Image Comics announced in July 2020 that it will be republishing the full run of The Walking Dead in full color, with coloring by Dave McCaig. The first issue of the reprint was released on October 7, 2020, with subsequent comics beginning to be released twice a month from November 2020 onward. There are no present plans to release these in trade paperbacks.[15]
After the war, newcomers such as Magna and Dante are introduced into the series. Oceanside, another community out at sea, is established, as well as safety perimeters across the DC area, which are violated by the presence of the Whisperers, a tribe of people disguised as the dead who have rejected the notion of re-establishing civilization. The leader, Alpha, antagonizes Rick as her daughter, Lydia, forms a romantic relationship with Carl. When Alpha's second in command, Beta, takes leadership of the group, he declares war against the communities.
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Rick's group classifies the undead as either walkers, roamers or lurkers, the former being more likely to venture toward a loud noise in search of human prey. Other names have been used by characters in the series, including biters and stinkers. The undead follow and mimic each other, which can result in enormous hordes travelling together, "walking nonstop, following a sound they've all forgotten," as Abraham puts it.[20] When asked about the origins of zombies, Kirkman claimed that there was an answer but that it was unimportant to the story-line. At the same time, it was reported that when Kirkman pitched the series he had claimed that the virus was an alien biological attack in preparation of a full-scale invasion but that he had no intention of following this idea.[21]
The series received critical acclaim, winning the Eisner Award for Best Continuing Series in 2010[22] and prompting Eric Sunde of IGN comics to call it "one of the best monthly comics available".[23] Among its fans are author Max Brooks.[24] Because of the popularity of the series, which increased considerably when it was adapted into a television series of the same name, artist Tony Moore's original artwork for the series' early issues has gone up in value; on the March 28, 2013 episode of the VH1 reality television series For What It's Worth, Moore's original artwork for Page 7 of issue #1 was professionally appraised to be worth $20,000.[25]
With the premiere of the fifth season in 2014, Scott M. Gimple became the show's third showrunner. Gimple has said that he would stay closer in line to the comic book series events "as much as possible", but ultimately remix stories with certain characters, referencing original characters introduced to the show and deceased characters alive in the comic book as a reason for this.[34] Robert Kirkman commented that he believed the series would be much closer to the comic series under Gimple.[35] With the series' ninth season, which started broadcast in October 2018, Angela Kang was promoted to showrunner with Gimple becoming in charge of all Walking Dead properties at AMC.[36][37] These included multiple spin-off series, continuing even after the main series concluded. These include Fear the Walking Dead, The Walking Dead: World Beyond, Tales of the Walking Dead, The Walking Dead: Dead City, The Walking Dead: Daryl Dixon, and The Walking Dead: The Ones Who Live.[38] These spin-offs either introduce new characters and settings to the universe or continue plot threads from the original television series, with little connection to the comics.
A series of novels based on the comics, written by Robert Kirkman and Jay Bonansinga, were released between 2011 and 2014 focusing on the antagonist "The Governor". Taking place in the initial outbreak, the books chronicle his experiences from surviving in the newly ravaged world to the establishment of himself as leader of Woodbury, and finally tying up the conclusion to the prison arc storyline in the comics.
The trade paperbacks collect story arcs of six issues each, but contain only the story and none of the original cover art from the comics. Each paperback follows the convention of having a three-word title. The zombies in the cover art for each paperback form part of a larger image if placed end to end. This also loops, as the final zombie on Volume 32 connects to the first on Volume 1.
All hardcovers contain the contents of the comics, including the covers, and in some cases bonus material. The books' trim size is larger than the paperbacks. Each hardcover contains two story arcs from the series. Signed versions of the books are available, each limited to 310 pieces.
An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months, society has crumbled: There is no government, no grocery stores, no mail delivery, no cable TV. Rick Grimes finds himself one of the few survivors in this terrifying future. A couple months ago he was a small town cop who had never fired a shot and only ever saw one dead body. Separated from his family, he must now sort through all the death and confusion to try and find his wife and son. In a world ruled by the dead, we are forced to finally begin living.
The series has received critical acclaim, winning the Eisner Award for Best Continuing Series in 2010 and prompting Eric Sunde of IGN comics to call it "one of the best monthly comics available".[9] Among its fans are author Max Brooks.[10]
The Walking Dead is a different case. Rather than being based on a series of spread-out novels that are a thousand or more pages each, The Walking Dead is a comic series spanning nearly 140 issues so far. It took me a good long while to decide to make the leap and read the comics all the way through. In this case, it wasn't a spoiler that broke the camel's back, but Aaron, the smiley stranger who led Rick and the others to his compound in last week's episode. I was just tired of waiting for answers when I knew the answers were out there already. I wanted to know if Aaron would be yet another Judas, or finally lead the group to an uncorrupt haven. I surrendered, and read every single issue of the comic that has been released to date.
But The Walking Dead? 137 issues took me two days. And as readers will know, finishing the comics leaves you miles ahead of where the show currently is, as I believe in over four years now, they're not much past issue 80 in terms of the overall story. This is of course the complete opposite of Game of Thrones, where already the show threatens to bump up against the books as Martin takes a very, very long time to produce new novels. Eventually, as soon as this year or next, the show will likely pass them altogether.
But now, reading The Walking Dead comics, I feel like I've just read through the next three or four years of the show in less than a single day. It's somewhat liberating to know what comes next, and yet it's also kind of an unhealthy sugar rush. I've spent four and a half years watching this show week to week, and now suddenly, I'm probably four years ahead of it. It's a rather bizarre feeling.
It makes me wonder how exactly the relationship between the show and comics will continue. Robert Kirkman has said that he has at least 300 issues worth of content mapped out, meaning that the comic series isn't even halfway over yet. That also means that at the current rate of production, The Walking Dead show is looking at 12-15 total seasons at the very least, unless they switch from adding content to the comics to cutting it instead. Even though the show is as popular as it is, I can't imagine anyone would even want it to last that long, and I have a feeling the show will come up with its own conclusion as the comic marches on into the indefinite future.
Perhaps the biggest departure from the comics to the show, which I was surprised to witness, was how both handled the character of Andrea. In the comic, she's a tough-as-nails fighter and the group's sharpshooter. In the show, she started down that path, but got derailed by a horrible season three plotline that made her fall in love with the Governor. Her character was so badly mangled by the end of that storyline that the show seemed to feel it had no choice but to kill her.
How the show handles something like this is going to be tricky. Already it seems like the show is having Michonne step up and take on the role Andrea used to have. Of course, Michonne has her own storylines and romantic conquests in the comic, so those may have to be shelved. It's a shell game, and it's going to be very interesting to see if Michonne and Rick end up together down the line, with her having essentially absorbed Andrea's essence. Some could argue a lot of Andrea's badassery has been given to Carol instead, though she seems destined to end up with Daryl at some point down the line. And there's another point. In the comics, Carol was a complete nutjob that at one time wanted to marry both Lori and Rick before she was eventually killed off, while her daughter Sophia is still alive in the comics today. But the show has transformed her from grieving mother to stone-cold killer, and one of its best characters.
So while reading the comics is an invitation for probable spoilers, it can still keep you guessing as to what's actually going to happen on the show given how often AMC invents their own ways for the story to play out. They keep the overall framework of the plot, but the individual decisions vary dramatically. While book readers knew exactly who would get their head chopped off at the end of Game of Thrones season one, comic readers would have been mistaken about a similar beheading in The Walking Dead season three.
And finally, there's the ultimate question. Which is better: the show or the comics? You couldn't really ask a more subjective question, but I have a theory that whichever someone consumes first, they're more likely to say that it's their favorite. Comic fans will often lambast the show for changing things, while show readers may find many elements of the comics off-putting or lacking the weight of the show. Shane throwing open the barn to reveal a zombified Sophia is probably one of the best moments of the series, for example, and it never happened in the comic. Honestly, I think the show has done a better job creating more impactful moments than the comic like that one, and has also allowed us to really get to know these characters well. But that's the nature of TV, and we've simply spent a lot more time with them over the years. I think both are well-done, but ultimately it may come down to which medium you like more as a whole, comics or TV, and which seasons of the show you're talking about. I'd say the comic handled the Governor's saga better than the show's disastrous season three, but since Scott Gimple took over as showrunner, the show has been practically flawless in my eyes, and has ascended to a whole new level of quality. 0852c4b9a8
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