I have a MacBook and an Epson NX 420 which is connected wirelessly through a router. The wireless setup is good as a PC can print successfully, but attempts to print from the Mac return "communication error". There is no error code associated with it. The OS version is 10.6.8 and the printer driver version is 8.6.0, both of which are up to date. At one point this setup worked but now all I get is this "communication error". Does anyone have any thoughts?

I've been setting up my music production software on a new Hackintosh, and everything's running fine except Spectrasonic's Stylus RMX plugin, which I can't authorise. When I get the authorisation screen, the challenge code it gives me is messed up, and there's already a response in the response box, which doesn't work. The messed up challenge code also isn't recognised as a valid code on the Spectrasonics website. I've thought of using a keygen crack to get around this, but I don't think it will work since the challenge code isn't valid. Is there anyone out there who has Stylus RMX running on a Hackintosh without this problem?


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search around for a similar topic on this board about authorization problems with Omnisphere -- I guess it uses the same copy protection. The challenge code is generated out of your ethernet information (MAC adress).

Same problem here on Snow Leopard 10.6.2 with a valid authorization on the spectrasonic website (I can see my challenge code but the authorization number doesn't work, it was working on 10.5.8), it works with omnisphere but not with Stylus RMX ...

If you get this "code 0-00000" error, you have to uninstall Korg legacy (or whatever plugin you're trying to authorize) first, and then make sure your Ethernet interface is "en0". You can use EFIStudio to write Ethernet Device Properties into com.apple.Boot.plist file, or enable Ethernet Built-In if you're using Chameleon 2.

"If it still doesn't works, go to System Preferences / Network and delete the Ethernet on the left hand bar. Then go to YOURHARDDRIVE/Library/Preferences/SystemConfiguration and delete the NetworkInterfaces.plist file (don't worry it will recreate itself automatically), repair permissions via Disk Utility, Reboot. Go to System Preferences / Network and re-enable Ethernet again, it should be automatically set to "en0" now. Then install Korg Legacy and the authorization should work."


Hi.

I try to resurrect some of my old Cubase projects using "Crossover" on my Mac. So, basically, I'm using XP within OSX but still through OSX.

Everything is going fine and I'm able to install all my VST plugins but Izotope Ozone 3.

It's a shame because I need Ozone 3 specifically to get my mixes back.

So when I install it and it asks me to copy/paste the challenge code, well, the challenge code box is empty.


So I just tried that trick here above but it didn't work even though it totally makes sense.


So here is what I did on my iMac with Sierra installed (maybe I did wrong):


1) get rid of the Ethernet in the System settings/network

2) me/Library/Preferences/SystemConfiguration and delete NetworkInterfaces.plist

3) Repair permissions and reboot the computer

4) Go to the System settings/network and create a new "Ethernet entry" (keep in mind that there is no "en0" indicated anywhere prior or after this.

5) Launch Cubase again (through Crossover) and wait for it...

6) Challenge code still missing.


I could really use some help here as this is the only plugin that prevents me from getting my musical projects back.

And it seems obvious that it is totally doable. I just don't have the knowledge.


PS: I tried to understand how to directly manipulate the NetworkInterfaces.plist file but I don't understand a thing about what's going on in this file and the procedures around here are way too vague for anyone who's not a computer savvy.


PPS: note that I'm usually not connected to internet via the Ethernet cable, just via Wi-fi. That said I tried once with the wi-fi connected AND once with an ethernet cable while doing these procedures above and I got the same result.


Thank you for your help.



An user deleted a few earlier topics, and the information on the topics was lost. Here I am consolidating the info and repost it here for the developer @halla and other members that may be interested in using budget friendly SonarPen on their Android tablets that has no stylus built-in.

It is still the case that this code should not be added to Krita. If the drivers cannot be installed because of Android restrictions, the code should be added to Qt: Krita simply does not have any dedicated tablet handling code.

I've been using Zoom for a while for teaching and often write things on the whiteboard with my stylus and tablet. I have a Wacom tablet and stylus. Until recently, everything has gone fine. However, for some reason, now when I write things using the stylus and tablet some of the strokes are recorded and some are not. Sometimes strokes will trigger a ripple around the cursor but the stroke won't be recorded. In other apps, I don't have this problem, only with Zoom. And as I said, this only became a problem recently. It has become so annoying that I have to screen share and use a whiteboard somewhere else. I did a search on Google but couldn't find how to fix it.

Problem: Annotating, writing or drawing with any stylus on any Whiteboard or on any shared document begins normally but after about 5 minutes the stylus begins to fail, or after about one-half page of writing or annotation. Then the character images of my pen/stylus begin to flicker and skip on my touchscreen, until the pen is soon rendered unable to write at all.


What is looks like the problem may be: Not sure, but this problem feels like a "denial of service" type of issue, where the computer seems to reach some capacity limit on the amount of dynamic annotation/writing I am able to share over any app. However, there is NO problem with sharing documents of any size, it is only when I am using stylus annotation or drawing when some sort of "max out" on the amount of writing I can do occurs...

The only tech change I can identify is that I upgraded to Windows 11 at the start of spring 2022 semester. However, I did pair the pens with each computer again. This problem was never an issue for over 18 months of perfect Zoom classes using the pen/stylus on MS Whiteboard--never. Now, stylus inoperable in every class.

Maybe some deeper system incompatibilities within Zoom are causing this?

And as I know, both types of whiteboard have made great improments in the past year. When I try stylus on both whiteboard. I can't reproduce this issue anymore. Hope you can take a try. Looking forward to your response. Respect?

If you want to "fool" the Epic to expose at a different EI, you need to change the DX code on the film cannister. Easy enough to do with a black Sharpie and a small razor blade. I do it all the time when I want to shoot TX at 1250 EI or HP5+ at 800 EI, etc...

This command sends a HID feature request to the device and prints the response. All of these commands query a stylus paired with the device, which can be specified with the -i or --index option. This is the temporary index assigned to the stylus by the digitizer when it pairs. The default index is 1.

This command sends a diagnostic command to the stylus and reads the response. If you want you can set the preamble and cyclic redundancy check (CRC) manually, but by default this tool will calculate and send the preamble and CRC defined by the USI spec. The stylus index can be set the same as with the get command.

The idea would be that if you are at the top of the response, the divs with the buttons would be where they currently are. But, as you scroll down, the rating and copy buttons would scroll with you, so they are always visible.

 

1.2. Stylus lifetime


With proper care we find that up to 1000 hours is possible without degradation of performance. 

You can learn more about stylus lifetime and how to get the most out of your records here. 


Proper care comprises the following:

Concerning DJ systems used for "scratching" and "back cuing", we have experienced stylus lifetime to be substantially less because of their unique application. As a consequence DJ`s will have to consider about 500 hours at the most.

 

1.3. Styli types

2.2. Stylus position to record centre, overhang and alignment


For alignment of overhang please follow record player instructions. Where no instructions or cartridge alignment protractor available, we recommend 16 mm as a general position of the stylus in front of the spindle centre for having almost zero tracking error on two stylus positions, one at about 30mm inwards from the starting groove and again near the end of playing.

 

2.3. Azimuth, vertical alignment


Azimuth adjustment or vertical alignment of the cartridge is very important for optimal channel separation.

The checking is easily done by lowering the cartridge onto a thin mirror placed on the record surface and examining whether the reflection lines up square with the cartridge, when viewed from the front. During this test tonearm must still be parallel to the record surface. If not obtainable because of mirror thickness, remove record and work directly on the mat. If alignment is still incorrect and not adjustable because of fixed headshell, the only solution is to resort to packing on one side of the head-shell.


2.5. Phono preamp settings


For Moving Magnet cartridges both resistive load (47 Kohm) and the capacitive load (typically a few hundred pF) are important.

Resistive loading for Moving Magnets is the same as load impedance for Moving Coils.


For Moving Coil cartridges is only the resistive loading vital (unless the capacitive load is unrealistically high), and it is not more important than that we can just specify Recommended load impedance interval. The reason for the Moving Coil is so "insensitive" is that it has a low internal/generator resistance, which makes the MC cartridge more "immune" to what we load it with.


The sound character is influenced by the input/load impedance. The lower the load impedance, the higher the current and the more dynamic the sound will be.


2.6. Anti-skating, bias compensation adjustment


Correct bias or anti-skating adjustment is important in order to achieve optimal tracking ability and thereby minimum record wear and distortion. A number of players have a device which, related to the tracking force, will give an anti-clockwise force needed to the tonearm. Correct bias has to compensate for the inwards directed torque on the tonearm caused by the friction between stylus and groove. But this again is influenced by stylus type and amplitudes in the record.


A simple recommendation for a rather precise bias: if you hear distortion in say right channel when using recommended tracking force, increase the biasscale and vice versa. This is for normal cartridge use. But when working like the DJs, where the record is turned forwards and backwards, bias has to be reduced otherwise stylus will easily jump in the groove.


2.7. Tonearm/cartridge combination


When choosing either MC or MM cartridges for your record player, total mass of tonearm including cartridge and headshell has to be taken into account in relation to the mechanical compliance (elasticity) of the cartridge cantilever system. Find more information here.


Meaning that high mass of the combination needs low mechanical compliance, otherwise record warps can easily provoke tonearm vibrations at frequencies around 4 to 6 Hz, that will bring degradation of performance. At least 8 Hz is advisable.


To choose the right cartridge for your turntable/tonearm please see our Replacement cartridges for Turntables/tonearms selector. be457b7860

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