album, The Amazing Jeckel Brothers. Working with Mike E. Clark and Rich "Legz Diamond" Murrell, Bruce and Utsler developed their album with the highest of hopes. The group was known nationally, but were not taken very seriously. Hoping to receive the respect Bruce and Utsler felt they deserved, they planned to feature well-known, respected rappers on their album.[41] Bruce stated outright that he wanted to involve Snoop Dogg and Ol' Dirty Bastard. They paid Snoop Dogg $40,000 to appear on the song "The Shaggy Show". Snoop Dogg also helped them contact Ol' Dirty Bastard, who was paid $30,000 for his appearance. Ol' Dirty Bastard recorded his track in a matter of two days; however, his recording consisted of nothing more than him rambling about "bitches".[41] It took Bruce and Utsler a week to assemble just four rhymes out of his rambling, and had to re-record the track and title it "Bitches".[41] Finally, Insane Clown Posse contacted Ice-T, who charged them only $10,000.[41] The group felt that Ice-T's song did not belong on the album, and was instead released on a later album, Psychopathics from Outer Space.[41]

The Amazing Jeckel Brothers was released on May 25, 1999, and reached No. 4 on the Billboard album charts,[42] and has since been certified platinum by the RIAA.[16] Stephen Thomas Erlewine gave the album a "four out of five stars" rating, stating that "[Insane Clown Posse] actually delivered an album that comes close to fulfilling whatever promise their ridiculous, carnivalesque blend of hardcore hip-hop and shock-metal had in the first place".[43] Rolling Stone writer Barry Walters gave the album a "two out of five stars" rating, writing that "no musical sleight of hand can disguise the fact that Shaggy and J remain the ultimate wack MCs".[44] At the same time as The Amazing Jeckel Brothers' release, Island Records merged with Def Jam Records. It quickly became apparent to Bruce and Utsler that Def Jam Records had no interest in them.[41] Eminem, who had begun to gain mainstream success, insulted Insane Clown Posse in interviews, tours, and the song "Till Hell Freezes Over".[41]

Two music videos were released from the albums: "Tilt-a-Whirl," from Bizaar, and "Let's Go All The Way", a cover of a Sly Fox song from Bizzar. MTV agreed to play "Let's Go All The Way" on their network, airing it once in the late evening.[52] Bruce and Utsler decided to bombard Total Request Live (TRL) with requests for the video.[52] While on their "Bizaar Bizzar Tour", Insane Clown Posse posted on its website that December 8 was the day for their fans request the video. Bruce and Utsler named that day "The Mighty Day of Lienda," meaning "The Mighty Day of All or Nothing".[52] On December 8, Rudy Hill, Robert Bruce, Tom Dub, and six other Psychopathic Records employees and friends drove down to New York City.

Following the release of The Wraith: Shangri-La, Bruce admitted that he was considering not completing the production of Hell's Pit. He is quoted as describing Shangri-La as "the end of the road. It's the end of the Joker's Cards. After this I could do anything I want, for the rest of my life. The positivity was so unbelievable".[65] On August 31, 2004, Insane Clown Posse released their ninth studio album, Hell's Pit, the second exhibit of The Wraith, intended to warn listeners of the horrors of Hell. Bruce described the album as the darkest, most painful work he had ever done.[55] Two versions of the album were released, each containing a different DVD. One release featured a live concert and a twelve-minute music video for the song "Real Underground Baby", and another featured a short film for the song "Bowling Balls", which was the first 3-D film shot in high-definition video.[55] Also in 2004, music by Insane Clown Posse was featured in the film Demons at the Door, directed by Roy Knyrim.[66]

The trailer for Big Money Rustlas spawned a parody video called "Juggalo News", which achieved popularity on CollegeHumor and Funny or Die, and was praised by Bruce on his Twitter account.[95] On April 6, 2010, Bang! Pow! Boom! was reissued in a "Nuclear Edition", which featured previously unreleased material and music videos for the songs "In Yo Face" and "Miracles".[96] During this period, the duo won the Detroit Music Award for Outstanding Hip-Hop Artist/Group.[97] On April 17, Saturday Night Live aired a sketch which parodied the "Miracles" music video, featuring host Ryan Phillippe and cast member Bobby Moynihan.[98] Insane Clown Posse responded favorably to the parody, and asked to appear on the show.[95]

Before the 12th annual Gathering of the Juggalos, Insane Clown Posse were contacted by Jack White, who invited Bruce and Utsler to his mansion because he wanted to collaborate with them.[99][100] White played the track he was working on, an arrangement of Wolfgang Amadeus Mozart's "Leck mich im Arsch" with live instrumentation by JEFF the Brotherhood, for Bruce and Utsler and explained that the title of the track translated to "Lick My Ass".[99][100] Bruce perceived that the scatological nature of the composition was the reason why White asked Bruce and Utsler to appear on the song, but once White explained Mozart's sense of humor, they became excited to work with White, went back to their hotel room to write their lyrics, and returned to record with White and JEFF the Brotherhood in White's home recording studio.[99][100] Bruce and Utsler's vocals were recorded in one take.[100] The song was released as a single on September 13 by White's label Third Man Records, paired with another song, "Mountain Girl", which Bruce describes as his favorite of the two songs recorded with White, and "more ICP's feel".[99][100][101] 2351a5e196