Tim's Take by Tim O'Brien
Formerly O'Brien News Service
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"Oppenheimer" wins the night as it takes home 7 Oscars, including Best Picture. Christopher Nolan won for director while Cillian Murphy won actor and Robert Downey Jr won in a supporting role.
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Showtime:
The Oscars starts early this year, at 6 p.m. CST/7 p.m. EST. That is an attempt to keep viewers as it drags on.
Truth be told, those who interview have not seen everything, but seem to love everything. My style was more like Roger Ebert. Talk about the movies and not the other stuff. Or have someone else take care of that.
After a few years away, those big Oscar statuettes have returned to the carpet. And each year, the carpet gets covered more and more.
Below, you will find a backstage quote or two from the virtual press room. enjoy.
Jimmy Kimmel hosts the 96th Academy Awards, live at the Dolby Theatre in Hollywood. Kimmel does his late night show directly across the street.
Kimmel's opening was real nice. On with the show.
Best Picture
"Oppenheimer"
Al Pacino did not mention the 10 nominees and just opened the envelope and said "Oppenheimer"
Backstage: Emma Thomas) I don't know. I think everybody should be supporting women in the industry. I'm just saying. We had the most incredible group of women working on this film, and I think that, you know, in -- eventually I think we'll get to the point where we have sort of 50/50 representation across the board. We're not quite there yet, but we're getting there. I think things are getting a lot better than they were, and, you know, I'm very proud to have worked on a film that had so many fantastically talented women on it. And really the way that we do, sort of, bring more women in is to keep hiring and keep supporting. So, yeah, it's an important thing.
Backstage: Christopher Nolan) Yeah, I mean, I don't like to speak too specific about messages of films I make because I feel that if cinema is didactic, it tends not to work dramatically so well. But having finished the film and having seen audiences respond to it, I mean, it was very striking to me.
When I first embarked on the project, I told one of my teenage sons what I was working on, and he actually said to me, young people aren't that concerned about nuclear weapons. It's not really in the forefront of their fears. And that did seem to me to be something that this film could, to some extent, help in success and with a lot of people seeing it. And as far as any kind of broader message, the thing that I would like to point out is, the film ends on what I consider a dramatically necessary moment of despair, but in reality I don't think despair is the answer to the nuclear question.
If you look at the work on non-proliferations being done by individuals and organizations since 1945, there's been a reduction in the number of nuclear weapons on the planet since 1967 of almost 90 percent. In the last few years, it's gone the wrong way, and it's very important that rather than despair, in reality, people are looking at advocacy, they're looking at organizations who are working to pressure politicians and leaders to reduce the number of nuclear weapons on our planet and make the world safer.
Directing
Christopher Nolan - "Oppenhemier"
Backstage: It's just the most incredible thrill. When you make a film on a large scale, obviously, you -- you have to believe there's some audience for it out there. But starting with the release of the film in July, the response from people around the world far exceeded anything that I imagined possible, and, you know, winning this recognition from my peers, is just, I mean, the icing on the cake. It's just very -- it's very important to me. It's really a wonderful finish to what's been an incredible year.
Actress in a Leading Role
Emma Stone - "Poor Things" - this one an upset? Not to me.
Backstage: .She is a character that is so, so important to me. It -- I think the chance to -- to play a person starting from scratch, but in a total metaphorical, can't-really-happen-in-real-life way, who's gaining language and skills at a rapid pace every day and getting to, sort of, chart that course and realize that she was just full of -- of joy and curiosity and true love, of not just the good, but the challenging in life and was fascinated by all of it, that was an amazing, an amazing lesson to take with me and to try to get to live in the shoes of every day. So I really miss playing her ever since we wrapped filming, which was a long time ago. It was like two and a half years ago. I miss Bella. And I'm really grateful that we got to celebrate the film tonight and over these past few months.
And, yeah, I just, I love her.
Actor in a Leading Role
Cillian Murphy - "Oppenheimer"
Backstage: It's a little bit of -- I'm a little bit of a
daze, you know. I'm very overwhelmed. I'm
very humbled. I'm very grateful. And you
know, very proud to be -- to be Irish standing here today.
Actress in a Supporting Role - it will be a long night if we get a backstory for every nominee
Da'vine Joy Randolph
Actor in a Supporting Role
Robert Downey Jr - "Oppenheimer"
The supporting wins were spot on. For Downey Jr you had to do a double-take to realize it was him when he first appeared on "Oppenheimer." He was brilliant.
He did not go into the interview room after he won.
Animated Short Film
"War is Over" - Dave Mullins and Brad Booker
Animated Feature
"The Boy and the Heron" - Hayao Miyazaki and Toshio Suzuki
Backstage: They were not here, but a message was sent and read:
I am grateful to receive such an honor at my age and taking
this as a message to continue our work, I will devote myself to
work harder in the future.
Thank you very much, Toshio Suzuki, Studio Ghibli."
Thank you so much.
Original Screenplay
"Anatomy of a Fall" - Justine Triet and Arthur Harari
Adapted Screenplay
"American Fiction" - Written for the screen by Cord Jefferson
Backstage: Yeah. I mean, the -- I wanted to depict a different kind of Boston than is normally depicted in the films. So I said no pictures of Fenway Park, no pictures of duck boats on the Charles, right. It's sort of -- I wanted to -- I wanted to explore a different side of Boston and, you know, one of the different sides of Boston is black people.
Make-up and Hairstyling
"Poor Things" - Nadia Stacey, Mark Coulier and Josh Weston
Production Design
"Poor Things" - James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek
Costume Design
"Poor Things" - Holly Waddington
Thought: "Oppenheimer" is getting shut-out so far....
International Feature Film
"Zone of Interest" - United Kingdom
Thought: Will this category become obsolete since they are now being recognized as Best Picture more and more?
Visual Effects
"Godzilla Minus One" - Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
Editing
"Oppenheimer" - Jennifer Lame
Documentary Short
"The Last Repair Shop" - Ben Proudfoot and Kris Bowers
Documentary Feature
"20 Days in Mariupol" - Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath
Cinematography
"Oppenheimer" - Hoyte van Hoytema
Sound
"Zone of Interest" - Tarn Willers and Johnnie Burn
Original Music Score
"Oppenheimer" - Ludwig Göransson
Original Song - "WHAT WAS I MADE FOR?"
from Barbie; Music and Lyric by Billie Eilish and Finneas O'Connell
Remember, the song has to be written for the film. It cannot be one that has already been a hit and then inserted into a film. But, I wish they could. Or at least make a different category for that idea.
Before:
It looks like "Oppenheimer" will win the majority of awards come Oscar night. It is sweeping away with the awards so far. And it should. It is a movie worthy of Oscar. It is not some small film no one has seen like in previous years. Oscar is back to bold, brash, loud and well-acted. That is "Oppenheimer." It won SAG cast top award and the Producers have followed suit. It has also nabbed BAFTA (British top prize), Golden Globe drama, Its director, Christopher Nolan won the DGA (directors) top prize, too.
I will be in the virtual press room for the Oscars this time around. Illness makes it impossible to fly, etc. So, here I am, but my coverage continues.
BEST PICTURE
NOMINEE
AMERICAN FICTION
Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
ANATOMY OF A FALL
Marie-Ange Luciani and David Thion, Producers
BARBIE
David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
THE HOLDOVERS
Mark Johnson, Producer
KILLERS OF THE FLOWER MOON
Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
MAESTRO
Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
OPPENHEIMER
Emma Thomas, Charles Roven and Christopher Nolan, Producers
PAST LIVES
David Hinojosa, Christine Vachon and Pamela Koffler, Producers
POOR THINGS
Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
THE ZONE OF INTEREST
James Wilson, Producer
Day before thoughts...
The buzz is still "Oppenheimer" for the win. Yes, I saw it, but many of the films nominated were not seen by many. "Barbie" and "Oppenheimer" were seen and both grossed over $1 billion at the BO.
One of the real races appears to be in the Actress category .
Over the years, the gossip, fashion, politics of the Oscars is not what I am about. It was about the process and the films themselves. I love the process of watching the set-up and then the tear-down, which I have seen many times. I loved the Governor's Ball preview where the press ate and drank what was going to be served on Oscar night. Everyone can see the show, as it airs live, around the world. Not everyone saw what I was able to see. The events the night before at the hotels are always fun and go all night. I would spend 10 days in Hollywood during Oscar celebrations at times, so I could be a part of as much as I could. And to see the things not everyone gets to see. The show is only one aspect of this. It is a business and so much more takes place
Photos courtesy of AMPAS (Academy of Motion Picture Arts & Sciences