"He Wasn't Man Enough" is a song by American R&B singer and songwriter Toni Braxton. It was written by Rodney "Darkchild" Jerkins, Fred Jerkins III, LaShawn Daniels, and Harvey Mason, Jr. for her third studio album, The Heat (2000), while production was helmed by the former. "He Wasn't Man Enough" is an uptempo R&B song that differs from Braxton's previous ballads. The song was released by LaFace Records on February 29, 2000, as the lead single from the album.

"He Wasn't Man Enough" was released as the lead single from Toni Braxton's third studio album, The Heat. The song was written by Rodney Jerkins, Fred Jerkins III, LaShawn Daniels, and Harvey Mason, Jr., while it was produced by Jerkins. The song was recorded in the United States during the production of Braxton's third studio album, between January and February 2000.[2][3] During its production, L.A. Reid said "It's very strong, and very personal to her".[4]


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Tim Burton's radically dark take on Batman in 1989 did a lot ofthings, like ushering in a new era of superhero films a million miles removedfrom the old, rather silly Superman style, giving Jack Nicholson one ofthe biggest pay deals in Hollywood history and, of most interest to readers ofthis site, pretty much launching the career of Danny Elfman. Of course,Elfman had been around for a while beforehand, but Batman was his firstchance of showing what he could do with a full-fledged orchestral score and I'msure his career would have taken a drastically different path without this touse as a springboard. To this day, people still name it as his best score- I'm not sure I would agree, but one can see where they're coming from.

Elfman claimed at the time that he had great difficulty in coming up with the(now famous) music for the film's opening, and it finally came to him as he wason a plane. Well, one's only suspicion can be that the in-flight movie wasJourney to the Centre of the Earth, because the opening cue uses a prettylengthy section of Bernard Herrmann's classic score without alteration. After that is over, the Batman theme is heard for the first time. It's nothing more than a short fanfare really, but that makes it no lessimpressive, and Elfman sends it through numerous variations over the course ofthe score.

There are various action set-pieces, each of which is scored superbly. Elfman had never really displayed much of a command of an orchestra beforehand,but here he really goes to town and while things are a long way short of theincredibly complex style he employs today, the orchestration is very impressiveand so is the performance, by the Sinfonia of London. "Batman to theRescue" is a highlight, with a cheeky little Psycho homage (it'sthat man Herrmann again) among Elfman's thrilling music which gives the brasssection a real workout. "Descent into Mystery" is anotherthrilling cue, but it would be right up there with James Horner's Gloryif there were Oscars given out for "Most shameless plagiarism of CarlOrff's Carmina Burana". I don't want to give the impression that thealbum is one long derivative mess, because it most certainly isn't, but itcertainly needs to be noted that one or two of the big ideas are pretty welllifted right out of other works.

A couple of other melodies are interpolated (this time, with due credit) forthe romantic material - both Stephen Foster's "Beautiful Dreamer" andPrince's "Scandalous" are used. Remember, Batman was thefirst film to have two soundtrack albums - one for the Prince's songs, one forElfman's score. Three consecutive cues towards the end of the album offersome of its finest moments. First, "Up the Cathedral" (oooh,vicar) has some appropriately menacing, gothic material to open; "Waltz tothe Death" is a wonderfully twisted waltz; and "The FinalConfrontation" started Elfman's trend of writing stunning music for films'finales, a tradition that has continued pretty much to this day. It'smajestic, larger-than-life, quite stunning.

Batman is a bit too uneven to be termed a classic as some people have,but it's still a mightily enjoyable score and an enjoyable indication of howElfman's career would end up. I must be honest and say I prefer hismodern-day writing (and there was a time when I would have doubted the sanity ofanyone who said that) - scores like Spiderman are more innovative andimpressive to my ear - but Batman remains very strong. Highlyrecommended.

"Batman: Arkham Knight" is an incredible third installment of an incredible series. It's M-rating gives it the extra edge it needed to be vastly different from its previous predecessors. Is it still Family-friendly? For the most part, yes it is, but there are several moments throughout the main story and side missions that you may want to turn your kids' heads away. After those moments, enjoy the incredible voice acting, gorgeous graphics, and perfect story inside the grand city of Gotham. Oh, and take a the Batmobile out for a spin as well, just remember to return it with a full tank.

With a strong catalogue behind his name Dax is now putting full focus on his debut album with the release of the first single Child Of God and the music video speaking on faith and the role it has played in his journey. Check the music video out below;

South Africa singer-songwriter and talented artist, Dj Maphorisa, delivers yet another impressive album titled "Chukela". This well-enchanted album serves as Dj Maphorisa's latest entry this year, showcasing his consistent creativity and musical prowess.

With a string of previously released album that have captivated audiences worldwide, Dj Maphorisa continues to push boundaries and redefine the sound of contemporary music. His ability to seamlessly blend different genres and create infectious melodies has earned him a dedicated fanbase and critical acclaim.

On "Chukela", Dj Maphorisa collaborates with the award-winning superstar, Tman Xpress, who adds his unique flair to the album with his hot verse. The chemistry between the two artists is undeniable, resulting in a captivating and energetic performance that will leave listeners wanting more.

From the moment the album begins, it grabs your attention with its infectious rhythm and catchy hooks. The production is top-notch, showcasing Dj Maphorisa's exceptional skills as a producer. The beats are crisp, the bassline is groovy, and the overall sound is polished and professional.

Lyrically, "Chukela" explores themes of love, passion, and self-expression. The artists' heartfelt delivery and relatable lyrics make the album resonate with listeners on a deeper level. Whether you're dancing along to the infectious beat or reflecting on the meaningful lyrics, this album has something for everyone.

In conclusion, "Chukela" is another testament to Dj Maphorisa's talent and versatility as an artist. With his unique sound and ability to create music that transcends boundaries, he continues to solidify his position as one of the industry's most exciting and innovative artists. So sit back, turn up the volume, and enjoy the musical journey that Dj Maphorisa and Tman Xpress have crafted with "Chukela".

Why isn't Killing Joke underlined? That was a pretty important book. Also, DC needs to make a Batman: Year 3 TPB. I guess I can just pick up Parts 2-4 at cover price at my local comic shop, and get 1 on Ebay.

Also, just some suggestions. I'd bold Batman: Hush and Batman: R.I.P. Also, you could add the Batman Beyond comics to the end of the list which would pretty much be the end of the chronology. Just suggestions, you don't have to go with them.

@Zomboid: No thats a totally awesome suggestion. As far as Batman RIP, is it too confusing for someone to just read that alone or should someone read something else before hand? And ya I made that entire list myself, I have an updated one that I will post with even more trades (and the upcoming new 52 trades as well)

lol anyways, right now I am trying to figure out where to place luthor, joker, and batman/lobo. if you guys have any suggestions feel free to let me know. its a big list so I don't expect you guys to go through it in full detail, but if you can kind of place what major event it is near feel free to let me know. (fyi I am pretty positive they aren't canon tales, but they can still be placed in a this sort of works kind of way)

@batshrine: awesome list u made there. I was searching for a complete batman TPB chronology for a long time. Thanks to u now I can start collecting batman trades without any confusion.

I am pretty sure they are Elseworlds, even if it is not written on the cover (but again, it is not on the cover of the All Star comics and Miller's TDKR/DK2). Batman never gave Kryptonite to Luthor so he could kill Superman; Joker was never a cured but depressed hooligan way too much in Clockwork Orange ultra-violence.

Not directly no. It however deals with Catwomans thoughts and feelings for Batman, so in that way it fits into the mythos of the Batman. The Riddler also appears in the story. It is not essential (or good for that mater, been a few years since I read it so the story is a bit rusty). .

That is an impressive list but it can be kind of consuming. I'd suggest Batman: The Cult as one to read/one to highlight in bold. If not for a brilliant story involving Deacon Blackfire, at least for this pic: -

Nice work! Check out this website (section 'Batman timeline') to see how far I have come with only actual Batman related titles! I will try to incorporate more titles, so please, bear with me and help me correct and add!

UBC: A complete Batman related comics timeline (including downloadable files containing checklists with information about the reading order of separate issues) from Batman: Year One to The New 52 plus loads of information about canon and continuity regarding the origins of Batman, all five Robins, Nightwing and Batgirl! ff782bc1db

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