Multisensory Communication
Multisensory Communication
๐ฅ๐ฆ๐ด๐ช๐จ๐ฏ | ๐ต๐ฉ๐ฆ๐ข๐ต๐ณ๐ฆ | ๐ฅ๐ณ๐ข๐ฎ๐ข | ๐ฎ๐ถ๐ด๐ช๐ค
'I am Rebecca' โ Character and Costume Design
๐ Sketch โ by me (a long time ago)
๐ธ Photorealistic Render โ NewArc
๐ฅ Animation โ The New Black AI
๐ผ Music Clip โ Mureka
โ๏ธ Editing โ CapCut
Years ago, as a postgraduate theatre design student at RADA (Royal Academy of Dramatic Art), I created character and costume design boards for productions. This particular board was for The Country by Martin Crimp, featuring the character Rebecca (played by the brilliant Gina Bramhill); a fiery young woman whose arrival disrupts a marriage in this intense three-hander.
Today, with the power of AI and digital tools, I can present her character in a completely new way - combining video editing, a music clip that suits her personality, and a photorealistic rendering that reinterprets my original design.
The possibilities for drama, music, art and design, design and technology, and creative storytelling are incredible.
Of course, thereโs much to unpack around copyright and safety. But what I will say is this: the original sketch is mine, the vision for the character is mine, and the AI tools have simply helped me communicate that vision in a way that wasnโt possible when I first designed the production. If these technologies had been available then, I would have used them...