Kit Murakovsky

Identification

Name: Kryštof Josef

Surname: Murakovsky

Pronouns: He/Him

Age: 21

Nationality: Czech

Illusionary Creation

Murakovsky has a rather unique influence over the optical capabilities of others, in that he can make them comprehend the presence of objects or entities that are not actually present. In this capability, he has proved especially adept, able to apparently conjure these illusions out of thin air, and at complete will, affecting the minds of multiple parties who are present at the time of usage. This ability can be used to create complete lifelike copies of quite literally anything that Murakovsky can comprehend, or even create new entities of which he has thought up, though these creations only exist in the visual realm and no other, unable to interact with anything around them in a meaningful way, nor are they tangible to the touch. In addition to mere creation, this ability also allows its user to make visible alterations to already existing objects, in that he can control how others perceive them, even if he cannot change how they interact with them.

Murkovsky has also displayed a certain capability to create auditory creations in a similar manner, in the form of artificial sounds, which he can cast a moderate distance, though his creations have thus far shown no ability to emit scent or temperature. Due to the nature of this ability as a form of neurological manipulation, rather than any physical form of conjuration, the illusionary entities created by Murakovsky strictly do not appear on any kind of camera or recording device. The ability also requires a certain level of concentration to actively maintain, and therefore cannot continue is the user is rendered unconscious, incapacitated, or simply lacks the willpower to do so.

Personality

A charitable way to describe the actions of Kit Murakovsky would be to say that he maintains a meticulously well groomed persona that is manufactured to cast as wide a net as possible in regards to getting people to show him affection. An accurate way to describe it would be to call him fake. Very little of what Murakovsky shows off to the outside world can be deemed as a true depiction of his personality, so much so that it’s very hard to determine what he is actually like underneath the layers upon layers of falsehood. It is very clear that he has a strong desire for people to like him, to get along with everyone without any kind of conflict. In that way, he tends to build up a different version of himself depending upon who it is that he is interacting with at the time, seeming to crave the respect of his peers, and fear social adversity of any kind.

Likes:

Whatever you like.

Dislikes:

Same as you.

History

It is a difficult task to investigate a history which none before you have bothered to record, one made increasingly more challenging when the subject of such an attempted chronicle has proved less than veracious with the details which they have chosen to share. Kit Murakovsky was born on the Twenty-Fifth of December 1999, or at least that is the date he has most consistently chosen to give when questioned about the exact timing of his birth. Oftentimes he might change this story, claiming to have been born on February 12th, or June 21st, or April 1st, though such niggling details, whilst a useful piece of trivia, are ultimately unimportant to this account. What is known for certain, is that Mr. Murakovsky was given into the foster system at an incredibly young age, and bounced around homes for much of his youth, and into his teenage years.

This is a fact that is critical to understanding Mr. Murakovsky’s past, in that it is the only detail about his supposed life that we can, with all certainty confirm as correct, due in part to the documentation recording someone under his same name entering the system around that time. Following this point, useful sources upon Murakovsky’s life have proved incredibly elusive to our agents, a lamentable truth about the bureaucratic incompetence of the Czech village in which (we can assume) that Murakovsky grew up. The following details, therefore have been extracted from Murakovsky’s own first hand accounts, and whilst we have removed some of the more fanciful details that can directly be proven as strictly untrue, is should be noted that anyone wishing to use this account as an accurate portrayal of Murakovsky’s life should proceed with great caution.

According to Mr. Murakovsky himself, he had, what can only be described as ‘a super amazing childhood.’ He has claimed that the carers who he ultimately was placed with were ‘uber-wealthy mega-rich bazillionaires’ and that he experienced all of the luxuries that money could buy him. It is dubious whether this is the case, especially since later he claims that these mysterious carers of his, tragically predeceased him at such a time that meant he was forced back into the foster system, though there is also not enough evidence to suggest that it was strictly false either. There have been several first hand accounts from Murakovsky’s peers (though we hesitate to use the hearsay of school children as any official confirmation) that they had indeed spotted Murakovsky with several of the trappings of wealth (though curiously not up close) during the time that they went to school together.

Following on from this, Murakovsky has claimed that he was a widely popular student during his time in education, and had a wide group of friends to whom he was incredibly close. He has claimed that he was exceptional at sports, though there are little accounts of any such acumen. The exact stories that Murakovsky has willingly shared with us have proved very inconsistent in their details, and have been omitted for suspected falsification, and it is therefore an unfortunate state of affairs that we must ultimately conclude this documentation with only the following minimal information conveyed.

Murakovsky was born sometime in 1999.

He was given into the foster care system very young.

He was returned to the foster care system at some later point.

He is not to be trusted.

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