Title of Artwork: The Brilliance
Artist name: Lam Wai Yee, Tim
Year of Creation: 2024
Media Techniques: Jewellery drawing, Necklaces,
Size: 210 X 297 mm
Exhibition Place: Exhibited at the HONG KONG INT'L JEWELRY SHOW
Design Concept:
Like a beetle exploring the world of gemstones, my design merges ancient and modern ideas, illuminating the brilliance of pearls. It symbolizes the passing of the torch, a pursuit of meticulous craftsmanship, and the creation of a captivating jewelry narrative.
設計概念:
我的作品靈感來源於探索寶石世界的甲蟲,這種生物象徵著持續的探索與發現。設計中融合了新舊思維,旨在點亮璀璨珠光,讓每一顆珠寶都承載著歷史的厚重與現代的創新。透過精湛的工藝,我希望能夠薪火相傳,追求卓越,書寫出動人的珠寶傳奇。
Title of Artwork: The Rebirth
Artist name: Lam Wai Yee, Tim
Year of Creation: 2024
Media Techniques:
Necklaces, rings, and earrings: aluminum cans, recycled materials
Large flower pot: plaster cloth, newspaper, plastic bottles and wires, recyclable materials
Drawings: gouache, Artivive app, collage
Size: 1.6m x 2m x3m
Exhibition Place: Exhibited at the Academy of Visual Arts, Hong Kong Baptist Universit
作品名稱:轉生
藝術家姓名: 林惠儀
創作年份:2024
材質工藝:頸鏈、戒指和耳環:鋁罐、可回收材
大花盆:石膏布、報紙、膠樽和電線、可回收材料
圖畫:水粉彩、Artivive應用程序、拼貼
尺寸:1.6米 x 2米 x3米
展覽地點:曾於香港浸會大學— 視覺藝術院
Rebirth 轉生
Necklaces, rings, and earrings: aluminium cans, sustainable material
頸鏈、戒指和耳環:鋁罐、回收材料
Large flowerpot: plaster cloth, newspaper, plastic bottle and wire
大花盆:石膏布、報紙、塑膠瓶、電線
Sustainable material drawing: gouache, Artivive app, collage
回收材料繪畫:水粉畫、Artivive 應用程式、拼貼
160cm x 300cm x 100 cm
160厘米 x 300厘米 x 100厘米
My work, "Rebirth," is an in-depth analysis of the life process. As an artist, I wish to use the power of art to encourage people to think seriously about environmental, social, and cultural concerns.
I picked recycled materials for "Rebirth" because I wanted to draw everyone's attention to resource reuse. In this period of fast progress, we are often perplexed by the abundance in front of us and overlook the seemingly trivial details around us. However, these commonplace items have the ability to transform the world.
In my art, I aim to portray the rebirth of beauty and trash, along with the irreversible environmental destruction resulting from people's excessive consumption habits. I intend to use this visual aspect to persuade people to consider the peaceful coexistence of man and environment. At what point do we cease destroying? When do we begin to modify our way of life? These have always concerned me, and they are also the driving forces behind my art.
The Artivive App allows visitors to gain a thorough grasp of the creative thoughts underlying the works. I hope you may experience the metamorphosis of waste into beauty and get insight from it. "Rebirth" is not just a piece of art but also a reflection of our excessive consumerism and careless lifestyle. Let's investigate the rebirth process of beauty and waste together, get inspiration from it, and collaborate to create a better tomorrow. I hope that my work can be a catalyst for change, causing people to focus on environmental devastation and take steps to live a more sustainable lifestyle and become a collective protector of the earth.
The artwork is made up of three components. The first section features jewellery created from aluminum cans, which represents the transformation of garbage into beautiful art and promotes resource reuse. The second component is a painting that can be scanned using the Artivive app to demonstrate the transformation process using augmented reality, emphasizing the convergence of art and technology and improving the audience's grasp of the underlying message. The third component is a massive flower pot with an embedded unlimited space filled with waste, symbolizing the endless expansion of the trash problem. The artist asks visitors to examine and think about their role in environmental damage. These three components work together to portray the idea of "rebirth" in terms of environmental protection and sustainable development, encouraging viewers to pay attention to environmental issues and ad- just their lifestyles for a greener, more sustainable future. This artwork, through creativity and interactivity, strives to raise awareness and encourage action to address environmental concerns.
《轉生》這件作品,是我對生命歷程的深度探索。作為一個藝術創作 者,我希望能透過藝術的力量,引發人們對環境、社會和文化等議題的 深入思考。
我選擇使用回收物料來創作《轉生》,是想喚起大家對資源再利用的重 視。在這個飛速發展的時代,我們容易被眼前的繁華所迷惑,忽略了身 邊看似微不足道的小事物。然而,這些普通物品卻蘊藏著改變世界的力 量。
在作品中,我試圖勾勒出美與垃圾轉生的過程,以及人們過度消費習慣 對大自然造成的不可逆轉破壞。我希望藉此視覺元素,激發人們對人與 自然和諧共存的反思。我們究竟到了什麼地步才會停止破壞?又從何 時開始改變自己的生活方式?這些一直困擾著我,也是我創作的核心動 機。
透過Artivive App,觀者可以深入了解作品背後的創作理念。我希望 您能感受到垃圾與美的蛻變,並從中汲取智慧。《轉生》不僅是件藝術 品,更是一面鏡子,反映出我們過度消費、不負責任的生活方式。
讓我們一起探索美與垃圾的轉生過程,從中吸取啟示,共同譜寫一個更 加美好的明天。我希望這件作品能成為一股改變的力量,喚醒人們對環 境破壞作反思,並付諸行動,過上更加永續的生活。
《轉生》成為我們通往自我和社會覺醒的催化劑,讓每個人都成為這個 世界的共同守護者。
作品包含三個部分:第一個部分是用鋁罐製造的首飾,這象徵著將廢棄物轉化為美麗的藝術品,並呼籲人們關注資源的再利用。第二個部分是圖畫,觀眾可以使用Artivive應用程序掃描畫作,透過虛擬實境體驗來展示轉化的過程,這展示了藝術和科技的結合,並加深了觀眾對作品背後信息的理解。第三個部分是一個巨型大花盆:活動的花代表了大自然,而裝置內嵌入了一個垃圾的無限空間,這象徵著垃圾問題的無限擴展,藝術家鼓勵觀眾去觀看和反思自己對環境的破壞。這三個部分共同展示了作品《Rebirth》對環保和可持續發展的主題,呼籲觀眾關注環境問題並改變生活方式,實現綠色和可持續的未來。這個作品通過創意和互動性,希望喚行起觀眾的意識,鼓勵人們環境問題作出行動。
Title of Artwork / 作品名稱: The Reorganization / 重組
Year of Creation / 創作年份: 2023
Media Techniques / 媒介技術: Collage, AI technology, AR tool
Style / 風格: Collage
Size / 尺寸: 59 X 42 X 0.5 cm
Exhibition Place / 展覽地點:
Currently displayed at Goethe Gallery and Black Box Studio, 14F, Hong Kong Arts Center, 2 Harbour Road, Wan Chai
Exhibition Date / 展覽日期: 1 December 2023 to 14 January 2024
Award / 獎項: Humanity Art Prize 2023 and auction in Goethe Gallery
Instructions / 使用說明:
安裝 Artivive 應用程式 (Install the Artivive app).
將手機對準藝術作品 (Hold your smartphone in front of the artwork).
享受這個體驗 (Enjoy the experience).
作品介紹 (Artwork Description)
我的作品名為『重組』,它是一場引人注目的探索,專注於對數位時代帶來的深刻變革和數位不平等的迫切問題。透過複雜的拼貼技巧和AI生成的引人注目圖像的結合,『重組』展現了多重效果,以分層敘述呈現。這件作品透過視覺上引人注目的構圖,深入探討了人工智慧技術和數位化對社會和經濟結構的變革性影響,深刻反映這些進步正在重新塑造我們的生活和周圍世界。
敘事的核心聚焦於資源重新分配的主題,這是數位革命的必然結果。『重組』迫使觀眾反思在日益數位化的世界中財富、權力和機會的動態變化。此作品強烈提醒我們關注那些在這場深刻變革中可能被邊緣化或被忽視的人。
此外,透過手機上的Artivive應用程式,觀眾得以體驗意想不到的視覺效果,碎片不斷搖擺並聚集在一起,如同資源重組的概念。『重組:重建不平等』從本質上是一場對科技與社會交叉點的深思熟慮的視覺評論,敦促我們所有人思考這些變革的深遠影響,以及解決它們可能造成的不平等的必要性。
Artwork Description (English)
My artwork, titled 'The Reorganization,' stands as a compelling exploration into the profound shifts brought about by the digital age and the urgent issues of digital inequality. Through the intricate fusion of captivating AI-generated images and complex collage techniques, 'The Reorganization' presents a layered narrative. This artwork delves into the transformative impact of artificial intelligence and digitization on our societal and economic structures, poignantly reflecting how these advancements are reshaping our lives and the world around us.
At its core, the narrative revolves around the theme of resource redistribution, a natural outcome of the digital revolution. 'The Reorganization' compels viewers to contemplate the dynamic changes in wealth, power, and opportunities in an increasingly digitized world. It serves as a powerful reminder to pay attention to those who may be marginalized or overlooked amidst this profound transformation.
Moreover, through the Artivive mobile application, viewers can experience unexpected visual effects, as fragments continuously sway and converge, mirroring the concept of resource reassembly. 'Reassemble: Rebuilding Inequality' is fundamentally a thought-provoking visual commentary at the intersection of technology and society, urging all of us to consider the far-reaching impacts of these changes and the necessity of addressing the inequalities they may bring about.
「我的作品名為『重組』,它是一場引人注目的探索,專注於對數位時代帶來的深刻變革和數位不平等的迫切問題。透過複雜的拼貼技巧和中途生成的引人注目圖像的結合,『重組』展現了多重效果,以分層敘述呈現。這件作品透過視覺上引人注目的構圖,深入探討了人工智慧技術和數位化對社會和經濟結構的變革性影響,深刻反映這些進步正在重新塑造我們的生活和周圍世界。
敘事的核心聚焦於資源重新分配的主題,這是數位革命的必然結果。『重組』迫使觀眾反思在日益數位化的世界中財富、權力和機會的動態變化。此作品強烈提醒我們關注那些在這場深刻變革中可能被邊緣化或被忽視的人。
此外,透過手機上的Artivive應用程式,觀眾得以體驗意想不到的視覺效果,碎片不斷搖擺並聚集在一起,如同資源重組的概念。『重組:重建不平等』從本質上是一場對科技與社會交叉點的深思熟慮的視覺評論,敦促我們所有人思考這些變革的深遠影響,以及解決它們可能造成的不平等的必要性。」
Dreams can be "My artwork, titled 'The Reorganization' stands as a compelling exploration into the profound shifts brought about by the digital age and the urgent issues of digital inequality. Through the intricate fusion of captivating mid-generated images and complex collage techniques, 'The Reorganization' presents a layered narrative that delves into the transformative impact of artificial intelligence and digitization on our societal and economic structures. It poignantly reflects how these advancements are reshaping our lives and the world around us.
At its core, the narrative of 'The Reorganization' revolves around the theme of resource redistribution, a natural outcome of the digital revolution. The artwork compels viewers to contemplate the dynamic changes in wealth, power, and opportunities in an increasingly digitized world. It serves as a powerful reminder to pay attention to those who may be marginalized or overlooked amidst this profound transformation.
Moreover, through the Artivive mobile application, viewers can experience unexpected visual effects. Fragments continuously sway and converge, mirroring the concept of resource reassembly. 'Reassemble: Rebuilding Inequality' is fundamentally a thought-provoking visual commentary at the intersection of technology and society. It urges all of us to consider the far-reaching impacts of these changes and the necessity of addressing the inequalities they may bring about.
Today I invite you through your smartphone to download the “Artivive App” to experience the future of a fair digital new world. I used the "I-DI" and "Midjourney" AI tools to follow my instructions to create the video, which has fragments swing constantly and reorganize, like the concept of resource reorganization.
Title of Artwork: The Reorganization
Artist name: Lam Wai Yee, Tim
Year of Creation: 2023
Media Techniques: Collage, AI technology, AR tool
Style: Collage
Size:59 X 42 X 0.5cm
Exhibition Place: Currently on display at Goethe- Gallery and Black Box Studio 14F, Hong Kong Arts Center 2 Harbor Road, Wan Chai
Exhibition Date: 1 December 2023 to 14 January 2023
Award: This artwork was Colors of Humanity Art Prize 2023 Finalists and auction in the Goethe Gallery
作品名稱:重組
藝術家姓名:Lam Wai Yee, Tim
創作年份:2023
媒材科技:拼貼、AI 科技、AR 工具
風格: 拼貼
尺寸:59 X 42 X 0.5cm
展覽地點:現於灣仔港灣道2號香港藝術中心14樓歌德畫廊及黑盒子工作室展出日期:2023年12月1日至2023年1月14日
獎項:此件作品為《色彩》 2023 年人類藝術獎入圍作品及歌德畫廊拍賣作品
Dreams can be realized. Ambitions can be pursued.
The two are indivisible and they complement each other.
No matter what storms you face, with persistence, you can soar.
Title of Artwork: The Interlock
Artist name: Lam Wai Yee, Tim
Year of Creation: 2021
Media Techniques: Sapphire blue, 18k gold plated, diamond, Pave Setting
Style: Jewelry Bracelet
Size:4D-4.00ct/D48-240ct/S200-1000ct
Dimensions: 70mm X 70mm
Awards: 2nd Runner-up
Exhibition Place:Currently on display at Institute of Gemological Studies 5/F, David C. Lam Building, Shaw Campus, Hong Kong Baptist University
Exhibited place: “The 23rd Hong Kong International Jewelry Fair”, Hong Kong Convention and Exhibition Center
Exhibited place: “Look Back” Kowloon Tsim Sha Tsui Beverly Commercial Center, 87- 105 Chatham Road South
作品名稱:環環相扣
藝人姓名: 林惠儀
創作年份:2021
材質工藝:寶石藍、鍍 18k 金、鑽石、密鑲 鑲嵌
方式:珠寶手鍊
尺寸:4D-4.00ct/D48-240ct/S200-1000ct
尺寸:70毫米×70毫米
獎項:季軍(第23屆香港珠寶設計比賽)
展覽地點:現於香港浸會大學逸夫校園林正中樓5樓寶石學院展出
展出地點:香港會議展覽中心“第23屆香港國際珠寶展”
展覽地點:「LookBack」九龍尖沙咀漆咸道南87-105號富康商業中心
光・影「豔紅霞」- 可以吊墜、戒指或兩者可合併配戴,就好像光影隨行息息相關,在黑與白之間轉出彩虹。作品鑲有不同顏色的彩寶石,比喻光影之間霞光豔豔,借指天雲的虹霞。戒指中央鑲有圓形白玉,寓意為世界帶來光芒走出黑暗。
There is a rainbow between light and shadow,
and keep wondering among day and night.
At the end the sunshine comes out, let us to hug
our future.
Title of Artwork: The Yan Hongxia
Artist name: Lam Wai Yee, Tim
Year of Creation: 2020
Media Techniques: Colored Gemstones, 18k gold plated, diamond, Pave Setting
Style: Jewelry Ring and Pendant
Size:1J/G18-90ct
Dimensions: 40mm X 40mm
Awards: 2nd Runner-up(The 22nd Hong Kong Jewelry Design Competition)
Exhibition Place: Currently on display at Institute of Gemological Studies 5/F, David C. Lam Building, Shaw Campus, Hong Kong Baptist University
Exhibited place: “The 22nd Hong Kong International Jewelry Fair”, Hong Kong Convention and Exhibition Center
Exhibited place: “Look Back” Kowloon Tsim Sha Tsui Beverly Commercial Center, 87- 105 Chatham Road South
作品名稱:艷紅霞
藝人姓名: 林惠儀
創作年份:2020
材質工藝:彩寶石、鍍 18k 金、鑽石、密鑲、 鑲嵌
方式:珠寶吊墜和戒指
尺寸:1J/G18-90ct
尺寸:40毫米×40毫米
獎項:季軍(第23屆香港珠寶設計比賽)
展覽地點:現於香港浸信會大學逸夫校園林正中樓5樓寶石學研究心展出中
曾展出地點:香港會議展覽中心“第23屆香港國際珠寶展”
曾展覽地點:「LookBack」九龍尖沙咀漆咸道南87-105號富康商業中心
Tim Lam 's Art work
Collage
Steel wire drawing
Inspired by Yayoi Kusama