Executive Editors
Executive Editors
Thomas Christensen is the Avalon Foundation Professor of Music and the Humanities at the University of Chicago. He is the author or editor of over sixty publications, including Rameau and Musical Thought in the Enlightenment (Cambridge University Press, 1993), The Cambridge History of Western Music Theory (2002), and most recently, Stories of Tonality in the Age of François-Joseph Fétis (2019). Among his more recent awards are Fellowships from the American Academy in Berlin (2002), the Wissenschaftskolleg (Berlin, 2011), an ACLS Senior Research Fellowship (2016), and a Guggenheim Fellowship (2019).
Zhuqing (Lester) S. Hu is an assistant professor in the Department of Music at the University of California Berkeley. His research focuses on the global history of music during the so-called early modern period—both on the time period itself, typically defined as late 1400s to early 1800s, and on its much-debated “early modern” label. He has held the Luce/ACLS Early Career Fellowship in China Studies, the Townsend Fellowship, the CLIR/Mellon Fellowship, and the Howard Mayer Brown Fellowship.
Carmel Raz is an assistant professor of music at Cornell University and leader of the research group “Histories of Music, Mind, and Body” at the Max Planck Institute for Empirical Aesthetics in Frankfurt am Main. She has published widely on the intertwined histories of music and the neural sciences and on the histories of musical attention and cognition. She is the author of Hearing with the Mind: Proto-Cognitive Music Theory in the Scottish Enlightenment (Oxford University Press, 2025).
Caleb Mutch is a research scientist in music theory and digital humanities at the Max Planck Institute for Empirical Aesthetics in Frankfurt am Main. He holds a PhD in music theory from Columbia University. His research covers a variety of periods within the history of music theory, and includes the creation of a digital critical edition of Pietro d’Abano’s commentary on the pseudo-Aristotelian Problemata (book XIX).
Kofi Agawu (Graduate Center, City University of New York)
Daniel Avorgbedor (University of Ghana)
Stephen Blum (Graduate Center, City University of New York)
Philip V. Bohlman (University of Chicago)
Daniel K. L. Chua (University of Hong Kong)
Rick Cohn (Yale University)
Gabriela Currie (University of Minnesota)
Tina K. Ramnarine (Royal Holloway University of London)
Alexander Rehding (Harvard University)
Reinhard Strohm (University of Oxford)
Melanie Wald-Fuhrmann (Max Planck Institute for Empirical Aesthetics)
Sarah Weiss (Kunstuniversität Graz)
Caleb Mutch (Music Theory and Digital Humanities, MPIEA, Frankfurt am Main)
Jacob Olley (Musicology, Cambridge University)
Martin Scherzinger (Media Studies, New York University)
Henry Stobart (Ethnomusicology, Royal Holloway University of London)
Maria Alexandru (Musicology, Aristotle U. of Thessaloniki)
Ellen Bakulina (Music Theory, McGill University)
David E. Cohen (Music Theory, MPIEA, Frankfurt am Main)
Zhuqing (Lester) Hu (University of California, Berkeley)
Liam Hynes Tawa (Music Theory, Harvard University)
Saeid Kordmafi (Musicology, School of Oriental and African Studies, London)
Salah Eddin Maraqa (Musicology, Freiburg University)
Jacob Olley (Musicology, Cambridge University)
Robert Provine (Ethnomusicology, University of Maryland)
Dahlia Shehata (Oriental Studies, University of Würzburg)
Parkorn Wangpaiboonkit (Musicology, University of Washington in St Louis)
Richard Widdess (Ethnomusicology, School of Oriental and African Studies, London)
Birgit Abels (Musicology, Universität Göttingen)
Giulia Accornero (Music Theory, Yale University)
Kwasi Ampene (Ethnomusicology, Tufts University)
Peter Asimov (Musicology, Cambridge University)
Charles Atkinson (Musicology, University of Würzburg)
Robin Attas (Music Theory, University of Manitoba)
Robert Bagley (Art and Archaeology, Princeton University)
Lara Safinaz Balikci (Music Theory, University of Chicago)
Nina Baratti (Ethnomusicology, Harvard University)
Fabio Bastici (Ancient Near Eastern studies, University of Pavia)
Marc Benamou (Ethnomusicology, Earlham College)
Anna Maria Busse Berger (Musicology, UC Davis)
Clint Bracknell (Music, University of Western Australia)
Gérard Borras (Latin American Studies, Université de Rennes)
Calvin Bower (Musicology, University of Notre Dame)
Donna A. Buchanan (Ethnomusicology, University of Illinois Urbana-Champaign)
Jose Semblante Buenconsejo (Musicology, University of the Philippines)
Scott Burnham (Music Theory, CUNY)
Julia Byl (Ethnomusicology, University of Alberta)
Michele Cammarosano (Asian, African and Mediterranean Studies, Università degli Studi di Napoli "L'Orientale")
Marcel Camprubí (Musicology, Warburg Institute)
Lee Cannon-Brown (Music Theory, Harvard University)
Andrew Cashner (Musicology, University of Rochester)
David Catalunya (Musicology, University of Würzburg)
Alexandre Cerveux (Musicology, University of Oxford)
Eric Charry (Ethnomusicology, Wesleyan University)
Ireri Chavez Barcenas (Musicology, Bowdoin College)
Elizabeth Clendinning (Ethnomusicology, Wake Forest University)
Fortunato Laura Colque (Humanistic Studies, Universidad Pablo de Olavide)
Janie Cole (Yale University)
Claude Dauphin (Musicology, Université du Québec à Montréal)
Ginger Dellenbaugh (Musicology, George Mason University)
Jonathan De Souza (Music Theory, University of Western Ontario)
Felix Diergarten (Music Theory, Lucerne University of Applied Sciences)
Brian Diettrich (Ethnomusicology, Victoria University of Wellington, New Zealand)
Patrick Dittamo (Musicology, University of Chicago)
Michael Dodds (Musicology, University of North Carolina School for the Arts)
Gavin Douglas (Ethnomusicology, UNC Greensboro)
Mehmet Uğur Ekinci (European Studies, Social Sciences University of Ankara)
Ricardo Eichmann (Archaeology, German Archaeological Institute, Berlin)
Sibylle Emerit (Classics, Centre National de la Recherche Scientifique, Lyon)
Marc Ernesti (Crane School of Music, SUNY Potsdam)
Philip Ewell (Music Theory, Hunter College and the CUNY Graduate Center)
Sasan Fatemi (Ethnomusicology, University of Tehran)
Steven Feld (Anthropology, University of New Mexico)
Chi Feng (East Asian Studies, University of Chicago)
Sarah Finley (Spanish, Christopher Newport University)
Tim Foster (Spanish and Portuguese Studies, Oskaloosa, Iowa)
Uri Gabbay (Archeology, the Hebrew University of Jerusalem)
Ramesh Gangolli (Mathematics, University of Washington)
Anna Gawboy (Music Theory, Ohio State University)
Dylan L. Gibson (Musicology, University of Stellenbosch, South Africa)
Yasemin Gökpınar (Institut für Arabistik und Islamwissenschaft, Ruhr-Universität Bochum)
Dan Goldberg (Music Theory, University of Connecticut)
Roger Grant (Music Theory, Wesleyan University)
Peter Greenhill (Independent Scholar, Wales, UK)
Anna Gruszczyńska-Ziółkowska (Music Archeology, University of Warsaw)
Laina Gumboreshumba (Music, Rhodes University, South Africa)
Zivar Guseinova (Musicology, St. Petersburg State Conservatory, Russia)
Stefan Hagel (Classics, Österreichische Akademie der Wissenschaften)
Petter Hellström (History of Science, Uppsala University)
Netta Hibsher (Linguistics and Theory of Science, University of Gothenburg)
Andrew Hicks (Music and Medieval Studies, Cornell University)
William Rees Hofmann (South Asian Studies, School of Oriental and African Studies, London)
Gus Holley (Ethnomusicology, UC Berkeley)
Thomas Husted Kirkegaard (Musicology, National Museum of Denmark)
David Irving (Musicology, ICREA & Institució Milà i Fontanals de Recerca en Humanitats, CSIC)
Rich Jankowsky (Ethnomusicology, Tufts University)
Estelle Joubert (Musicology, Dalhousie University)
Damascus Kafumbe (Ethnomusicology, Middlebury College)
Jonathan Katz (Classics, Oxford University)
Robert T. Kelley (Music Theory, Lander University)
Aram Kerovpyan (Independent scholar, Paris)
Babak Khazraei (Iranian Academy of Arts, Tehran)
Andile Khumalo (Music, Witwatersrand University)
Theo Krispijn (Assyriology, Leiden University)
Gerhard Kubik (Cultural Anthropology, Universität Wien)
Joshua Kumbani (Archeology, University of the Witwatersrand)
Daniela La Chioma Silvestre (Museu de Arqueologia e Etnologia, Universidade de São Paulo)
Jason Yin Hei Lee (Music Theory, McGill University)
Addi Liu (Musicology, Cornell University)
Jonas Löffler (Musicology, University of Cologne)
Christoph Louven (Musicology, University of Osnabrück)
Tosca Lynch (Classics, Royal Historical Society, UK)
Olasunbo Omolara Loko (Musicology, Lagos State University of Education, Nigeria)
Elizabeth Lyon (Musicology, Cornell University / COLLIS Institute for Catholic Thought and Culture)
Luis Ferreira Makl (Institute of Music, Faculty of Arts, University of the Republic, Montevideo)
Nathan Martin (Music Theory, University of Michigan)
Nathalie Meidhof (Hochschule für Musik, Bern)
Sam Mirelman (Assyrology, University of Geneva)
Mohsen Mohammadi (Ethnomusicology, University of California Los Angeles)
Manolete Mora (Ethnomusicology, the University of New South Wales)
Richard M. Moyle (Ethnomusicology, University of Auckland)
Luka Mukhavele (Ethnomusicology, University of Music Franz Liszt, Weimar)
John Muniz (Music Theory, University of Arizona)
Kwok Wai Ng (Japanese Language, University of Leeds)
Arsenio Nicolas (Ethnomusicology, Mahasarakham University, Thailand)
Kristina Nielsen (Ethnomusicology, Southern Methodist University)
Barley Norton (Ethnomusicology, Goldsmiths, University of London)
Francis Nuntasukon (Faculty of Arts, Silpakorn University)
Olabode Omojola (Ethnomusicology, Mount Holyoke College)
Russell J. O'Rourke (Musicology, Columbia University)
Philippa Ovenden (Musicology, University of Cologne)
Okan Murat Öztürk (Musicology, Music and Fine Arts University, Ankara)
Martín Mamani Quispe (La Paz, Bolivia)
Bryan J. Parkhurst (Music Theory, Oberlin College and Conservatory)
José Pérez de Arce (Archeomusicology, Santiago, Chile)
Rainer Polak (Ethnomusicology, RITMO Centre for Interdisciplinary Studies, University of Oslo)
Jay Rahn (Music Theory, York University)
Arati Rao (Ethnomusicology, Department of Performing Arts at JAIN (Deemed-to-be) University)
Derek Remeš (Technische Universität Dortmund, Germany)
Joti Rockwell (Music Theory, Pomona College)
Blanca Villuendas Sabaté (Oriental Studies Department, University of Oxford)
I Gde Made Indra Sadguna (Ethnomusicology, Institut Seni Indonesia Denpasar)
Sam-Ang Sam (Faculty of the Arts, Letters & Humanities, Pannasastra University of Cambodia)
Imani Sanga (Department of Creative Arts, University of Dar es Salaam)
Stephanie Schewe (Semitic Studies, Freie Universität Berlin)
Katherine Schofield (Musicology, King’s College London)
Peter Schubert (Music Theory, McGill University)
Jeong-Eun Seo (Music Theory, Seoul National University)
Ayesha Sheth (Humanities and Languages, Ahmedabad University )
Moges Seyoum (Ethiopian Church Musician and Liturgical Scholar)
August Sheehy (Music Theory, Stony Brook University)
Kay Kaufman Shelemay (Ethnomusicology, Harvard University)
Benjamin P. Skoronski (Musicology, Cornell University)
Songkran Somchandra (Music, Chiang Mai Rajabhat University)
Albert Bisaso Ssempeke (Multi-instrumentalist, Uganda)
Jan Szemiński (Spanish and Latin American Studies, the Hebrew University of Jerusalem)
Pramantha Tagore (Ethnomusicology, University of Chicago)
Daphne Tan (Music Theory, University of Toronto)
Patricia J. Tang (Ethnomusicology, Massachusetts Institute of Technology)
Peter van Tour (Musicology, Örebro University in Sweden)
Geni'chi Tsuge (Musicology, Tokyo University of the Arts)
Myfany Turpin (Musicology and Linguistics, Sydney Conservatorium of Music, University of Sydney)
Bjørnar Utne-Reitan (Music Theory, Norges musikkhøgskole)
Haig Utidjian (Musicology, Centro de Estudos de Sociologia e Estética Musical CESEM, Lisbon)
Jessie M. Valejo (Ethnomusicology, California State Polytechnic University, Pomona)
Daniel K. S. Walden (Music Theory, Yale University)
Alexander Herrera Wassilowski (Art History, University of the Andes, Colombia)
Richard Williams (Ethnomusicology, School of Oriental and African Studies, London)
Ming Wilson (Music Theory, University of Michigan)
Nattapol Wisuttipat (Anthropology, Thammasat University)
Elżbieta Witkowska-Zaremba (Musicology, University of Warsaw)
Gerda Wolfram (Byzantine and Modern Greek Studies, Universität Wien)
Lindsay Wright (Musicology, Yale University)
Owen Wright (Musicology, School of Oriental and African Studies, London)
Sarah Wurz (Archeology, University of the Witwatersrand, Johannesburg)