Trash talk is a form of spoken insult usually found in sports events, although it is not exclusive to sports or similarly characterized events.[1][2] It is often used to intimidate the opposition and/or make them less confident in their abilities to win easier, but it can also be used in a humorous spirit. Trash-talk is often characterized by the use of hyperbole or figurative language, such as "Your team can't run! You run like honey on ice!" Puns and other wordplay are commonly used.
Trash-talk has become a debatable term, especially in North American sports, with the greatest trash talkers being acknowledged for both their trash-talking skills as well as their athletic and mental abilities.[3]
Trash Talk
Download 🔥 https://geags.com/2yGarQ 🔥
In sports, trash-talk most commonly comes in the form of insults to an opposing player's playing ability or physical appearance which is ethically not acceptable.[4] The intended effects of trash-talk are to create rivalry between the players and increase the psychological pressure of opposing players to perform well or to stop the trash-talker from performing well.[5] Trash-talk was most famously used by heavyweight boxing champion Muhammad Ali in the 1960s and 70s.
In 1963, Ali even released a popular full-length record album consisting largely of trash-talk poetry. It was entitled I Am the Greatest!, a phrase that became his signature line. Since then, it has become common for boxers, wrestlers, and many other sports competitors to use trash-talk.[6] However, in amateur sports ranks, trash-talking is generally frowned upon as unsportsmanlike conduct (especially in youth leagues). Former UFC Featherweight and Lightweight Champion Conor McGregor is an example of a prominent trash-talker, he is considered to be the greatest trash-talker in MMA history.[7][8][9] Former UFC fighter Chael Sonnen is also considered by many to be one of the greatest trash-talkers MMA has ever had.[7][8][9] Although the practice of trying to distract opponents with verbal abuse is common to virtually all sports, other sports sometimes have their terminology for verbal abuse: for example, cricket calls it sledging and in ice hockey, it is called chirping.
The quality of performance of players under the pressure of trash-talk is debated, but one study found that participants who were subject to a trash-talk message exerted more effort in completing their task and perceived their opponent with more incivility and rivalry when compared to participants who were subject to a neutral, irrelevant, or no message at all.[5]
While trash-talking frequently focuses on sporting attributes such as physical ability and athleticism, there is also significant trash-talking off-topic including opponent's sexual behavior and relationships. Trash-talk is more prevalent in contact sports than non-contact sports, and it is also more prevalent between male competitors than female competitors.[10]
Smack talk is a slang term seen in chat channels in chat room, blog, and massively multiplayer online game (MMOG) conversations.[11] The term came about in the early 1990s. It generally refers to the use of threatening or intentionally inflammatory language. Smack talk can also be used with bullying, whether that be face-to-face interaction, or cyber-bullying.
Smack talk is also a slang term used in sports. It refers to inflammatory comments made by a person or team in order to insult, anger, annoy or be boisterous toward their opponents.[12] Although it began as a term used by sports fans and athletes, it has spread to all areas of culture where competition takes place. In the United States, it is synonymous with "trash talk".
The social interaction within MMOGs has been observed to be quite active and often leads to long-term social relationships.[13] MMOG groups, such as "teams", "guilds" or "corporations", are composed of groups of people who often initially have no other social contact or interactions with each other.[14] As a result, their conversations contain a subtext of the discovery of language skills, social values, and intentions. One of the first indicators of these is the use or offense taken by the usage of smack talk. To set a social context or to comply with MMOG end user license agreement[15] restrictions, MMOG groups may establish bylaws, traditions, or rules (formal or informal) that either permit, discourage, or prohibit the use of smack talk in their conversations and postings.
Talking shit is a term and type of trash-talk that refers to various types of derogatory language aimed at an individual or any type of entity, such as a group or organisation.[16] Talking shit can be used as a tactic in fighting or brawling, used to draw attention to the matter among onlookers.[17] This is a term that has been coined more recently and is used in reference when someone talks negatively about another person, concept, organisation, or entity. This may or may not include spreading false ideas. The same term can also be used to describe something spoken which is not true, uninteresting or irrelevant. It may be a contraction of Talking Bullshit.
The ethics of using trash-talk as a strategy is debated. In sports, trash talking is often seen as unsportsmanlike, as throwing insults at opposing players goes beyond the limits and conventions of the game. Some argue, on the other hand, that trash talking can be used as a valid strategy to increase tension in opponents and thus benefit from opponents' poor performance, since any action not explicitly banned in the rules is permitted.[27]
Given the rapid increase in the popularity of the phrase, its appearance in popular media and culture is extensive. One of the earliest references can be found in Dobie Gray's hit song from 1965, "The 'In' Crowd," in which the third verse describes members "spendin' cash, talkin' trash" as part of the depiction of a desirable group membership. Uses have become ubiquitous, particularly as part of the birth of hip-hop culture and rap music. References are now likely too numerous to manage a list here in Wikipedia, although there are some notable examples of its unique uses.
When we speak of translation in these end-of-days, it is often in the loftiest of tones, as though it were a sacred duty undertaken by devoted adepts prostrating themselves before the altar of language. The self is renounced, the greed for authorship forsworn in service of a greater calling, which is no less than bridging the gaps between the peoples and cultures of the world.
The pitch sounds great: you get to work in the medium you love, your time is your own to divide up as you see fit (mornings for writing, afternoons for translation jobs), the commute is as long as it takes to get from your bed to your desk, and coffee and snack breaks can be had as often as you damn well please.
I said garbage and I mean garbage; I mean trash piles of words arranged in a sequence that follows no syntactical or logical order. I mean sorting through the offal of language, with endless entrails of run-on sentences, adjectives and adverbs that multiply like spores, paragraphs that are dumping grounds of useless information, crawling with disease-carrying vermin quick to infect you and turn your own writing into a diarrhea of undigested thoughts, sometimes leaving you so addled you forget the basic rules of grammar and have to google which prepositions go with which words.
The way I work is this: I first put the mostly raw translation down on the page, setting down the parameters within which I can move. I leave only some choices open, to be made/decided upon/resolved during the final reading, out of the desire, perhaps, to give myself some sense of control/agency/the illusion that I am worthier of this job than Google. I try to be as efficient as possible during this phase, keeping the shudders and eye-rolling to a minimum, trying not to wear myself out before I have to really take in the full horror of what has been wrought.
But that rage is also the most convenient translation of the sense of powerlessness this work often makes me feel. Powerlessness over my own time, which I can never reclaim enough of; powerlessness over my financial situation, which remains steadily bad; and the powerlessness of being a cog in this great economic machine powered by words that are making a lot of people a lot of money somewhere but ultimately empowering nothing. All that funding funneled into various institutions and think tanks to produce antiseptic reports, all those words used to bulk up the feeblest artworks, trying to give them a chance to compete in the colosseum of an art market that is brutal and brutalizing at once.
Start to notice trends and you start to see them everywhere: in the cadence of poetry and essays, the voices of stories and novels, in the tenor of our debates, online and otherwise, in what stories, essays, poems, and debates we are exposed to and directed to read. Hard not to think about how our streams of consciousness are directed by the flow of currency (money; attention; cultural capital); harder to resist being swept along by the all-powerful and invisible undertow.
It is commonly held that the pleasure of a hate-fuck lies in the heights of feeling the passion of hate allows you to attain. Orgiastic loathing gives meaning to an ultimately meaningless encounter, empowering you with the sense that you can just take what you need and then walk away to do your own thing on your own time.
Lina Mounzer is a writer and translator living in Beirut. Her work has appeared in Literary Hub, Bidoun, Warscapes, and The Berlin Quarterly. She has contributed long-form features on Middle Eastern literature, TV, and music to AramcoWorld Magazine, Brownbook ME, and Middle East Eye, and she has translated, with pleasure, work by the Lebanese authors Chaza Charafeddine, Hassan Daoud, and Hazem Saghieh.
Each household will be given a City-owned trash bin, which will be delivered to each service address next spring. Existing trash trucks will be retrofitted with mechanical tippers and a new software system will be utilized to optimize routes and service. 152ee80cbc
3 movie songs download ringtones tamil bgm