I wanted to write something about how memory and music are so intertwined, and what memory tends to do to music and vice versa. And so I wanted to write a scene where somebody is hearing music being played and the titles of those songs come into the narrative a wee bit.

Where do you see yourself situated within the broader landscape of the music industry? How do you perceive your unique role and contribution?

We have absolutely no role in the music industry at all. Ha! Baseball Bat is more like an art project, existing only for the purpose of friends having some laughs and creating together. Our unique contribution to listeners is to provide the soundtrack to make memories, make babies, have some laughs, and repeat.

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Dream Pony draws inspiration from the Ramones, The Velvet Underground, and The Strokes, crafting a unique sound they call Neo Glam. Their music could also be perfectly described as New York Pop. This debut album is simply irresistible.

The Wesleys hail from Canada, known as a Garage Pop band, or more specifically, Basement Pop. This distinction becomes evident as Pablo Garcia-Rejon Gaubeca elaborates on the creation process of their debut album, featuring nine remarkable DIY Power Pop tracks.

Was there a specific song on this album that surprised you with its transformation from the initial concept to the final rendition? What was it about that particular song that caught you off guard?

The resurgence of Dutch guitar pop thrives with acts like Elephant, Moss, Johan, The Maureens, and Alamo Race Track producing stunning music. Do you see yourself fitting into this scene both sonically and artistically?

I am really proud of our previous albums. I think the collection of songs on there really stand up. This is our first one in a few years so I think at the start, success is probably making sure you are not eroding the good work you have done before.

The Mission of Music Sweet Music is to contract Board Certified Music Therapists to provide children and adults with illnesses, diseases and disorders with Music Therapy sessions and the special musical instruments used in Music Therapy. The ultimate goal is to support skill development in areas such as communication, academic learning, daily living skills, motor functioning, social skills, behavior, and mental health. These are common goal areas of children and adults with diagnoses such as autism, neurologic impairments, orthopedic impairments, speech impediment, post traumatic stress syndrome, and other disabilities.

"Almost (Sweet Music)" is the second track on the album, written by Hozier alone.[1] "Almost (Sweet Music)" is a folk song with handclaps, "honey-rich" vocals, and gospel choral backing.[2][3] The lyrics tell a story by paying homage to artists of jazz tradition, including Duke Ellington and John Coltrane, asking "do I owe each kiss to lip and cheek/as soft as Chet can sing"?[4]

The song received generally positive reviews. The Irish Times stated that "the melody is lifted by a multi-voiced choir bursting straight out of the Pearly Gates"[5] and The Arts Desk states that "the verse is beautifully mumbled and the whole lot just sways", comparing it to a Van Morrison track.[6] PopMatters concluded that the song captured "deep personal sentiment" and illustrated the "fullness and richness of Hozier's timbre" while Rolling Stone dismissed track among "songs that pile on folksy handclaps and [..] gospel choirs in the hopes of landing on a-coffeehouse playlist."[4][7]

The song peaked at number six on the Billboard Rock Digital Sales Chart and number eight on the Irish Singles Chart.[8] The song was certified gold in the UK.[9][10] Billboard described the track as a "love letter to jazz" and a "a bright and cheery homage to the "sweet music" that shaped his growth as a songwriter."[11]

The official music video for "Almost (Sweet Music)" was released on 16 April 2019. The video was directed by Blythe Thomas and stars dancers Cameron Boyce and Christine Flores. [12] It intertwines footage of Hozier playing guitar in an empty warehouse with performers interpretive dancing to a "rhythm that works in every environment, from a raucous house party to [..] a cellist practicing in a cozy library."[11] The video has garnered over 12 million views on YouTube.[13]

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It seems like every time we turn around, robots are getting involved in more creative endeavors. Last year, robots started painting, and this past week Rolling Stone wrote about the launch of Udio, second of two music-making GenAi services. If you'd like a break down of how the two compare you can catch it here:

But it's not just music out of whole cloth. These systems allow you to get in and really play around with the inputs and outputs. In this demo you can see a male vocalist playing around with outputting the sound using a synthetic female voice (it's pretty mind blowing):

Even if you are not a musician generative AI is going to change your industry. It's more important now than ever, that you and your company are preparing for this change. Amazon Web Services (AWS) is willing to help with AWS Proof of Concept funding being made available for Gen Ai Proof of Concepts. Message me today if you'd like to learn more and set up a free planning session.

Bridget Sweet is Associate Professor of Music Education at University of Illinois in Urbana-Champaign, Illinois. After completing her Bachelors Degree in Music Education at Western Michigan University, Dr. Sweet enjoyed a successful tenure as a middle school choir teacher for nearly ten years. Her interests in adolescent music education intensified during her Masters and Doctoral programs in Music Education at Michigan State University, which contributed to her research focused on characteristics of effective and exemplary middle-level music teachers. Prior to her work at the University of Illinois, Dr. Sweet was Assistant Professor of Music Education at Bucknell University in Lewisburg, PA. At the University of Illinois, Dr. Sweet teaches secondary music education pedagogy, including choral methods and literature, graduate courses in music education, as well as a course focused on the development of healthy practices for all musicians. She is a Licensed Body Mapping Educator through the Association for Body Mapping Education.

C. J. needs to act fast. A photographer from Highnote magazine is on his way to photograph Uncle Click, a well-known jazz musician, but Uncle Click's signature hat is missing. Now it's up to C. J. to hunt down the hat in time for the photo shoot. Little does C. J. know that his whirlwind search through Harlem sets in motion the making of a magical moment of friendship and music.

Illustrated with exuberance by fine artist Frank Morrison, Sweet Music in Harlem is an action-packed romp inspired by an historic photograph from Harlem's jazz heyday. Readers everywhere will rejoice in the power of music to bring people together in wonderful, fun-filled ways.

For additional connections and exploration of themes, pair these field trip and activity ideas with Sweet Music in Harlem.

is a first-time picture book author with a master's degree in creative writing. She works at the University of Michigan and has had several stories published in children's literary magazines including Spider, Cricket, and New Moon. Taylor and her family live in Ann Arbor, Michigan. To find out more about Debbie Taylor, visit her Web site: www.sweetmusicinharlem.com

Frank Morrison is a fine artist and illustrator of numerous award-winning books, including the Coretta Scott King Illustrator Honor winner Little Melba and Her Big Trombone. Before becoming an illustrator, Morrison was a well-known graffiti artist and accomplished dancer. Morrison lives with his family in Georgia. To find out more about Frank Morrison, visit his web site: morrisongraphics.com

A jazz standard written by Hoagy Carmichael and Stuart Gorrell in 1930, the song has encountered nothing but universal fame and recognition in the nine decades it has spent gracing the ears of countless generations. As a part of the musical canon, it has been recorded by many luminaries of the music industry from Ray Charles, Ella Fitzgerald and Willie Nelson.

Marti Sweet is the violinist of choice in the New York music industry. A graduate of the Juilliard School with a Masters of Fine Arts, she has performed for Presidents Reagan and Clinton. In addition to her acclaimed career as a classical violinist, she has recorded and/or appeared live with celebrities of the pop, jazz and entertainment worlds, including Tony Bennett, Frank Sinatra, Charles Aznevour, Michael Feinstein, N'Sync, Placido Domingo , Luciano Pavarotti, Elton John, Aretha Franklin, Britney Spears, Whitney Houston, Phil Ramone, Quincy Jones, Smokey Robinson, Sheryl Crow, Rihanna, Natalie Cole, Julie Andrews, Stephen Sondheim, Barbara Streisand, Phillip Glass, Peter Schickele (PDQ Bach), the New York Pops, Joe Lovano, Andrew Lloyd Weber, Jerry Lewis, Back Street Boys, Liza Minelli, Bernadette Peters, Carly Simon, Faith Hill, Reba McIntyre, Lou Reed, Rod Stewart, Burt Bacharach, Peter, Paul and Mary, Willie Nelson, Billy Joel, Michael Bolton and many, many more. Marti is a much sought-after music coordinator in the New York recording community. Marti and the Sweet Music Ensemble have played for the Grammy Awards, countless commercials, records and films such as Beauty and the Beast, Mission to Mars, Big, The Untouchables, Kundun, You've Got Mail and Analyze This, just to name a few. Marti recently played for the 39th Annual CMA Awards. She also has recorded her own albums for Angel/ EMI, New World, Arabesque and the Helicon labels. 152ee80cbc

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