press and achievements

theatremaker


Director of The Great Divide (2024)

"What a wonderful play!" - Byron Toben, Westmount Mag

"... a captivating production about the Triangle Shirtwaist Factory fire that promises to resonate with its powerful storytelling and poignant performances in Yiddish. Director Trevor Barrette has created a fresh, modern take on this classic immigrant story." - Mike Cohen, The Suburban


Director and Choreographer of The Sages of Chelm (2022)

"L’énergie et le dynamisme des interprètes nous en met plein la vue pendant les deux heures du spectacle... courez voir ce spectacle..." - Daniel Ouimet, Les ArtsZé

"This new Dora Wasserman Yiddish Theatre production, directed by Trevor Barrette, is a delight." - Pat Donnelly, former Montreal Gazette theatre critic

"[...] this cast has the endless energy of a fireworks display and a set just as colourful. [...] if you have a craving for two hours of laughter, love, and music, I cannot recommend it enough." - Danielle Keiko Eyer, Scripteditty

"Finally, commendable praise goes to Trevor Barrette's stage direction and choreography, allowing within its simplicity, this musical production conveys the remarkable warmth and humanity that prevailed in the rich Jewish folklore of Eastern Europe." (translated from Spanish) - Jorge Gutman, Tribuna Cultural

"Les sages de Chelm, c’est une merveilleuse comédie musicale rafraîchissante, joyeuse et colorée, où l’autodérision règne en maître. [...] Dans une très belle mise en scène de Trevor Barrette, la pièce est pleine d’événements cocasses et de rebondissements sans oublier une multitude d’histoires drôles tout droit sorties de la grande tradition de l’humour juif. Les voix sont très agréables, les chorégraphies réussies sur une musique entraînante et relevée." - Sophie Jama, Pieuvre


Playwright and Director of Memento Mori (2017)

“[…] a touching and thought-provoking piece delivered with impeccable skill and subtlety. With this intimate and immersive new work, Barrette proves himself innovative and versatile as a playwright and director.” – Violette Kay, Montreal Theatre Hub

“Good actors, good text, well-rounded show. Not to be missed.” – Luc Archambault, Westmount Mag

“[…] an engaging display of honesty and vulnerability that suggests that our experiences are not quite as unique as we think they are, and perhaps by sharing them we can come together over our shared plight and hopefully feel less alone.” – Violette Kay, Montreal Theatre Hub


Book, Music, Lyrics, and Director of A Song of Fiction (2016)

“The powerhouse quartet of actors form a true ensemble and each equally contributes in fully extracting and expressing the desires and vices of their individual characters.” – Camila Fitzgibbons, Montreal Theatre Hub

“[…] a genuine, heartfelt love letter to the art form. […] A compelling feat in storytelling, it speaks openly of the struggles of any creative process and brings to the forefront themes of the human search for identity, meaning, and connection.” – Camila Fitzgibbons, Montreal Theatre Hub


Book, Music, Lyrics, and Director of Captain Aurora II: A New Dawn (2016)

“[…] Trevor Barrette’s playful and witty script and songs offer much to enjoy, with the 15 cast members all getting their chance to shine.” – Jim Burke, Montreal Gazette

“Probably one of the hottest shows of this year’s fest is Captain Aurora II: A New Dawn, a lively intergalactic musical romp that could be in the same league as a DC or Marvel comic book/graphic novel/movie.” – Stuart Nulman, Montreal Times

“[…] a brilliant adaptation of an old school style comic book into a piece of musical theatre. It doesn’t lose anything in the change of mediums, but it gains everything." – Erica Bridgeman, CJLO


Book, Music, Lyrics, and Director of Captain Aurora: A Superhero Musical (2015 and 2016)

“Captain Aurora: A Superhero Musical hits exactly the right chord as this highly professional and fully fleshed out musical comedy sings and dances its way into the Fringe history hall of fame.” – Marilla Steuter-Miller, CJLO

“[…] a toe-tappingly bold superhero musical that has won audiences and plaudits [..]” – Sarah Deshaies, CultMTL
“[Captain Aurora] has plenty of catchy musical numbers and likeable comic-type characters which put together resulted in an entertaining intergalactic night at the theatre.” – Stuart Nulman, Montreal Times

“[…] a great example of an original script and score that plays with pop culture in a fresh way. At 75 minutes, it's just the right amount of fun and fancy.” - Marilla Steuter-Martin, BroadwayWorld Montreal


Book, Music, Lyrics, and Director of To Be (2014)

“Pari gagné, To Be est une oeuvre avec des mélodies intéressantes et complexes, une histoire captivante et pleine d’émotion. [...] La première mention d’honneur pour la comédie musicale To Be pour une oeuvre originale d’un jeune auteur Montréalais entouré d’une bonne distribution et surtout par l’interprétation touchante de l’acteur principal Sean Colby.” – Daniel Ouimet, info-culture.biz


Book, Music, and Lyrics of To Be (2012)

“Que peut-on demander de plus? Une histoire émouvante, des artistes talentueux et des airs magnifiquement composées qui vous garantisse un retour chez vous tout en chansons!” – Etienne Dutil, Fugues

“What's also cool about it is that young anglo Montrealers are creating original, locally produced work at a professional level.” – Neil Boyce, Mirror Magazine

performer


Elbow and Claudio in Measure for Measure (2019)

"Trevor Barrette alternates between punchy physical comedy as Elbow and pained grief as Claudio, charming the audience as both." - Andrew Sawyer, Montreal Theatre Hub

"Six of the ten [actors] double in amusing minor roles, particularly Mr. Barrette as Constable Elbow, a bumbling official in the spirit of Dogberry from Much Ado About Nothing [...]" - Byron Toben, Westmount Mag


Craig in The History of Sexuality (2017 and 2018)

"[...] Barrette’s Craig is sweet and lovable and the relationship between Craig and Martin helps to demystify some aspects of kink." - Samantha Gold, Forget the Box
"The prime acting from the ensemble [...] proceeds to honour the core commitment to authentic storytelling." - Camila Fitzgibbon, Montreal Theatre Hub


Brad in Richard O'Brien's The Rocky Horror Show (2015)

"Trevor Barrette and Kendall Savage were wonderful in the initially prudish roles of Brad and Janet, and their trajectory toward a fishnet and corset-filled finale was hilarious to watch." - Jamie Borenstein-Laurie, Bandersnatch


Flute in A Midsummer Night's Dream (2013)

“Trevor Barrette wins his share of the laughs as the actor Flute, who must play the suicidal Thisby.” - Pat Donnelly, Montreal Gazette

"Barrette is especially hysterical as a falsetto Flute." – Victoria Laberge, Bloody Underrated


Steven in Innocence Lost: The Steven Truscott Story (2013)

“[Joan Wiecha and Trevor Barrette's] performances are pitch-perfect, capturing the naive spirit of 1950s teenagers.” - Pat Donnelly, Montreal Gazette

“There is genuine substance in Trevor Barrette’s performance as Steven Truscott as he moves from sunny innocence to bewilderment to fear as the net closes about him.” – Jamie Portman, Capitol Critics’ Circle

“[…] Trevor Barrette presents a moving picture of self-conscious and confused adolescence.” - Connie Meng, North Country Public Radio

“Much of the pain is derived from Trevor Barrette’s extraordinary performance as the guileless Steven." - Alan Hustak, Metropolitain

"...Trevor Barrette’s very believable and wholly sympathetic performance makes one gladder than ever that [Steven Truscott's] case at least led to the abolition of capital punishment." - Robert Cushman, National Post

Awards


Recipient


Nominee