The Time Machine 1960 Full Movie Online [EXCLUSIVE] Free Download

The Time Machine (also marketed as H. G. Wells' The Time Machine) is a 1960 American period post-apocalyptic science fiction film based on the 1895 novella of the same name by H. G. Wells. It was produced and directed by George Pal, and stars Rod Taylor, Yvette Mimieux, and Alan Young. The story is set in Victorian England and follows an inventor who constructs a machine that enables him to travel into the distant future. Once there, he discovers that mankind's descendants have divided into two species, the passive, childlike, and vegetarian Eloi and the underground-dwelling Morlocks, who feed on the Eloi.

The film was originally released on August 17, 1960, and was distributed by Metro-Goldwyn-Mayer.[2] It received the Academy Award for Best Special Effects[5] for its time-lapse photographic effects, which show the world changing rapidly as the time traveler journeys into the future.

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At the group's earlier dinner on New Year's Eve, George stated that time is the fourth dimension. He shows David Filby, Dr. Philip Hillyer, Anthony Bridewell, and Walter Kemp a scale model time machine. When a tiny lever on it is pressed, the device quickly disappears. George says it went forward in time, but his friends are skeptical. The group leaves George's house, Filby reluctantly, as he senses George is not himself. George then retires to his private laboratory that holds a full-size time machine.

George travels forward in time, first in small increments, and then to 1917. He meets Filby's son, James, who says Filby died in a war. George returns to the time machine and stops in 1940 during the Blitz, finding himself in the midst of "a new war". A disillusioned George then travels to 1966. People are rushing to fallout shelters as air raid sirens are blaring. An elderly James Filby urges George to take cover. George barely makes it back to his time machine as an "atomic satellite" detonates, causing a local volcanic eruption. The approaching lava rises, cools, and hardens, trapping George as he travels far into the future. Eventually the lava wears away, revealing a lush, unspoiled landscape.

The next morning, the sphinx's doors are open. George sees his time machine inside. When he enters the sphinx, the doors close and George is attacked by Morlocks. He escapes in his machine and returns to 1900.

After George recounts his story, his friends remain skeptical. He produces a flower Weena gave him, and Filby, an amateur botanist, says it is an unknown species. George bids his guests good evening. Filby returns shortly thereafter to find George and his time machine gone. His housekeeper, Mrs. Watchett, notes that nothing is missing except three books that she is unable to identify. When Mrs. Watchett wonders if George will ever return, Filby remarks that "he has all the time in the world".

The name of the film's main character (alluded to in dialogue only as "George") connects him both with George Pal and with the story's original science fiction writer H. G. (George) Wells. The name "H. George Wells" can be seen on a brass plaque on the time machine.[7] The film was created on a tight budget and given a filming schedule of just 29 days.[8]

The time machine prop was designed by MGM art director Bill Ferrari and built by Wah Chang.[11] Recognized today as an iconic film property, Ferrari's machine suggested a sled made up of a large clockwork rotating disk. The disk rotated at various speeds to indicate movement through time, evoking both a spinning clock and a solar disk.[citation needed] In a meta-concept touch, a brass plate on the time machine's instrument display panel identifies its inventor as "H. George Wells", though the Time Traveler is identified only as "George" in dialogue.[7] In Wells' original story, the protagonist is referred to only as the "Time Traveler".

In 1993, a combination sequel-documentary short, Time Machine: The Journey Back, directed by Clyde Lucas, was produced. In its third section, Michael J. Fox talks about his experience with the DeLorean sports car time machine from Back to the Future. In the short's final section, written by screenwriter David Duncan, Rod Taylor, Alan Young, and Whit Bissell reprise their roles from the original 1960 film.

The Time Machine The 1960 movie Time Machine tells the story of its protagonist, George, an inventor who travels through time. George is a man who keeps time in the palm of his hand thanks to the time machine he invented. Thanks to this machine, he miraculously jumps from 1899 to 802701. Realizing that humanity has split into two hostile races in this distant future of millions of years, George finds himself at the epicenter of a brutal war.

But probably the machine had only been taken away. Still, I mustbe calm and patient, find its hiding-place, and recover it by force orcunning. And with that I scrambled to my feet and looked about me,wondering where I could bathe. I felt weary, stiff, and travel-soiled. Thefreshness of the morning made me desire an equal freshness. I had exhaustedmy emotion. Indeed, as I went about my business, I found myself wonderingat my intense excitement overnight. I made a careful examination of theground about the little lawn. I wasted some time in futile questionings,conveyed, as well as I was able, to such of the little people as came by.They all failed to understand my gestures; some were simply stolid, somethought it was a jest and laughed at me. I had the hardest task in theworld to keep my hands off their pretty laughing faces. It was a foolishimpulse, but the devil begotten of fear and blind anger was ill curbed andstill eager to take advantage of my perplexity. The turf gave bettercounsel. I found a groove ripped in it, about midway between the pedestalof the sphinx and the marks of my feet where, on arrival, I had struggledwith the overturned machine. There were other signs of removal about, withqueer narrow footprints like those I could imagine made by a sloth. Thisdirected my closer attention to the pedestal. It was, as I think I havesaid, of bronze. It was not a mere block, but highly decorated with deepframed panels on either side. I went and rapped at these. The pedestal washollow. Examining the panels with care I found them discontinuous with theframes. There were no handles or keyholes, but possibly the panels, if theywere doors, as I supposed, opened from within. One thing was clear enoughto my mind. It took no very great mental effort to infer that my TimeMachine was inside that pedestal. But how it got there was a differentproblem.

I must confess that my satisfaction with my first theories of anautomatic civilisation and a decadent humanity did not long endure. Yet Icould think of no other. Let me put my difficulties. The several bigpalaces I had explored were mere living places, great dining-halls andsleeping apartments. I could find no machinery, no appliances of any kind.Yet these people were clothed in pleasant fabrics that must at times needrenewal, and their sandals, though undecorated, were fairly complexspecimens of metalwork. Somehow such things must be made. And the littlepeople displayed no vestige of a creative tendency. There were no shops, noworkshops, no sign of importations among them. They spent all their time inplaying gently, in bathing in the river, in making love in a half-playfulfashion, in eating fruit and sleeping. I could not see how things were keptgoing.

Necessarily my memory is vague. Great shapes like big machinesrose out of the dimness, and cast grotesque black shadows, in which dimspectral Morlocks sheltered from the glare. The place, by the bye, was verystuffy and oppressive, and the faint halitus of freshly-shed blood was inthe air. Some way down the central vista was a little table of white metal,laid with what seemed a meal. The Morlocks at any rate were carnivorous!Even at the time, I remember wondering what large animal could havesurvived to furnish the red joint I saw. It was all very indistinct: theheavy smell, the big unmeaning shapes, the obscene figures lurking in theshadows, and only waiting for the darkness to come at me again! Then thematch burnt down, and stung my fingers, and fell, a wriggling red spot inthe blackness.

So I came back. For a long time I must have been insensible uponthe machine. The blinking succession of the days and nights was resumed,the sun got golden again, the sky blue. I breathed with greater freedom.The fluctuating contours of the land ebbed and flowed. The hands spunbackward upon the dials. At last I saw again the dim shadows of houses, theevidences of decadent humanity. These, too, changed and passed, and otherscame. Presently, when the million dial was at zero, I slackened speed. Ibegan to recognise our own pretty and familiar architecture, the thousandshand ran back to the starting-point, the night and day flapped slower andslower. Then the old walls of the laboratory came round me. Very gently,now, I slowed the mechanism down.

"You Will Orbit into the Fantastic Future!".Responding to an invitation issued five days earlier, five gentlemen meet at the London residence of their mutual friend, scientist George, who, having arrived late and disheveled, recounts the last five days, beginning with the group's 31 December 1899 meeting: George explains that he has been working for two years to prove the possibility of movement within the fourth dimension, time, by creating a time machine to carry man into the future or past.

This 1960s American science fiction film was produced and directed by George Pal, and stars Rod Taylor, Yvette Mimieux, and Alan Young. The film was based on H.G. Wells's 1895 novella of the same name, which was hugely influential on the development of science fiction, and the popularisation of the time travel concept.

This atmospheric poster depicts Rod Taylor sitting in his time machine, with Yvette Mimieux standing behind him, and a group of fierce morlocks looming like giant snow capped mountains in the background. 006ab0faaa