Discussion Panels, Events & Other Initiatives
Discussion Panels, Events & Other Initiatives
This panel was the opening keynote of the Digital (R)Evolution training promoted by The Festival Academy. In the panel, watch the speakers Dr. Tegan Bristow (South Africa), Rashmi Dhanwani (India), Martin Honzik (Austria) and Mark Russel (USA) as they share their thoughts and reflections on how COVID- 19 is shaping our arts and festival world and/in the digital space.
The panel "Digital festivals that worked and festivals that didn’t" was part of the second day of the Digital (R)Evolution Training promoted by The Festival Academy. In the panel, watch the speakers Marion Louisgrand Sylla (Senegal), Natália Machiavelli (Brazil) and Dharam Saraviya (India) as they share their thoughts and reflections on festivals that worked and festivals that didn’t: lessons from the digital world – digital and/or hybrid festivals, how to run a digital festival, which tools to use, how to engage your audiences, how to monetise it, how to evaluate the audience experience and much more.
The panel Research on the digital festivals world from a cross-sector perspective was part of the third day of the Digital (R)Evolution Training promoted by The Festival Academy. In the panel, watch the speakers Brett Pyper (South Africa), Christine Van Winkle (Canada), Manon Muti (Netherlands) and Hooman Nassimi (Netherlands) share their knowledge on research about the contemporary digital (arts/festival) world from a cross-sector perspective: academic field, journalism, human rights activism in relation to audiences, performances, platforms, digital safety, and more.
Can festivals adapt to digital space? How do you curate an online festival? How do you engage the audience? Can you make a digital festival financially sustainable? This discussion looked at what happens to festivals and the arts when we could no longer gather as people. Sharing examples of digital art and online festivals, the participants explored the pros and cons of digitizing a festival and offer advice on the practicalities of moving performance online.
Speakers: Kate Craddock (GIFT - Gateshead International Festival of Theatre - United Kingdom), Sepehr Sharifzadeh (NH Theatre Agency - Iran); Nima Dehghani (Transdisciplinary Artist - United States/Iran), Asif Majid (Scholar, Artist and Educator - United Kingdom)
Moderators: Angele Galea (Artistic Director - Science in the City, Malta); Nada Shemais (Cairotronica).
After just a few weeks of confinement, we were already forming new habits: hosting birthday parties online, going online to watch performances, crossing the street to keep our physical distance... How would we come out of this? What steps could we take to rebuild trust and invite people from different households to share an experience together?
Speakers: Fergus Linehan (Director and Chief Executive Edinburgh International Festival - United Kingdom); Rucera Seethal (Artistic Director of National Arts Festival Grahamstown - South Africa).
Moderators: Erica McCalman (Art Oracle - Australia); Fanny Martin (Art of Festivals - Canada).
In June 2021, The Festival Academy organized its first hybrid atelier. The Atelier Düsseldorf/Theater der Welt counted with half of participants in-person and half of it attending online. To organize the event, TFA created a simple guide for hybrid events etiquettes:
Acción Cultural Española (AC/E) is a public institution that fosters and promotes culture through a wide-ranging programme of activities and initiatives designed to encourage the mobility of professionals and creators. We bring this same spirit to the AC/E digital culture annual report, a publication that sets out to promote digital internet culture. Our aim is for it to help sector professionals and creators understand how to incorporate digital technologies into their work. If the culture sector gains the skills and capabilities to work actively on the internet and furnish it with cultural content, between all of us we will succeed in giving culture a prominent presence in this great virtual public space.
The AC/E Annual Report is an annual document of reference that analyses the development of digital trends in the world of culture and focuses on a specific sector or discipline each year.
The annual report is structured into two main parts. In the first professionals and specialists from the digital sector carry out a cross-cutting analysis of digital trends in the world of culture, addressing all the cultural disciplines. The second part identifies and defines cases of good practice in the use of digital technology, both national and international, in a specific cultural sector—the performing arts in 2014, museums in 2015, cultural festivals and professional meetings in 2016, cultural heritage in 2017, readers and books in 2018, and creators and authorship in the digital age in 2019.
To access the reports: https://www.accioncultural.es/en/ace-digital-culture-annual-report
Founded in 2017 by a team of engineers and culture professionals, Ohme is an organisation developing new practices of scientific mediation, interdisciplinary artistic creation and innovation, through collaborative practices.
Ohme investigates the boundaries between artistic and scientific disciplines, re-designing practices and contributing to the development of new understandings of interdisciplinarity, with a keen interest in education, co-creation and sharing of knowledge.
By bringing together established and emerging artists, scientists, researchers and students, Ohme develops performances, installations, multidisciplinary events and academic programs on a variety of subjects, spanning from physics to music, from neurosciences to digital arts, from design to social sciences.
The activities of Ohme are divided between a production company, curating and producing performances, installations and events (Ohme Studio) and an educational and research institute developing academic programs and igniting transdisciplinary research (Ohme Academia). We also propose a series of tailored-made activities and services to artists, scientists, schools and companies (Ohme Services).
The toolkits are open-sourced, continuously developed tools. Therefore, festival and cultural practitioners from all backgrounds and levels of experience are invited to expand these materials by adding their own contributions, building on the gathering of knowledge and insights shared with the whole festival-making community worldwide. Please email info@festivalacademy.eu for feedback, amendments, and additions.