Love Love Love is a 1989 Indian romantic drama film, directed and produced by Babbar Subhash. The film stars Aamir Khan, Juhi Chawla in one of their first films together. It also stars Gulshan Grover, Raza Murad, Dalip Tahil, Om Shivpuri in supporting roles. It is about two youngsters who fall in love at the secondary school, but cannot realize their love because of the criminal surroundings around the girl. The film was declared an average grosser at box office.[2] This was the second movie of the hit pair Aamir Khan-Juhi Chawla after the success of their movie Qayamat Se Qayamat Tak. Although the movie did not match the expectation of their debut film, however it was appreciated by viewers.
Soon Amit and Reema fall in love. When Vicky comes to discover that, he tries to kill Amit. Amit and Reema don't concede. They meet each other clandestinely, but when Vicky discovers this one more time, he turns to his father. His father meets Amit's father and threatens to kill his family. He also warns Reema that if she doesn't marry Vicky, he will kill Amit. Amit and Reema break up their relationship. Amit plans to leave the city, but he is surprised to receive a visit of Vicky and Reema, who invite him to their engagement party. Amit does attend the evening, where he absorbs humiliations from Vicky and his friends. Later, both Amit and Reema take the moment while the rest are dancing and run away out of the party. Vicky shoots Amit's father, but he survives. Reema's father realizes how cruel Vicky and his father are. When Vicky and his father catch Amit and Reema, Reema's father rescues Amit and Reema, and kills Vicky and his father. Finally, Amit and Reema reunite.
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Every year around this time, my inner Larry David comes popping out because of Valentine's Day. Now, I know I'm not original in feeling this way, but Valentine's Day is kind of like the worst of the modern manufactured holidays, because it's a day when we're all reminded of ideal love stories, when we're pushed to express romantic love in scripted ways where it kind of just all feels forced. But for most of my life, I think this was just me being a curmudgeon, just being who I am. I don't think I started to actually understand the deeper reasons for why I dislike Valentine's Day so much until a few years ago. I suddenly found myself single after separating from my partner, a partner who I share a child with. I'll spare you all the details, but basically, after I figured out how to adjust to my new reality, to co-parent, etc., I started thinking about dating again.
Of course, it wasn't all bad. I met some amazing people. But I always felt like something was off about all of it. I felt like the search for a partner had been twisted and commodified into this detached consumer activity, kind of like what we did to love with Valentine's Day. And I really wanted to know if other people experienced it the same way I did. So I thought, why don't we ask all of you, our listeners from all over the world, what your experiences have been with modern love and with online dating? And man, did y'all come through.
Naturally, I had to ask, why is it like this? How did love - this thing that's supposed to be beautiful, magical, transformative - turn into this never-ending slog? So I did what I do. I went searching for answers, and I talked to some of the people who are on the cutting edge of studying the past and present of love and dating. On this episode of THROUGHLINE from NPR, I'm going to take you on a time-hopping, philosophical journey into the origins of modern love.
ZIZEK: Let's say you live a happy life. You are lucky. You have a job. You meet regularly with friends. Then, all of a sudden, in a totally contingent way - let's say you stumble on the street. Somebody helps you to stand up. It's a young girl or boy - blah, blah. And, of course, it's the love of your life.
ARABLOUEI: Zizek says that when you fall in love and get in a relationship with someone, it naturally rearranges your life. And that rearrangement can be scary and risky because what if you change everything, and it doesn't work out? Well, he says, to try to minimize the risks of falling in love, we use technology, like with dating apps, where we can vet partners like products.
ZIZEK: What they offer us is precisely love without the fall, without falling in love. We want today the thing without the price we have to pay for it. We want sugar without calories, so we have sweeteners. We want beer without alcohol. It fits perfectly this superficial consumerist attitude.
ARABLOUEI: OK, so I'm not endorsing Zizek or his ideas. In fact, I'm not even sure if I agree with him here. Obviously, we're not all engaging in this consumerist way with love, even if society is pushing us in that direction. But his provocative point brought up some really fundamental questions for me, like, where does this idealized version of romantic love come from? Why do we simultaneously idealize it and fear it? And this sent me down a wormhole for days, weeks, and I eventually landed in an unexpected place - France in the late 1700s.
ARABLOUEI: The ideas of the French Revolution spread across Europe quickly. They inspired a movement that would come to be called romanticism. Romanticism was this period in Europe where writers, musicians and artists started emphasizing the need for individualism and appreciation for the human emotional experience. And that period is where many historians say the original ideas of modern romantic love took shape. Today, authors who wrote in English, like Mary Shelley, William Wordsworth and Edgar Allan Poe, are associated with romanticism. But when Andrea Wulf went looking for the original romantics, she found them somewhere other than France or England.
WULF: They don't just live together. They work together, and they love together. It's just such a mess. Who's sleeping with whom? There's really a lot of affairs and fun and sex going around in this house.
WULF: Some people would think about paintings of kind of lone figures in moonlit forests. Then there are some who would say, well, the Romantics, they all turned against reason and rational thought; they celebrated irrationality. And then there are those who will say, oh, I associate candlelit dinners, passionate declarations of love. Now, all of that might be valid today, but that is not what Romanticism originally meant. So Romanticism was something much more complex, much more unwieldy and much more dynamic.
ARABLOUEI: According to Andrea, when it came to love, the ideas formed in Jena were about liberation. It was about fighting against the constraints of Europe's paternalistic culture. It was about the choice to find romantic love, how and with whom you pleased, something that just wasn't possible for most people, especially women, up to that point.
UNIDENTIFIED PERSON #18: You can find love anywhere. I have a romantic idea that it will be in person, but the more that you think something is going to happen, the more life will tell you the exact opposite is true.
ARABLOUEI: Hearing from so many of you, our listeners, about your experiences with romantic love made me think about that earliest version of romanticism in Jena and how it was all about freedom and breaking with the past and how that has evolved into this paradoxical modern notion of love where we seek an ideal that may not actually be realistic. And then I started thinking about all the books and movies and stories I consumed from childhood and how love was portrayed in those things, and I wanted to understand just how much of that impacted me, impacted all of our notions of love.
How does one go about studying the ideal or perceptions about love, etc. in a - kind of a quantitative way? Like you're actually trying to break down what these impacts might be in a scientific - or uses math to do it.
HEFNER: So what I did was I collected all of those manuscripts and all of the different people who had written about love and how they had conceptualized this concept of romantic ideal, and what did the different facets of that look like? And so I spent several months, maybe a year, creating my construct of romantic ideal so that we could understand, what does it actually mean?
HEFNER: Love conquers all is the idea that love can conquer anything, that it doesn't matter what's keeping that relationship from succeeding or excelling, that no matter what happens, we want to be together. Love will conquer distance, will conquer political differences, my families are not on the same page, religious beliefs. Anything that might keep a pair apart, the love will conquer that. And what I found in my research is that that message is the most common takeaway message of all romantic comedies. The second most common one is soulmate, one and only, which is that destiny and luck work in tandem to connect these two lovers, and there's only one person out there for you. Love at first sight tends to be the least common because it's not as oftenly expressed with words. It's more oftenly expressed with a look or musical transition. And then idealization of other is this idea that whoever I'm with needs to be perfect. Like, this person is absolutely wonderful; there's nothing wrong with them.
ARABLOUEI: Look; I think about the movie "Jerry Maguire," the whole like, you complete me. Those lines, that narrative, that really, I think, affected a lot of us who were teenagers when that movie came out because it made it seem like, you know, the way to get someone to love you is to make a very dramatic gesture. Most of us are not going to get that. That's just not reality, for the most part. It's going to be much more subtle than any of these movies portray.
HEFNER: And so we see this, and it's like, well, I'm learning about love; this must be what it is. Knowing if I watch to learn, and knowing that ideals exist and knowing that, in over 90% of romantic comedies, there is a grand gesture - we are definitely influenced by these narratives, particularly at certain ages, and when we are watching for certain motivations, which, in formidable years, we're probably watching to learn. 589ccfa754
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