Articles

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"Art, Ethics, and the Relativism of Distance." with Andrea Bubenik. The British Journal of Aesthetics (2024). https://doi.org/10.1093/aesthj/ayad045 (Open access)

“Virtue Aesthetics: A Critical Survey.” Pli: The Warwick Journal of Philosophy 34 (2022): 26-58.

"How to Do (Im)moral Things with Artworks. Commentary on James Harold’s Dangerous Art.” British Journal of Aesthetics 62, no. 4 (2022): 549-558. 

“In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: Reply to James Harold.” British Journal of Aesthetics 62, no. 4 (2022): 567-576.

“Otro tipo de recompensa narrativa: el concepto de ‘prolongación temporal’ como superación de la serialidad televisa.” (Co-authored with Alberto N. García.) Área Abierta 21, no. 3 (2021): 349-365.

“Aesthetics and the Limits of the Extended Mind.” British Journal of Aesthetics 59, no. 1 (January 2019): 81-94

“The Interaction of Ethics and Aesthetics in Environmental Art.” The Journal of Aesthetics and Art Criticism 76, no. 4 (Fall 2018): 497-506

“Animals, Ethics, and the Art World.” October 164 (Spring 2018): 125-144

“Denial: David Irving and the Complexities of Representing a Holocaust Denier.” (Co-authored with Kirril Shields and Henry Theriault.” Genocide Studies and Prevention 12, no. 3: 40-51.

“Ethical Criticism and the Interpretation of Art.” The Journal of Aesthetics and Art Criticism (special 75th anniversary issue) 75, no. 4 (Fall 2017): 401-413

“Instances of Cinema.” Projections: The Journal for Movies and Mind 11, no. 1 (Summer 2017): 1-15

“Against ‘Post-Cinema.’’’ (co-authored with Malcolm Turvey) Cinéma & Cie: International Film Studies Journal 26/27 (Spring/Fall 2016): 33-44

“In Defence of the Objectivity of Evaluative Television Criticism.” Screen 57, no. 2 (Summer 2016): 124-143

“The Naturalist Theatrical Aesthetic of Bottle Episodes.” Critical Studies in Television 9, no. 3 (Autumn 2014): 54-64

“Moderate Comic Immoralism and the Genetic Approach to the Ethical Criticism of Art.” The Journal of Aesthetics and Art Criticism 72, no. 2 (Spring 2014): 169-179

“The Ontology and Literary Status of the Screenplay: The Case of ‘Scriptfic.’” Journal of Literary Theory 13, no. 1-2 (November 2013): 135-153

“Ontology, Intentionality, and Television Aesthetics.” Screen 53, no. 2 (2012): 164-179

“Why Can’t Screenplays Be Artworks?” The Journal of Aesthetics and Art Criticism 69, no. 4 (Fall 2011): 405-414

         Translated to Portuguese as “Seria o rotiero uma obra de arte?” Esferas 21 (2021)

“Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.” British Journal of Aesthetics 51, no. 4 (October 2011): 399-414

“The Early Screenwriting Practice of Ernest Lehman.” Journal of Screenwriting 1, no. 2 (May 2010): 237-253

“Luis Buñuel’s Land Without Bread: The Critics and the Contexts.” Studies in Documentary Film 1, no. 2 (October 2007): 137-150

“From Representation to Evocation: Tracing a Progression in Jean Rouch’s Les magiciens de Wanzerbe, Les maîtres fous, and Jaguar.” Visual Anthropology 19, no. 2 (January-February 2006): 123-143