As the longer songs go on, some may feel like a song starts to go on and on. When you think of older bands with longer songs, they usually cut them down to parts because no one wants to sit through a 20-minute song. The song Pyramids is an exception to me; being almost 10 minutes in length, the song doesn’t feel like it’s that long. In the song, the vocals provided by Frank Ocean are part of the album as a whole. The song's usage of metaphors for its storytelling is superb and helps drive the song's narrative. Even though the lyrics are not really that deep, with them being about a pimp that fell in love with one of his workers. Whether a complex story about the state of modern love or truly as the lyrics describe and previously talked about, the song overcomes that with its mastery of mixing and sound design to help sell the song as the best on an album packed with classic hits like Lost and Thinkin' Bout You.

On an album that’s a staple of the genre from a time the genre was seemingly in its renaissance, it can be hard to find a song that is the worst. While I could give it to a track that isn’t exactly a song and used for more additions to help the album as a listen-through, I don’t want to give it to one of them, so I’ll only choose a vocal track. With this clause in use, the believed track on the album has to go to the song Crack Rock. The song is nowhere near bad as all of the tracks are classic for a reason and all well made. The reason Crack Rock finds itself here isn’t for vocal reasons either, as Ocean gives spectacular vocals once again; the song just simply isn’t as relatable to most of the audience as most of the other songs on the album. With songs on the album like Forrest Gump talking about Ocean’s personal homosexuality and Bad Religion about unrequited love, Crack Rock being about doing drugs doesn’t have a wide enough target demographic to hit as the previous topics do. Overall, though, the song is a good track, but it is just the worst on a great album.