Writing
Nyree Wilson - Learning Specialist
Nyree Wilson - Learning Specialist
Writing "cannot be separated from thinking, creating, or even from life experiences. As an act of communication it involves both a writer and a reader, as well as words on a page" Bruce 1978 (A Cognitive Science Approach to Writing).
At its core, writing is a communicative act. Sadly, students often engage with writing as a bland high risk assessment driven process. Students are empowered when they recognise that developing writing skills gives them more ways to express themselves and communicate their ideas. And that it is another way to have a voice, share who they are and to persuade others to take action or share a point of view.
Understanding the purpose of their writing is the first step, is it to persuade, to share thinking, to inform, or entertain? Then, how do they generate ideas to respond to this purpose? What tools or devices to they have available to help them produce the text? Do they understand the ways they can group and organise the ideas in the text? Do they know what to look for to make their writing the best it can be?
Creating space for routine low stakes writing practice is a powerful strategy for building confidence and a culture of experimentation and skill rehearsal. Many students view writing as a high stakes activity where they must commit to exposing their skills, or perceived lack of skills. Resistance to writing can come from a fear of judgment and negative feedback, which is amplified for students who have experienced trauma - in life post-lockdowns, more of our students are experiencing trauma responses.
Writing involves the following aspects of thinking and skills:
The generation of ideas
Text production - understanding and responding to the purpose of different types of text.
The use of devices or tools for text production:
Structural devices - text, paragraph and sentence level.
Stylistic devices - use of pictures or imagery, contrast, humour and suspense.
Language choices - selecting language for a purpose, i.e. to create imagery, modality, tone, engagement.
Referencing - drawing on evidence and examples from other texts to support the ideas being presented.
The production and organisation of a text:
Content devices - Hierarchical, sequential or chronological structure, tangibility of ideas, connectivity of ideas and language.
Editing both ideas and text to meet communicative goals:
Students benefit from checklists, models and strategies to help them reflect on and edit their work to create a more 'polished product'.
When supporting writers, it is useful to think about their stage of skill development along a continuum from novice to expert.
Novice writers will need rules to follow, they benefit from structures such as the TEEL approach to paragraph writing, or learning the rules of essay writing, they will also need scaffolds and models to help them practice following these rules. Advanced beginners will be able to modify the scaffolds for their own purposes and know the rules for specific writing tasks and apply them based on the purpose of the task.
Competent writers are less panicked by the need to follow specific rules, are more confident about understanding the purpose of a writing task and the tools and strategies they can use to undertake it and achieve the communicative goal. They still benefit from scaffolds and models but should be encouraged to develop their own strategies for planning and organising their ideas.
Proficient writers have developed an understanding of what are the most important features of their writing in terms of achieving their goals, they are able to confidently plan for a purpose and understand the tools they can use for achieving this purpose. They benefit from exploring their own methods of expression as well as experimenting and playing with style and language choices to find their own 'voice'.
Expert writers no longer rely on rules and may push against them. They have developed a deep understanding of the purpose of their writing and the communicative goals connected to this purpose. They will be able to select from a range of writing tools to help them respond to the goals they have identified and achieve the purpose of their writing.
We want to develop confident writers who understand the purpose of their writing, are able to generate ideas for this purpose, and can use a range of tools or devices to help them produce and organise a written text. We also want them to know how they can edit and improve their writing.
These mini-books can be used to create 'micro stories', to summarise a text students have read, or to record textual evidence according to a theme, topic, character etc.
You can provide students with specific instructions about what to include on each page, or give them choice about how they are going to organise their thinking.
You can You can download or make an editable copy of this resource HERE.
This resource is about empowering students to trust their interpretation of texts, by helping them understand that if they are able to use textual evidence to support their ideas, their ideas are valid.
It also encourages them to think about how they can use themes to help them look for, and write about the messages communicated in a novel or other text.
You can download or make an editable copy of this resource HERE.
This resource helps define sequencing, and warms up students sequential thinking skills through some ordering activities. They then use visual stimulus to consider events before, during and after the climax or high point in a narrative. They can then use their responses to the stimulus to write a more detailed narrative piece.
You can download or make an editable copy of this resource HERE.
This resource is a low stakes ideas generation activity. It can be done individually of collaboratively in groups. It provides them with a series of visual prompts and encourages students to generate ideas about possible events, you can add layers by getting them to also create dialogue between characters, or use the images to create a word splash by listing words that come to mind as they look at the images - give them space for play, silliness and the absurd.
You can download or make an editable copy of this resource HERE.
This resource provides some Year 9 NAPLAN Writing Task Tips for writing a narrative.
Students need to recognise that the stimulus material has been provided by VCAA for 'inspiration' and that they are expected to make connection to it. Students often write wonderful things, but they are not linking to the stimulus material.
You can download or make an editable copy of this resource HERE.
This resource provides tips for writing a persuasive piece.
You can download or make an editable copy of this resource HERE.
This resource is a 'quick write' strategy. It is designed to be a low stakes writing activity that encourages students to regularly engage with the ways of thinking that help them to plan and write a persuasive piece. You may need to give them prompts, topics or issues to help guide their response.
You can download or make an editable copy of this resource HERE.
This resource is designed to provoke thinking about how our prior knowledge and experiences influence the way we read texts. It is also designed to empower students to recognise that we will all have different, though equally valid interpretations of the texts we read.
You can download or make an editable copy of this resource HERE.
This resource is designed to provoke thinking about how characters, ideas and concerns in texts can be modified over time to reflect the social context in which they were created. Students explore the characterisation of Dr Frankenstein and his Monster over different social contexts and eras - they do not need to have read the text - CAUTION this resource includes horror themes which may not be appropriate for all student cohorts.
You can download or make an editable copy of this resource HERE.
Below are some activities that uses a stimulus text to help students think about why writers write, who they write for and the tools they use to communicate messages in their texts.
Read through the slides. Read the stimulus text. Share a brief discussion about what messages the students can find in the text, and anything else they notice or wonder about. Then support them to work through the activity sheet.
Clancy the Courageous Cow was written and illustrated by Lachie Hume, when he was 14 years old.
The story explores identity, belonging, knowing our strengths, community, racism, resource sharing, diplomacy and conflict.
You can download or make an editable copy of this resource HERE.
Billy the Punk is a funny story about childhood rebellion as young people explore their identity and experiment with the identities they see around them. It also represents ideas about power, authority and social norms.
You can download or make an editable copy of this resource HERE.
Ekphrasic poetry and writing uses a visual text as a stimulus for creating a response. Some people describe it as using art to inspire your own riffs and ideas about the stories and ideas in the artwork we explore as stimulus material.
The process of analysing art and using it to inspire poetry and other forms of written and spoken narratives, or songs helps give students a starting point for their own creative ideas. The exploration of the artwork is also a collaborative exercise and helps generate a range of ideas that everyone can draw from for their own writing.
Provided below is a sequence of learning resources to support planning for learning activities that help scaffold students understanding of the tools used by poets and writers to create their work.
Once they have explored examples of these tools in others creative work, they analyse artwork as stiumuls to create their own poems.
It is important to give students structured space to draft and edit their poems, and to challenge them to recognise the power of refining their initial ideas. It's also great to showcase student work as a visual display with a spoken performance of their poems.
Introducing students to ekphrastic poetry, to help them understand what it is and to analyse a classic example of this type of poetic writing style.
The provided artwork is a visualisation of the Greek Myth of Icarus.
Read the poem aloud. Pay attention to the grammar - the poet has designed the poem to make the reader breathless, much like Icarus, who is drowning in the bottom right of the artwork.
The slides include some learning activities that will require students to make notes about what they see in a provided artwork.
A collection of objects also need to be brought to the lesson to help students make connections to the artwork in weird and wonderful ways!
You can download or make an editable copy of this resource HERE.
Introducing students to some figurative language strategies that can be used in poetry and writing.
Accompanying learning activities could aim to get students collaboratively creating examples of each figurative language strategy, or exploring examples from short texts or poems.
The POETRY FOUNDATION is a great resource for finding poems, articles about poems and poetry, podcasts, videos etc.
You can download or make an editable copy of this resource HERE.
This resource introduces students to poetic form and structure. The idea is to give them general rules to follow, but to also encourage them to break these rules if they have a purpose - create space for personal style and expression.
Accompanying learning activities could include the analysis of some short poems to identify their form using the 'what to look for' tips on slide 12.
You can download or make an editable copy of this resource HERE.
You can download or make an editable copy of this resource HERE.
This resource introduces students to the process they will use to analyse artworks to create inspiration for their own poems.
The images included in this example presentation have been selected to support an exploration of the horror genre and themes of otherness. Create your own selection of artworks around a theme or genre to help students focus their thinking.
The NGV has made much of their collection available online.
Provide students with a copy of this analysis worksheet, for each artwork, they should add as many ideas as they can to their worksheet. They then choose an artwork they want to use and begin drafting their poem.
Allocate time for students to draft a poem, give them access to the resources that help them understand figurative language and poetic form. This handout and using the 'what to look for' tips on slide 12 of the 'Understanding Poetic Form' resource can be a useful way to help students look at their analysis notes to find inspiration.
Here is a collection of poems written by students in previous years that you may like to use as a model.
Allocate a lesson for them to share their drafts in small groups to receive peer feedback. You could use this grouping guide to help students organsie their workshop teams. They should read their poems aloud.
Peers should share two things they enjoyed and one suggestion about how they could improve the use of figurative language or form.
Students can respectfully decline suggestions, but should be encouraged to recognise the value of audience feedback.
Allocate another lesson for final polishing and presentation of the poem. Create a space where the artworks are displayed, and add students ekphrastic poems to the artworks that they were inspired by.
Create time for students to read their poem aloud.
Emphasising collaboration and peer support during the drafting and development phases helps create a culture of community learning which hopefully supports studens' confidence to present.
This is a short 1 - 2 lesson sequence using art as stimuli for an ekphrastic poem.
Students explore background information, consider the stories in the painting and use their analysis of the artwork to write a short poem.
You can download or make an editable copy of this resource HERE.
An alternative approach is to provide students with artworks or images that depict strong characters. They then analyse that character, what they look like, how they are feeling, their relationship to other character in and outside of the artwork, etc. They use their analysis to write a short narrative from the perspective of the character they have analysed. Challenge students to make as many connections to the content and ideas in the artwork as they can.
Students new to essay writing often need clear 'rules'. However, more highly rewarded essay responses demonstrate an original academic voice. This is achieved when students understand the purpose of the essay and each of its sections and are encouraged to bring their own style to the way they write and organise their ideas.
You can download or make an editable copy of this resource HERE
This resource is an example of how the general advice resource can be modified to include subject specific requirements for essay writing with a focus on senior exams.
Sentence Stems that are useful to help students express ideas. Academic Vocabulary for formal writing. Subject specific vocabulary - Writing like a Political Analysist.
You can download or make an editable copy of this resource HERE.
This is a resource that helps to orientate students thinking through an understanding of the purpose of a passage analysis. They are supported to understand the ways of thinking and knowledge that will help them develop an analysis of a passage and a text.
You can download or make an editable copy of this resource HERE.
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