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Indisputable concrete historical evidence of Telugu folk literature is available in the poetical work of the Kumrasambhava by Nanne Choda who belongs to the 11th and 12th centuries. He has mentioned different kinds of songs sung by different folk groups (goudu geetamulu or songs of gouds).[4] Some more inscriptional evidence for the existence of folk literature are also available in the 6th century AD.[5] According to Ramaraju, some of the prosodic structures found in this period very closely resemble to the metrical order of folk songs of modern times. The evidence may not clearly show a particular song or its existence but one cannot rule out the possible existence of folk literature even before this period as the evidence for the existence of Telugu language was there from a much earlier period.

Telugu Janapada Video Songs Download

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The folk literature created by men, women, and children consists of folk songs, song narratives, lullabies, work songs, women songs, different other kind of songs, general tales, wonder tales proverbs, riddles and so on. Telugu folk literature is very rich for all these genres. Collection and researching of these folk genres has been started in the colonial period itself. After the advent of universities in A.P several scholars did research on all kinds of these genres.

The poetry division again has Story and non-story sections. In story section Sramika Geyamulu (work songs), Strila patalu (women songs) Asrita kulala vari Patalu (songs by different caste performers) are there. In work songs male female division is there. The songs by women while they are working in fields are very important. Several stories are revealed and they give vent to their feelings through these stories. The songs at home are different from these songs not only in rhythm but also in length and mode of narration. The women songs can be classified into vrata kathalu or the stories of women rituals and pouranika stories or the mythological stores. Songs of the professional singers or the dependent castes can be categorized into Vira Kathalu (heroic songs or ballads), Adbhuta Kathalu (wonder tales or fairy tales), Purakathalu (general myths and myths of mother goddesses), Charitraka Kathalu (historical songs) Strila kathalu (women related stories). The non-story section in the Poetry division contain three important categories they are Sharmika Geyamulu or work songs, Paramarthika Geyamulu or mystic songs and Koutumbika Geyamulu or family songs. The work songs contain stringara (erotic), hasya (humor) and karuna (pathetic) kinds of songs and the family songs contain bandhutwa (songs of relation), and achara (ceremonious songs).

The above classification is the general and primary genre based classification of Telugu folk literature. Innumerable number of examples for each category can be given. Each above category in all major divisions and different sections is very rich. It would be impractical in this paper to showcase them. But introducing some of the songs and narratives here would serve the purpose.

Some Telugu folk narratives are very popular in Andhra Pradesh. They are associated with the history and folk life of the region. Even the Mahabharata and Ramayana stories and a plethora of historical and semihistorical narratives in various folk art forms acclaimed wide popularity and educated the rural non-literate people. They know the gods and goddesses kings and queens primarily from the folk narratives and visual media like Vidhi natakam (street play) Tolubommalata (shadow puppet theatre) Patam katha (scroll narrative) and so on. The cinema of early times did not try to go much away from the folk art forms. Cinema has not only got interested in folk art forms but also incorporated them in many ways. Folk literature, music, and art forms have their proper places in the cinema. Folk songs and their tunes are big money-making assets even in present day Telugu cinema.

Hundreds and thousands of folk songs were collected right from 1850 to present day, several collections were published and number of scholars did research on different themes of folk songs and published these. Still lot of work has to be done and collection of the folk songs in district, mandal and village level has to be under taken. Song narratives particularly women's narratives on different themes are very important. Little attention has been paid to this genre. Song narratives of women are of two kinds: one is for at work and the other is for at home and in domestic rituals of vratas. Both are very important in terms of literature and gender issues.

When the pandemic forced the world to stay indoors for over one and a half years, many found a major source of entertainment in social media. Several people also started showcasing their dancing and acting skills through shorter videos on Instagram Reels. Many Telugu songs also found their way into the trend, ranging from popular film songs to folk songs by indie artists in the Telangana dialect. From posting covers of the songs to dancing their hearts out, many Reels users have made a niche for themselves on the social media platform. We bring you a list of six songs from Telangana that have become a favourite on Reels. 2351a5e196