At the Brangwyn School, an exclusive boarding school for girls, 16-year-old Rebecca Cantor writes her most intimate thoughts in a diary. Two years earlier, Rebecca's father, a poet, took his own life by slitting his wrists. Her mother transferred Rebecca to the school, hoping to help her daughter escape the memory of her father's death. With the help of her best friend and roommate, Lucy Blake, Rebecca soon recovers.

The following year, a mysterious dark-haired girl named Ernessa Bloch comes to Brangwyn. Lucy quickly becomes best friends with Ernessa and grows distant from Rebecca, who feels uneasy about Ernessa's presence. She tries to confront Lucy about her involvement with Ernessa, but Lucy dismisses her concerns as jealousy. The girls' hallmate Charley is expelled for throwing a chair through a window after taking drugs provided by Ernessa at a party. Another friend, Dora, falls from the roof outside Ernessa's room after she and Rebecca peek into Ernessa's room one night and see it empty except for a cloud of moths, and a teacher who was harsh on Ernessa is found murdered in the woods. Tension starts to grow at the school. Rebecca is suspicious of Ernessa, who she sees walk through a closed window and linger near the doors of a basement where the students are forbidden to go. She sees troubling similarities between Ernessa and Carmilla when reading the story for class.


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Lucy is hospitalized after refusing food for weeks and weakening, and only Rebecca thinks Ernessa is to blame. Rebecca tries to convince Lucy that Ernessa is the root of all their problems, but Lucy refuses to listen and cruelly pushes Rebecca away, saying that she is not the "old Lucy" anymore, and that Rebecca's refusal to see this is what has ruined their friendship. Although Lucy recovers briefly, Rebecca wakes one night to find her gone, and goes outside to see Lucy rising into the air with Ernessa before they both turn into a swarm of moths and disappear. Soon after, Lucy dies.

Below is undoubtedly one of my favourite catches of the year so far. The gorgeous Poplar Hawk-moth. My first Hawk of the year, the Poplar is the most common of all of our Hawk-moths and also the most easily recognised owing to the strange resting position with hindwing protruding beyond the forewing. This unusual position arises from the fact that the Poplar Hawk-moth does not have a frenulum (a structure which normally holds the wings together). Like the Swift moth, it has no functioning proboscis and so the adult moth does not feed, existing only to mate and reproduce. Adults are on the wing from May to July and the larvae feed on Poplar, Aspen and Sallow.

Despite the weather being up and down (cold and windy again this week) there have been hints of the warmer nights to come. The bank holiday weekend produced a couple of 10c+ nights and with it came the moths in droves.

A couple of Micro moths rolled in next and they are well deserved of a mention. When I say Micro though, I really do mean micro. This Argyresthia trifasciata (also know as the Triple-barred Argent) is no larger than 5mm in length (I could have done with a microscope!). Only discovered in this Country in 1982 it can be found now wherever the food plant is present (Juniper or Leyland Cypress). Well worth mentioning for the gorgeous gold leafing detail and those splendid white bands.

Not much larger was this Pseudoswammerdamia combinella (also known as the Copper-tipped Ermel) at just 8mm in length. This understated moth can be found wherever Blackthorn grows between May and June. Micros can be difficult work; with 1800 species in the UK, many, especially to the naked eye, appear remarkably similar and so proper identification can be quite the challenge. Many Micros are so small that they appear merely as nondescript, tiny black insects or flies; it is only on closer inspection that a vast array of magnificent colours can be seen within the wing scales.

The moths just kept on coming on Sunday night and I was delighted to add the Pebble Prominent to my Garden list. This large bodied, fury and spectacularly marked moth is a bit of a looker. The name derives from the circular markings on the forewings. It is a common moth throughout the British isles and can carry to two generations depending on latitude, flying between May and August. Although common, they do tend to prefer damper habitats where the food plants can be found in abundance, namely Poplar and Sallows. Having said that, within sight of my garden trap neither of these tree families are present; the nearest grouping probably some 1000+ metres away in the edgeland which goes to show, with the light on anything can happen.

The Moth Diaries introduces countless other themes, such as the symbolic importance of moths, the impact of losing a parent to suicide, and jealousy among teen girls, which unfortunately don't get tied together so much as pushed into their inevitable conclusion. Ernessa is only a predator in the story, so the "lesbian vampire" trope remains unchallenged. As an effect of that, we see very little of Rebecca confronting her own apparently queer interest in Lucy. Lucy herself is given almost nothing in the way of autonomy, so we don't know to what extent her queerness exists except in that it reflects Ernessa's desire to feed on her. Yet, despite all these detracting elements, there remains a compelling queerness at the movie's heart that is impossible to disregard. Rebecca may never come to grips with her feelings for Lucy, and Lucy may never rise above her status as a victim of Ernessa, but the energy among the three of them remains engrossing regardless.

Studio 2 is also known as the Luna moth studio. Luna moths, one of the largest species of moths are evident this time of year in N America. Although rarely seen due to their very brief (1 week) adult lives, Luna Moths are considered common. The adults do not eat or have mouths.They emerge as adults solely to mate, and as such, only live approximately one week. They are more commonly seen at night.

The outcast/coming-of-age genre often seduces first-time authors and Klein is no exception. The bulk of the book consists of the diary entries of a mentally ill 16-year-old during her junior year at Brangwyn School, an exclusive girls' boarding school, in the late '60s. These are framed by the observations of the same woman, now 46 and healthy, as she looks back on her severely disturbed youth through the pages of her journal. Her father, a poet, committed suicide and her grief-stricken mother sent her away to school because she could not attend to her own pain and her child simultaneously. Her best friend is Lucy, a pale blonde girl who would rather follow than lead. But a new girl named Ernessa worms in on the girls' friendship, causing the narrator to grow increasingly obsessive about Lucy and eventually fearful for Lucy's life. To offset Lucy's wavering loyalty, the narrator turns to other girls for comfort, including rebellious Charley, philosophical Dora, lovelorn Claire and sensitive Sofia. Despite the political, social and wartime upheaval of the era, the school remains an island where these girls play out their own miniature dramas and rebellions: as the narrator puts it, "the rest of the world seems very far away." The diary form and the already self-conscious narrator's increasingly paranoid voice add to the feeling of claustrophobia. Aside from waning curiosity about what is real and what is a figment of the narrator's imagination, most readers will be left with little to hold on to. (July) 17dc91bb1f

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