These Gongbi Meticulous Paintings are not for sale. They are very time-consuming. Gongbi style emphasizes detailed, precise rendering, while Xieyi freehand style focuses on expressive, spontaneous brushwork. So Gongbi style usually cost much more than the Xieyi style. 

Gongbi, also known as "meticulous" or "fine-line" style, is one of the major styles of traditional Chinese painting. This style is characterized by its attention to detail, precision, and realistic representation of subjects. Here are some key features and characteristics of Gongbi style:

• Detail and Realism: Gongbi painters pay meticulous attention to detail, striving for a high level of accuracy in their depictions. This style is often associated with highly realistic and finely rendered images.

• Use of Color: Gongbi paintings frequently use a wide range of colors, often in a controlled and subtle manner. Colors are carefully layered and blended to achieve lifelike effects.

• Delicate Brushwork: Artists working in the Gongbi style use delicate and controlled brushwork. Fine lines, intricate patterns, and precise shading are common in Gongbi paintings.

• Subjects: Gongbi style is often employed for subjects that require a high degree of realism and precision, such as portraits, historical figures, court scenes, and intricate floral and bird compositions.

• Traditional Themes: While Gongbi can be applied to various subjects, it is often used for traditional Chinese themes and historical narratives.

• Layering and Washes: Gongbi artists frequently use layered washes and subtle gradations to create depth and three-dimensionality in their paintings.

• Fine Outlines: Fine, precise outlines are a hallmark of Gongbi painting. These outlines help define the shapes of objects and figures and contribute to the overall meticulousness of the style.

• Time-Consuming: Creating a Gongbi painting can be a time-consuming process due to the attention to detail and the careful layering of colors and lines.

Gongbi style is often contrasted with the Xieyi style, which is more expressive and spontaneous, with a focus on bold, free brushwork. Both styles have their own unique qualities and are valued within the realm of traditional Chinese painting.

Gongbi painting has a long history and is still practiced by artists today, both in China and around the world. It is appreciated for its precision and ability to capture intricate details, making it suitable for a wide range of subjects, from portraits to botanical illustrations.

Each Gongbi paintings take me weeks /months to finish. But they are very beatiful. Here are some of my Gongbi paintings. 

Mogu paintings

Mogu painting, also known as "boneless" or "outline-less" painting, is a style of traditional Chinese painting that emphasizes a lack of visible outlines and instead focuses on soft, flowing brushwork and the use of color to create form and depth. This style is distinct from the more common Gongbi (meticulous) and Xieyi (freehand) styles of Chinese painting. Here are some key features and characteristics of Mogu painting:

• No Visible Outlines: In Mogu painting, artists deliberately avoid using distinct, visible outlines for the subjects or objects in their compositions. Instead, they rely on the brushwork and color to define shapes and forms.

• Soft Brushwork: Mogu painting emphasizes soft, flowing, and sometimes blurred brushwork. Artists use subtle transitions between colors to create volume and depth in their subjects.

• Color Emphasis: Color plays a central role in Mogu painting. Artists use a wide range of colors, often in a harmonious and balanced manner, to depict their subjects. Different colors are layered and blended to create a sense of light and shadow.

• Light and Shadow: Artists use color and shading techniques to imply light and shadow, giving a three-dimensional quality to the subjects. This is achieved without the use of strong outlines.

• Subjects: Mogu painting covers a variety of subjects, including landscapes, animals, birds, flowers, and figures. Artists approach these subjects with a focus on conveying their essence rather than strict realism.

• Poetry and Emotion: Mogu painting often incorporates elements of poetry and emotion, with artists seeking to evoke a mood or sentiment in the viewer.

• Historical Significance: Mogu painting has a long history in Chinese art, with roots in the Tang Dynasty (618–907 AD). It reached its peak during the Song Dynasty (960–1279 AD) and was championed by famous artists like Huang Quan and Li Gonglin.

• Influence: Mogu painting has had an influence on various other Asian art forms, including Japanese painting styles like Nanga and literati painting.

• Aesthetic Sensibility: This style reflects a distinct aesthetic sensibility that values subtlety, harmony, and a sense of the ephemeral or transient in the natural world.

Mogu painting is considered a refined and poetic style of Chinese painting that requires skillful brushwork and a deep understanding of color and form. It offers a unique perspective on capturing the beauty of the world without relying on traditional outlines, making it a distinctive and valued part of Chinese artistic heritage.