We descended deeper and deeper into the mine shaft, following a downward-facing walkway circling and rights and lefts never-ending. After what felt like 25 minutes of walking, we entered a spacious room through a sealed door by keycode. The room was 50-100 feet wide, with tall ceilings and a central hangout area it looked fucking sick. The song "Substantial" played loud enough you could hear its buzz, and approximately 45-50 people of various backgrounds and styles were dancing, vibing, smoking, and engaging in various activities. Desks were set up for gaming, beds for lounging, and 35-ft long dichroic glass lights illuminated the space with really cool artwork on the walls, people painting with black light / UV lights everywhere, casting colorful beams in every direction. The room had a chill ambiance, and I excitedly high-fived everyone I began high-fiving everyone, stoked as I searched for Zach amidst the pulsating atmosphere. It was like stumbling upon an underground rave scene, a hidden gem that no one fucking told me about. The air consumed with an energy I couldn't quite grasp. What the fuck are these assholes on that I'm not, as if everyone around me was riding a high of crack mescaline that I desperately wanted a piece of. Curiosity fueled me and me being a recovering addict knowing damn well I'm dreaming, I was like WHERE ARE THE DRUGS, trying to find anything about the source, a girl approached me who seemed to possess the answers. Her name was Mya.

As we stood before the machine, a profound realization washed over me. No. 17 was not just a physical location or a gathering place for lost souls; it was a nexus of creativity, curiosity, and the exploration of the human spirit. It served as a catalyst for transformation, a space where individuals could tap into their deepest desires, connect with others on a profound level, and discover hidden aspects of themselves.


The Lost Soul Down Song Download


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Zack tells me he and his buddy Tyler found this place after their fathers who worked here went missing. Zack would remember his dad coming home each night talking incessantly about crazy shit at work, then one day he stopped talking about it and the next month both their dads never came home. When they arrived it took them 2 years to find the hidden walkways. Zack and Tyler scared to explore it alone invited friends with cameras to come film their descent, but after level one is reached all footage goes corrupt. Tyler didn't take too kindly to this, and after Zack and Tyler spend many years making 17 so nice, it's the only level you're not affected by the chemical, Tyler assumed he could go 17 more down and reach another dead zone where he wouldn't be so high or lost, its been 11 years since anyone has saw Tyler, and many more people followed never to return. Zack claims just the level 18 is x100 crazier than all combined, that once you go further say goodbye to anyone and anything you ever knew about. I laugh and say at least the music has been FIRE it's almost like the LEVELS made the music for you, LEVEl 17 begins playing "2 Seater" by DJ Gummy BEAR, I almost want to go down to hear the music.

For in this realm of the lost souls down, where desires and dreams melded with the fabric of reality, the answers I sought were not simply found in the depths of Level 17. They were scattered throughout this labyrinth, waiting to be discovered, waiting to reveal the true nature of this enigmatic existence.

And so, with resolve in my heart and the echoes of Zach's tale etched into my mind, I joined the collective, ready to unravel the secrets of the lost souls and navigate the intricate pathways of this mesmerizing realm. The journey was far from over, and the adventure had only just begun. LEVEL 18 WE GOOOOOOO

In February 1996, on the Williams twins' birthday, the band's recording studio located in Ancoats, Manchester caught fire and burned down, destroying virtually all of the band's equipment and recorded material.[8] In an interview with Excellent Online, Jimi Goodwin said of the fire, "Yeah, we lost tapes, we lost equipment. But we were insured. If we weren't insured, we might not be here now. When forty grand goes up, where would we be to get that back at 22 years old? So, yeah, we were lucky. It was a blessing in a way. I was laughing. After the initial shock, I started giggling, y'know? It was like [looking to the sky], 'What else you gonna throw at me, man? C'mon then, fucking bring it on! Me bird just left me, what else you got?'"[9] The only surviving recorded material recovered from the ashes was released as Delta Tapes in February 1998, featuring early versions of later Doves tracks "Firesuite" and "Blue Water", as well as B-side tracks "Crunch" and "Lost in Watts".[10]

Agreed that religions is a recurring theme behind many AFI songs, but I see the song a different way. I see this song as a cry from one who finds no comfort in religion or faith. "If you can't stand upon the water I will see you on the ocean floor". To me thats kind of like saying, if you can'y see Jesus as divine or whatever if you can't see the miracle of faith then you are doomed, in this case drowning. Also the line, "If you feel fine, give it just a little time Im sure youll contract my disase". Here, I think he is saying that even if you are comfortable in your faith if you actually take the time to question your beliefs you will find less comfort in them and become lost. I think lyrically this is my favorite AFI song, as this could easily have been a cry eminating from my own sleepless meanderings into the deep of consciousness.

This song is about a person that you love dearly and would do anything for. To have them would complete you("Look what you've done to me now, you've made me perfect"). But you are so afraid of trying to embrace this person, perhaps because you fear rejection and being hurt like you've been before. Maybe you're even afraid that you'll accidently hurt this person, that you'll make them just like you("I'm sure you'll contract my disease."), someone who is dependent on someone elses love to survive. " Take my hand, I'll be everything to you,Take my hand, I'll take everything from you,I will seep under your skin, I will,I will hold onto your heart, I will."You're afraid that you might bring down this person you care for and admire so much.

Listen to Ronliee lost soul x the lost soul down (Slowed+Reverb) MP3 song. lost soul x the lost soul down (Slowed+Reverb) song from album Motion is released in 2023. The duration of song is 00:03:41. The song is sung by Ronliee.

Through introspective lyrics, Disco Wizard expresses the feeling of being lost and disconnected from oneself and the world. The song beautifully encapsulates the essence of existential questioning, as many can relate to the experience of feeling adrift in a fast-paced and ever-changing society. It resonates with those who have at some point questioned their purpose, their place in the world, and their ability to find true fulfillment.

Disco Wizard drew inspiration from personal experiences of feeling lost and disconnected. The song serves as a reflection on their own journey of self-discovery and the struggles they faced along the way.

The lyrics of Lost Soul employ symbolic language to convey the themes of the song. Symbols such as darkness, light, and a winding path represent the journey of the soul and the challenges faced during the search for meaning. 2351a5e196

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