Thug Life __LINK_

The term was popularized in hip-hop culture, where thug life goes hand-in-hand with iconic rapper Tupac Shakur, or 2Pac. In 1993, Shakur joined with friends Big Syke, the Rated R, Mopreme Shakur, and Macadoshis to form the group Thug Life, who released a now certified Gold album, Thug Life: Volume 1 in 1994. As Tupac himself described thug life:

This is not meant to be a formal definition of thug life like most terms we define on Dictionary.com, but is rather an informal word summary that hopefully touches upon the key aspects of the meaning and usage of thug life that will help our users expand their word mastery.

Thug Life

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So despite the moral panic and the media at the time slamming the rapper for glamourising violence and being a 'thug'; the message was actually a warning: if we continue to bring up children in a negative environment, surrounded by racism, violence and oppression then the cycle will just continue.

Speaking in 1994, Tupac said: "I don't consider myself to be straight militant. I'm a thug, and my definition of thug comes from half of the street element and half of the Panther element, half of the independence movement.

It's been called one of the most famous tattoos in music history and easily the most-famous in hip-hop history. It's been argued that Shakur made tattoos cool in the rap scene. (By the way, the "I" in life is actually a bullet.)

Shakur received at least eight tattoos at Dago's, located in the 5100 block of the I-45 North, over his lifetime. The shop has been in business since 1974 and in 1992 it was just one of a handful of shops in the Houston area. At this point tattoos were not as socially accepted as they are 25 years later.

"Thug" has long been part of the hip-hop lexicon. The late Tupac Shakur called himself a thug and even had the phrase "thug life" tattooed across this chest. But for others "thug" is a pejorative term describing young, black men who are considered criminals.

TODD BOYD: American icon Muhammad Ali once said that words are more powerful than fists. That statement's all the more relevant when you consider how hip-hop has affected language in the modern age. A certain hip-hop word is now inciting heated discussion over usage and meaning. And I'm not talking about the so-called N-word this time. Here I am referring to the ubiquitous word thug.

For a long time now, thug has been part of the hip-hop lexicon. The late Tupac Shakur made this word famous. He called himself a thug and even had the phrase Thug Life tattooed across his chest. For many people, though, thug is pejorative term describing young black men who were considered criminals. The pejorative usage of thug was the subject of a recent Atlanta Journal Constitution article. It discussed the word as it's been used to describe Atlanta Falcon quarterback Mike Vick by some radio talk show hosts, bloggers and others.

Has thug come substitute for the contested N-word without all the social baggage? Does the frequent use of this term to describe young black men simply slide under the radar? Thug, of course, did not originate with hip-hop. But like so many other things, hip-hop gave the word new meaning. Thug has become badge of honor among those who embrace the up-from-the-streets ethos.

To be a thug is to be considered hard, real and authentic. The myriad ways that rappers use thug has always been quite creative, actually. There's the Bone Thugs-N-Harmony, "Thuggish Ruggish Bone," and Jay-Z's "Justify My Thug." Atlanta rapper Young Jeezy, the man who claims that he's not a rapper, he's a motivational speaker, has an album entitled "Thug Motivation." Meanwhile, Miami rapper Trick Daddy seems to be on thug overdose, having released several albums with thug in the title. These include "www.thug.com," "Book of Thugs," and the not to be missed "Back by Thug Demand."

But to call yourself a thug, though, is different than being called one by someone else. That's especially true if the person calling you a thug doesn't necessarily have your best interests at heart. But, as with the so-called N-word, it's hard to legislate who says what when these words circulate so freely in pop culture.

With the way that hip-hop culture has penetrated mainstream society over the last 30 years, words and their usage are no longer private affairs. Instead, they have become public domain. And there will always be people who use certain words out of context to discredit others. Maybe instead of getting all offended about it, we should simply charge it to the game. Because what's worst really? Using thug to refer to young black men as criminals or being language cops who censor and mute what doesn't fit our agendas?

There is something oddly, horribly reassuring about the HBO documentary "Thug Life in D.C.," a film that focuses on the youngest prisoner in Lorton's maximum-security wing, a ruthless gangster who faces a life sentence for wounding a cop and later killing another teen. Reassuring because the sources of Aundrey Burno's murderous rage and nihilism are easy to identify. By the end of "Thug Life," which airs tonight at 11, we fully understand how poverty and social pathology doomed this child.

When we first meet the suspect, he masks his face with a towel, bank-robber-style, and uses the name Bruno. "I'll tell you the definition of thug: I'm the definition of thug," he boasts. "I'm going to kill again if I have to. I'm going to do what I have to do to survive."

The formulaic set-up of the thug life remixes also bears resemblance to "How to Shut Down a Ho" remixes, another series of remix videos that open with a verbal insult or a punchline quoted from a popular film or television show before suddenly cutting to a scene of a crowd's wild reaction to the said line.

B-KIDS Thug Life 8-bit Sunglasses are not just a novelty as they are uv400 blocking sunglasses. Complete your costume or have fun with your friends wearing this high definition vision, glare blocking sunglasses. These shades are shock resistant for all of lifes little accidents. Made with a durable lightweight plastic, and a comfortable nose piece for your comfort.

Later, Jake finds Ned and Xavier in a parking garage. Xavier wants Jake to join The Gators, but he refuses to do so. Xavier reveals that his biological father used to be in The Gators but his Dad refused to kill anyone just like Jake. Jake's father and mother leaves the group, but Xavier kills them off planning to kill a baby Jake, but is apprehended by Jake's step father, Wally, who is a police officer. Xavier shoots Jake, but Ned jumps in taking the bullet. Jake comforts Ned but Ned tells him to take a grenade out of his pocket. Jake takes the grenade and throws it at Xavier, burning him to death. Jake and Ned return to The Gators's base to take all of their money and equipment. However, they can't find Tony's body, implying he could be alive. Five months later, Jake has become a millionaire after stealing The Gators's equipment and Ned is recovering after being shot. While walking in the woods, Jake finds a lone wolf, which he can relate to. When he returns home, Ned calls Jake and talks about the events over the past ten months. Jake plans to travel the world with the money he's taken. He takes the airport to Las Vegas and Mexico, relaxing and leaving his thug life behind.

Far later in Giovanni's life when Tupac Shakur, son of Black Panther Afeni Shakur, was slain in 1998, Giovanni did something a rebel would do. She got a tattoo on the inside of her left forearm. It's a small gesture from one of the coolest civil rights legends to ever live to one of the best rappers of all time.

This essay examines the multiplex uses of confession--religious, legal, generic--in Philip Meadows Taylor's 1839 novel Confessions of a Thug. Although Meadows Taylor claimed his novel was merely a recasting of actual criminal confessions, the novel's narratization develops the subjectivity of its criminal protagonist in a way that conflicts with the legal depersonalization of the thug in Anglo-Indian law. Thus the novel works against itself, instantiating the reductive identity of the thug while simultaneously allowing for the development of an autonomous and deeply compelling subject. The essay also considers how the novel's representation of the confessing yet unrepentant thug offers a crucial insight into the colony as a space of exception. 2351a5e196