Tiles !EXCLUSIVE!

Tiles allows authors to define page fragments which can be assembled into a complete pages at runtime. These fragments, or tiles, can be used as simple includes in order to reduce the duplication of common page elements or embedded within other tiles to develop a series of reusable templates. These templates streamline the development of a consistent look and feel across an entire application.

The main issue is that the tiles exported are different of those Ive created previously through Qupath. Those are tiles of the annotated region but they are not the same tiles I have made and select. Is there any way of exporting exactly the same tiles Ive already created?

Tiles

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Personally, I would tend towards using the TileExporter and LabeledImageServer since you are no longer limited by tile resolution, and biology rarely confines itself nicely to tiles. You could also find ways of creating labels for your tiles directly (covered in other sections), though it would be more convoluted due to classifying annotations.

I missed the point mentioning I need free basemaps, as I read, looks like these tiled base maps aren't free, it needs an ArcGIS online named user credentials, which is, unfortunately, not going to work in my case, sorry that I forgot to mention about this. What I need is free basemaps that are offline capable, which I can show to users directly in form of tiles or any other possible way !

Secondly, there are two types of basemaps. Raster Basemaps (with pre-baked pixel-based tiles) and Vector Basemaps (which are rendered on the fly in the client app). When you take them offline, Raster Basemaps will generate a .TPK file and Vector Basemaps will generate a .VTPK file.

Many renderers consult a stylesheet to decide how to display the content of the map.When using raster tiles, if you want to change the map style, you have to use a different set of tiles (often called a tile layer).Whereas with vector tiles, you can simply apply a different style to the same tiles (since the rendering happens on the client-side).

Tiles are often used to form wall and floor coverings, and can range from simple square tiles to complex or mosaics. Tiles are most often made of ceramic, typically glazed for internal uses and unglazed for roofing, but other materials are also commonly used, such as glass, cork, concrete and other composite materials, and stone. Tiling stone is typically marble, onyx, granite or slate. Thinner tiles can be used on walls than on floors, which require more durable surfaces that will resist impacts.

Decorative tilework or tile art should be distinguished from mosaic, where forms are made of great numbers of tiny irregularly positioned tesserae, each of a single color, usually of glass or sometimes ceramic or stone. There are various tile patterns, such as herringbone, staggered, offset, grid, stacked, pinwheel, parquet de Versailles, basket weave, tiles Art, diagonal, chevron, and encaustic which can range in size, shape, thickness, and color.[2]

Tiling was used in the second century by the Sinhalese kings of ancient Sri Lanka, using smoothed and polished stone laid on floors and in swimming pools. The techniques and tools for tiling is advanced, evidenced by the fine workmanship and close fit of the tiles. Such tiling can be seen in Ruwanwelisaya and Kuttam Pokuna in the city of Anuradhapura. The nine-storied Lovamahapaya (3rd century BCE) had copper roof tiles.[5] The roofs were tiled, with red, white, yellow, turquoise and brown tiles. There were also tiles made of bronze. Sigiriya also had an elaborate gatehouse made of timber and brick masonry with multiple tiled roofs. The massive timber doorposts remaining today indicate this.

One of the best known architectural masterpieces of Iran is the Shah Mosque in Isfahan, from the 17th century. Its dome is a prime example of tile mosaic and its winter praying hall houses one of the finest ensembles of cuerda seca tiles in the world. A wide variety of tiles had to be manufactured in order to cover complex forms of the hall with consistent mosaic patterns. The result was a technological triumph as well as a dazzling display of abstract ornament.[7]

During the Safavid period, mosaic ornaments were often replaced by a haft rang (seven colors) technique. Pictures were painted on plain rectangle tiles, glazed and fired afterwards. Besides economic reasons, the seven colors method gave more freedom to artists and was less time-consuming. It was popular until the Qajar period, when the palette of colors was extended by yellow and orange.[6] The seven colors of Haft Rang tiles were usually black, white, ultramarine, turquoise, red, yellow and fawn.

The zellige tradition of Arabic North Africa uses small colored tiles of various shapes to make very complex geometric patterns. It is halfway to mosaic, but as the different shapes must be fitted precisely together, it falls under tiling. The use of small coloured glass fields also make it rather like enamelling, but with ceramic rather than metal as the support.

Azulejos are derived from zellige, and the name is likewise derived. The term is both a simple Portuguese and Spanish term for zellige, and a term for later tilework following the tradition. Some azujelos are small-scale geometric patterns or vegetative motifs, some are blue monochrome and highly pictorial, and some are neither. The Baroque period produced extremely large painted scenes on tiles, usually in blue and white, for walls. Azulejos were also used in Latin American architecture.

Medieval encaustic tiles were made of multiple colours of clay, shaped and baked together to form a patternt that, rather than sitting on the surface, ran right through the thickness of the tile, and thus would not wear away.

Medieval Europe made considerable use of painted tiles, sometimes producing very elaborate schemes, of which few have survived. Religious and secular stories were depicted. The imaginary tiles with Old Testament scenes shown on the floor in Jan van Eyck's 1434 Annunciation in Washington are an example. The 14th century "Tring tiles" in the British Museum show childhood scenes from the Life of Christ, possibly for a wall rather than a floor,[8] while their 13th century "Chertsey Tiles", though from an abbey, show scenes of Richard the Lionheart battling with Saladin in very high-quality work.[9] Medieval letter tiles were used to create Christian inscriptions on church floors.

Delftware wall tiles, typically with a painted design covering only one (rather small) blue and white tile, were ubiquitous in Holland and widely exported over Northern Europe from the 16th century on, replacing many local industries. Several 18th century royal palaces had porcelain rooms with the walls entirely covered in porcelain in tiles or panels. Surviving examples include ones at Capodimonte, Naples, the Royal Palace of Madrid and the nearby Royal Palace of Aranjuez.

There are several other types of traditional tiles that remain in manufacture, for example the small, almost mosaic, brightly colored zellige tiles of Morocco and the surrounding countries. With exceptions, notably the Porcelain Tower of Nanjing, decorated tiles or glazed bricks do not feature largely in East Asian ceramics.

The Victorian period saw a great revival in tilework, largely as part of the Gothic Revival, but also the Arts and Crafts Movement. Patterned tiles, or tiles making up patterns, were now mass-produced by machine and reliably level for floors and cheap to produce, especially for churches, schools and public buildings, but also for domestic hallways and bathrooms. For many uses the tougher encaustic tile was used. Wall tiles in various styles also revived; the rise of the bathroom contributing greatly to this, as well as greater appreciation of the benefit of hygiene in kitchens. William De Morgan was the leading English designer working in tiles, strongly influenced by Islamic designs.

Roof tiles are overlapping tiles designed mainly to keep out rain or snow, and are traditionally made from locally available materials such as clay or slate. Later tiles have been made from materials such as concrete, and plastic.

Roof tiles can be affixed by screws or nails, but in some cases historic designs such as Marseilles tiles utilize interlocking systems that can be self-supporting. Tiles typically cover an underlayment system, which seals the roof against water intrusion.[12]

Clay roof tiles historically gained their color purely from the clay that they were composed of, resulting in largely red, orange, and tan colored roofs. Over time some cultures, notably in Asia, began to apply glazes to clay tiles, achieving a wide variety of colors and combinations. Modern clay roof tiles typically source their color from kiln firing conditions, the application of glaze, or the use of a ceramic engobe.[13] Contrary to popular belief a glaze does not weatherproof a tile, the porosity of the clay body is what determines how well a tile will survive harsh weather conditions.[14]

These are commonly made of ceramic or stone, although recent technological advances have resulted in rubber or glass tiles for floors as well. Ceramic tiles may be painted and glazed. Small mosaic tiles may be laid in various patterns. Floor tiles are typically set into mortar consisting of sand, cement and often a latex additive. The spaces between the tiles are commonly filled with sanded or unsanded floor grout, but traditionally mortar was used.

Natural stone tiles can be beautiful but as a natural product they are less uniform in color and pattern, and require more planning for use and installation. Mass-produced stone tiles are uniform in width and length. Granite or marble tiles are sawn on both sides and then polished or finished on the top surface so that they have a uniform thickness. Other natural stone tiles such as slate are typically "riven" (split) on the top surface so that the thickness of the tile varies slightly from one spot on the tile to another and from one tile to another. Variations in tile thickness can be handled by adjusting the amount of mortar under each part of the tile, by using wide grout lines that "ramp" between different thicknesses, or by using a cold chisel to knock off high spots. 2351a5e196