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The funny thing is, movie books like these should be dead. Between IMDB listicles and Netflix recommendations it's easy to get a guide to under-rated gore gems. But then, those are really just algorithms. Books like Heavy Metal Movies are in themselves an homage to the golden era of film books, when it was basically impossible to see these features, and so lovingly curated tomes like this were maps to a foreign land. McBeardo rightfully nods a stump to his original inspiration, Michael Weldon's seminal Psychotronic Encyclopedia of Film. At the time, we all thought it was the definitive guide to the outre and out there. But what the service it really performed was to take the A-to-Z format of Leonard Maltin's Film and Video Guide or The Film Encyclopedia, and apply it to distinct and dissident genres.

French director Mati Diop's genre-defying first feature Atlantics is about the migrant crisis and the shaping influence of first love. What begins as a slice of social realism morphs into a crime mystery and ends up as a story of supernatural justice. She pulls off shifts from social realism to genre mysticism with a poise as supernatural as the force that overtakes her young lovers.

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The movie is loosely adapted from a 2010 French animated short film, also titled Pixels, created by Patrick Jean. The original two-minute film sees New York City taken over by famous video game characters such as Pac-Man, Donkey Kong, and Frogger, ultimately transforming Earth into a giant pixel cube. The film won the Annecy Cristal Award for Best Short Film at the Annecy International Animated Film Festival.

Fatal Attraction follows married businessman Dan Gallagher (Michael Douglas) as he enters into a brief fling with an attractive editor, Alex Forrest (Glenn Close). This proves to be a mistake when she becomes dangerously obsessed with him and will stop at nothing to have him all to herself. Ultimately, though, the characters' fates in Fatal Attraction's ending are up for debate on whether they're deserved.

The 2013 horror movie Mama, which marked the feature directorial debut of Andy Muschietti, is about two young girls who are discovered in a rural cabin five after the deaths of their parents. They are taken in by their uncle, but as they readjust to society with their new family, it's discovered that they are being followed by a supernatural entity named Mama, which has attached itself to the girls. The feature received fairly positive reviews and became a hit at the box office, establishing Muschietti as a successful filmmaker and leading to his work helming the two-part adaptation of Stephen King's IT.

Five years earlier, Muschietti had created a two-minute short film called Mam. Largely shot in one take, it depicts two young girls trying to escape from a creature that they refer to as their mother. Guillermo del Toro was so impressed by the short, that he served as the executive producer for the 2013 feature film version.

The gold rush story alone is worth the price of admission. With their combination of greed, foolishness, courage, riches, tragedy and spectacular landscapes, gold rushes are inherently visual and dramatic. The big one in California, though, happened a half-century too early to make it into the movies. The Dawson City boom happened right in sync with the new medium, so that we get to see the steam ships from San Francisco and Seattle and the avid faces of the would-be millionaires they deposit on the banks of the Yukon River, most of them headed only for disappointment as the good claims were staked before the vast majority arrived.

"I watch 'The Secret Life of Walter Mitty' just about every time I fly. My job takes me off the beaten path, so I watch Walter Mitty to get pumped and to embrace adventure! It reminds me why I love exploring," digital nomad Sarah Vandenberg told Insider.

Many people watch movies for the adrenaline boosting action they are packed with, but no amount of speed, gunshots and explosion can really bring fame to cars used in these scenes. It takes more than special effects to make viewers remember a specific vehicle and view it as an inseparable part of that cinematic experience.

The Welles opened its doors officially on April 7, 1969. Sentimental management had selected the day because it came exactly 28 years after a premiere of Citizen Kane; serendipity set the opening two days before the takeover of University Hall. Years earlier, film had been thought of only as an escape, a diversion for a date or an idle afternoon. In time for the '60s, film was already an academic pursuit, a suitable subject for doctoral theses.

Pokemon 3 leaves behind the world-ending stakes of the first to movies to tell a more focused and personal story, and I think it was absolutely the right direction to take. Bizarrely, Pokemon 3 actually follows the same exact plot structure as WandaVision - more or less. This one is a lot of people's favorite, and it's easy to see why. It's spooky, it's emotional, and most importantly, it has Entei. Here's my retrospective: WandaVision Stole Its Entire Plot From Pokemon 3

Pokemon Ranger, like the Nintendo DS game with the same name, explores a side of the Pokemon universe rarely seen. Jack "Jackie" Walker is a Pokemon Ranger that takes the leading role away from Ash in this movie. A cross between James Bond and Indiana Jones, Jackie rescues a Manaphy from a ruthless pirate and returns it to its home at the Temple of the Sea. Also, Ash gets superpowers. Here's my re-review of Pokemon Rangers and the Temple of the Sea: In Pokemon Ranger, Ash Finally Gets Real Superpowers And Becomes Aquaman.

I'll be adding to this hub every Sunday as new re-reviews are published. At a pace of one per week, it should take about six months to get through the entire series. Thanks for following along, and feel free to reach out to me on Twitter @epicswitzer if you like them. If you hate them, feel free to send an email to pokemad@gmail.com. I never check that one.

Especially memorable are the shots of the Great Desert of western Australia, through which two of the soldiers-to-be trek at length to reach Perth. At the edge of the desert they meet an old prospector who asks them why they are going to fight so many thousands of miles from home. It's the Germans, the recruits reply; they're evil and dangerous. They were good to my family once, says the prospector; it's the British who butchered my Irish ancestors. But if we don't stop the Germans now they'll come here and take our land, comes the reply. Surveying the expanse of desert from which he tries to eke out a meager living, the old prospector replies, "They're bloody welcome to it." Apparently the post-Vietnam backwash has struck Australia too.

Complete with Emilio Estevez and an amazing AC/DC 1980s-style soundtrack, this deliberately campy Stephen King story sees Earth going through the tail of a comet. Before long, inanimate machines begin, well, animating (our favorite being the ATM that insults King himself, in a cameo role.) Of course, these machines soon try attacking humans and the humans need to fight back. One person muses that perhaps interstellar aliens did this to take control of our planet, we guess because it seemed too easy to just fly to Earth Independence Day style and take out our infrastructure that way.

In this section, you'll examine the generated Edit action methods and views for the movie controller. But first we'll take a short diversion to make the release date look better. Open the Models\Movie.cs file and add the highlighted lines shown below:

The generated link shown in the previous image is :1234/Movies/Edit/4. The default route (established in App_Start\RouteConfig.cs) takes the URL pattern {controller}/{action}/{id}. Therefore, ASP.NET translates :1234/Movies/Edit/4 into a request to the Edit action method of the Movies controller with the parameter ID equal to 4. Examine the following code from the App_Start\RouteConfig.cs file. The MapRoute method is used to route HTTP requests to the correct controller and action method and supply the optional ID parameter. The MapRoute method is also used by the HtmlHelpers such as ActionLink to generate URLs given the controller, action method and any route data.

The HttpGet Edit method takes the movie ID parameter, looks up the movie using the Entity Framework Find method, and returns the selected movie to the Edit view. If a movie cannot be found, HttpNotFound is returned. When the scaffolding system created the Edit view, it examined the Movie class and created code to render and elements for each property of the class. The following example shows the Edit view that was generated by the Visual Studio scaffolding system:

The ASP.NET MVC model binder takes the posted form values and creates a Movie object that's passed as the movie parameter. The ModelState.IsValid verifies that the data submitted in the form can be used to modify (edit or update) a Movie object. If the data is valid, the movie data is saved to the Movies collection of the db(MovieDBContext instance). The new movie data is saved to the database by calling the SaveChanges method of MovieDBContext. After saving the data, the code redirects the user to the Index action method of the MoviesController class, which displays the movie collection, including the changes just made.

Choose jQuery.Validation.Globalize, choose MvcMovie and click Install. The Scripts\jquery.globalize\globalize.js file will be added to your project. The *Scripts\jquery.globalize\cultures* folder will contain many culture JavaScript files. Note, it may take five minutes to install this package. ff782bc1db