I installed Affinity Photo on my new desktop and the font family Bahnschrift seems to not display it's different styles. When I open other programs like Clip Studio Paint, the different font styles such as bold and semi-bold are available. In Affinity Photo, it shows that I have multiple styles available but they all are "Regular." I try choosing different styles and they all are the same regular font.

I tried installing the font after downloading it online but it seemed to already be in Windows Fonts. It showed that there were 30 font styles available in Affinity Photo which seemed odd. I tried uninstalling the font Windows Font Settings which reduced the font styles available in Affinity Photo to 15. These styles still show as regular font styles. I also attempted deleting the font from control panel fonts and importing the fonts again. I'm really confused as Affinity Photo seems to be the only program that can't seem to read the different font styles, unlike Clip Studio or Word. Is there anything I might be missing that could solve this issue?


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Just wanted to add my support for this topic. I've been trying out the free trial for Designer and Publisher, and was hoping to finally move away from Adobe, but just discovered this issue with variable fonts.

Everything in the industry right now is pointing towards variable fonts becoming the norm, not the exception - Google Fonts, for instance, no longer offers individual weights if a variable version is available. So if you wanted to download, say, Playfair Display SemiBold, won't get Playfair Display SemiBold. You'll ONLY get the variable version, which Affinity will only be able to display as Regular. Because Affinity doesn't support variables, I would be forced to hunt down the individual styles on different, more questionable font sites. And this isn't just an issue when downloading new fonts; it also poses problems with file compatibility, such as when I need to work with other designers' files that contain variables. I'd also be limiting my pool of resources in the future as more and more foundries pivot to variable.

Variable fonts are no longer emerging technology - they're becoming industry standard. I would love to make a full switch to Affinity, but this gap would have me stuck relying on workarounds, doing extra legwork to fix compatibility issues, and clinging to old technology while new ones pass me by. I don't think any designer should have to do that for variable fonts in 2022.

Actually, on that Google Fonts page, you should see (at least on a computer browser) a "Download Family" link (see screenshot below). And in the .zip file that will download, there's a folder named static that will have all the versions of the static font. Those are the ones you need to install for use with the Affinity applications.

Actually, on that Google Fonts page, you should see (at least on a computer browser) a "Download Family" link (see screenshot below). And in the .zip file that will download, there's a folder named static that will have all the versions of the static font.

I do not think there is any way to get just the variable font version from Google Fonts, so by using the "Download Family" button & unzipping the download, I would think it would be hard to miss the "static" folder ... or for that matter the "README" file that among other things explains what that folder includes & why.

Recently Google Fonts changed the font downloads to always download the full font package no matter what the user has selected - even one font. So users always get all fonts available now. That includes the statics and the variables.

It used to be that users could select one font (including the variable font(s) if any) and the ZIP would only have the fonts selected. For users who always wanted all the fonts (includes me) it was a PITA to have to select everything one-by-one to get all the fonts.

I am a web developer and I am working on a project which uses Quicksand Light/Regular/Bold as font. The web application's standard font is Quicksand regular but there is also text which is lighter and bolder.

There are 2 ways you can go about defining web-fonts with @font-face. The first, and probably most common (I believe most generators, Font Squirrel for example, will output this) is to define each font file (i.e. each weight and style) with its own unique family name.

Notice the font-weight and font-style on each is set to normal and each has a unique font-family name. This means that any time you set a font-weight or font-style to anything other than normal you are getting browser implemented "faux" styles, not the styles from the correct font file. This can also lead to "double" bold or italics if you don't reset the default browser CSS styles to 'normal'. For example:

Without reseting the font-weight to normal, that will render bolder than it should since the browser is loading the bold font file and adding its own fake bold style since the default style for strong is font-weight: bold;.

Notice the definition of font-weight and font-style correspond to the font file correctly and all use the same font-family name. Declaring your fonts in this way means you can use font-weight and font-style in anywhere in your CSS exactly like you'd expect and you will get the correct font, with no "faux" styles.

Only the keywords "bold" and "italic" are likely to be understood by all browsers so you should use the specific font weight number instead. Also keep in mind that browsers don't usually round font weights well, so specify the weight you want exactly and make sure they match in you @font-face declaration and CSS styles.

The problem with this method is that Internet Explorer 8 or below doesn't recognise multiple styles and weights that use the same font-family name. I believe this also caused problems in older versions of iOS

So, if you want to use font-weight and font-style in your CSS without worrying about the actual font name, don't rely on web-font generators and set up the @font-face declaration correctly yourself, and be aware it will cause problems in older browsers.

A geometric sans serif typeface inspired by the popular hot metal fonts; Memphis, Karnak, Stymie, and Futura. Regular is firmly rooted within the modernist tradition, albeit with a contemporary take. Regular XL has a large x-height and works especially well in small point sizes and on screen. A Soft version is also available in case you are looking for a more friendly feel. Or alternatively, check out the recently added Regular MONO for a more distinctly default look.

I've got a WinForms app that is deployed via ClickOnce. For some reason a number of users are getting this error. I can see getting this error because of picking a non-standard font, but Times New Roman, Regular? Is there a service pack or something that people need?

The link in the answer at binary fortress no longer works.I had this issue with "Font 'Arial' does not support style 'Regular'" after uninstalling software. Managed to fix by reinstalling the font from the windows font folder:Hit Start->Run c:\windows\fonts\arial.ttf

Re-installing the font worked for me. It seems some reorganization of some network folders triggered the problem because I had installed the font from that location and the registry was still pointing to the old location.

Everything Mylenium said is true. If you are on a Mac, you can see what fonts you have installed by opening the Font Book application. Though the available fonts will be displayed in the Photoshop type menu, you can confirm this in Font Book, too. Once it is open, locate the font you were trying to use in Photoshop and click the twirly to see the entire "font family." You can see below that my font Gothic 13 Std only comes in regular.

What font are you using? What version of Photoshop? What system? Availability of font styles depends on actually having them installed on the system. If you never installed italic, bold and so on font variants or the font only has a regular style to begin with, there will never be alternate styles available. The best you can do then is to use the faux bold/ faux italic buttons on the character panel, but it may not look as great as a genuine, properly designed italic or bold font...

Like Mylenium said these options might not have results that look as good as a typeface that was designed specifically as an italic/oblique or heavier weight. In fact, many designers would avoid using the faux options entirely... but this is up to your discretion. Another solution, especially if you're captioning a large number of images, would be to change to a font that includes different weights and an italic.

I've installed the Roboto typeface on my system but it turns out that the default, regular face is rendered as black, even though in the thumbnail it appears to be lighter. This happens on all applications, on Linux and Windows too. Here's an example:

This is how the thumbnails look on any file manager on Linux, the fonts seem fine (Windows doesn't even list the regular face on the collection). Windows only lists the normal face if I remove the black face:

But I lose my black face and the italics are still rendered with the black face, so I'd have to remove the face along with its variants. What can I do? Is symlinking removing my fonts the only solution?

The problem is that both variants of the font (regular and black) interfere with each other, and I can only have one of the two installed at a time. Is there some sort of font metadata that I could change to fix this? 006ab0faaa

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