Ron Balicki will take you through a comprehensive look at the Indonesian and Filipino art of The Fighting Sarong. To date this art is relatively unknown to the world. Ron has trained in Sarong fighting for over 20 years and is sharing his vast knowledge with you today. You will learn how to use the Sarong against an attacker who comes at you with punches kicks and grappling. Learn what to do if your opponent tries to counter you or grab onto your sarong. Ron will also teach you how to use the sarong to defend yourself against a knife. In this series you will also get a special section taught by Martial Arts legend Guro Dan Inosanto.
The Cold Steel Fighting Sarong DVD set offers extensive training on this specific fighting technique. Instructor Ron Balicki takes you through a comprehensive look at the Indonesian and Filipino art of "The Fighting Sarong" in this two DVD set.
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Arnis, also known as kali or eskrima/escrima, is the national martial art of the Philippines.[3] These three terms are, sometimes, interchangeable in referring to traditional martial arts of the Philippines ("Filipino Martial Arts", or FMA), which emphasize weapon-based fighting with sticks, knives, bladed weapons, and various improvised weapons, as well as "open hand" techniques without weapons.
In their book Cebuano Eskrima: Beyond the Myth however, Dr. Ned Nepangue and Celestino Macachor contend that the term kali in reference to Filipino martial arts did not exist until the Buenaventura Mirafuente wrote in the preface of the first known published book on arnis, Mga Karunungan sa Larong Arnis by Placido Yambao, the term kali as the native mother fighting art of the Philippine islands.[24]
As arnis was an art usually practiced by the poor or commoner class (as opposed to nobility or warrior classes), most practitioners lacked the scholarly education to create any kind of written record. While the same can be said of many martial arts, this is especially true for arnis because almost all of its history is anecdotal, oral or promotional. The origin of arnis can be traced back to native "Pintados" or then "Tintadus" fighting techniques during conflicts among the various Prehispanic Filipino tribes or kingdoms, though the current form has Spanish influence from old fencing which originated in Spain in the 15th century. It has other influences as well, as settlers and traders travelling through the Malay Archipelago brought the influence of silat as well as Chinese and Indian martial arts.[27][page needed][28][page needed] Some of the population still practise localized Chinese fighting methods known as kuntaw.
It is likely then that these native warriors and foreign soldiers would have passed on to very close friends and family members these newly learned skills to augment already existing and effective local ones. They would have also shared tactics and techniques with each other when placed in the same military group and fighting on the same side in foreign regions such as Formosa, Mindanao, the Moluccas[40] and the Marianas.[42]
Although Arnis combines native fighting techniques with old Spanish fencing and other influences, a degree of systematization was achieved over time, resulting in a distinguishable Philippine martial art. With time, a system for the teaching of the basics also evolved. However, with the exception of a few older and more established systems, it was previously common to pass the art from generation to generation in an informal approach. This has made attempts to trace the lineage of a practitioner difficult. For example, aside from learning from their family members like his uncle Regino Ilustrisimo, Antonio Ilustrisimo seemed to have learned to fight while sailing around the Philippines, while his cousin and student Floro Villabrille claimed to have been also taught by a blind Moro princess in the mountains; a claim later refuted by the older Ilustrisimo. Both have since died.
The Philippines has what is known as a blade culture.[49][50] Unlike in the West where Medieval and Renaissance combative and self-defense blade arts have gone almost extinct (having devolved into sport fencing with the advent of firearms),[51] blade fighting in the Philippines is a living art. Local folk in the Philippines are much more likely to carry knives than guns. They are commonly carried as tools by farmers, used by street vendors to prepare coconuts, pineapples, watermelons, other fruits and meats, and balisongs are cheap to procure in the streets as well as being easily concealed. In fact, in some areas in the countryside, carrying a farming knife like the itak or bolo was a sign that one was making a living because of the nature of work in those areas.[52] In the country of Palau, the local term for Filipino is chad ra oles, which literally means "people of the knife" because of Filipinos' reputation for carrying knives and using them in fights.[53]
One of the most important practices in classical Arnis was dueling, without any form of protection. The matches were preceded by cock-fighting and could be held in any open space, sometimes in a specially constructed enclosure. Arnisadores believe this tradition pre-dates the colonial period, pointing to similar practices of kickboxing matches in mainland Indochina as evidence. Spanish records tell of such dueling areas where cock-fights took place. The founders of most of the popular Arnis systems were famous duelists and legends circulate about how many opponents they killed. In rural areas throughout the Philippines today, modern Arnis matches are still held in dueling arenas. In bigger cities, recreations of duels are sometimes held at parks by local Arnis training-halls. These demonstrations are not choreographed beforehand but neither are they full-contact competitions.
Arnis students start their instruction by learning to fight with weapons, and only advance to empty-hand training once the stick and knife techniques have been sufficiently mastered. This is in contrast to most other well-known Asian martial arts but it is justified by the principle that bare-handed moves are acquired naturally through the same exercises as the weapon techniques, making muscle memory an important aspect of the teaching. It is also based on the obvious fact that an armed person who is trained has the advantage over a trained unarmed person, and serves to condition students to fight against armed assailants. Most systems of Arnis apply a single set of techniques for the stick, knife, and empty hands, a concept sometimes referred to as motion grouping. Since the weapon is seen as simply an extension of the body, the same angles and footwork are used either with or without a weapon. The reason for this is probably historical, because tribal warriors went into battle armed and only resorted to bare-handed fighting after losing their weapons.Many systems begin training with two weapons, either a pair of sticks or a stick and a wooden knife. These styles emphasise keeping both hands full and never moving them in the same direction, and trains practitioners to become ambidextrous. For example, one stick may strike the head while the other hits the arm. Such training develops the ability to use both limbs independently, a valuable skill, even when working with a single weapon.
The terms Baraw and Daga can be used either as Solo Baraw or Solo Daga associated with single knife fighting and defense systems, Doble Baraw or Doble Daga associated with the double knife fighting systems or even with a combination of long and short weapons e.g. stick and dagger fighting systems Olisi Baraw or sword and dagger fighting systems Espada y Daga.
Most systems recognize that the technical nature of combat changes drastically as the distance between opponents changes, and generally classify the ranges into at least three categories. Each range has its characteristic techniques and footwork. Of course, some systems place more emphasis on certain ranges than others, but almost all recognize that being able to work in and control any range is essential. The Balintawak style for example, uses long-, medium- and short-range fighting techniques, but focuses on the short-range.
Mano mano moves include kicking, punching, locking, throwing, and dumog (grappling). Filipino martial artists regard empty hands as another weapon, and all movements of Mano Mano are directly based on weapon techniques. In Arnis, weapons are seen as extensions of the body, so training with weapons naturally leads to proficiency in bare-handed combat. For this reason, Mano Mano is often taught in higher grades after weapons training has been mastered, as advanced students are expected to be able to apply experience with weapons to unarmed fighting. This not always the case though, as some systems of Arnis start with (and at times only consist of) empty hands fighting. 589ccfa754
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