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Soul is a 2020 American animated fantasy comedy-drama film produced by Pixar Animation Studios for Walt Disney Pictures. The film was directed by Pete Docter and co-directed by Kemp Powers, who co-wrote it with Mike Jones,[b] and produced by Dana Murray. It stars the voices of Jamie Foxx, Tina Fey, Graham Norton, Rachel House, Alice Braga, Richard Ayoade, Phylicia Rashad, Donnell Rawlings, Questlove, and Angela Bassett. The story follows Joe Gardner (Foxx), a middle school teacher and aspiring pianist who falls into a coma following an accident and seeks to reunite his separated soul and body in time for his big break as a jazz musician.

Docter conceived Soul in January 2016, examining the origins of human personalities and the concept of determinism. He pitched the idea about spacetime involving souls with personalities, during his first meeting with Jones. The film's producers consulted various jazz musicians, including Herbie Hancock and Terri Lyne Carrington, and animated its musical sequences using the sessions of musician Jon Batiste as a reference. Apart from Batiste's original jazz compositions, musicians Trent Reznor and Atticus Ross composed the film's score. Production on Soul lasted for four years on an approximate $150 million budget. This was the first Pixar film to feature a black lead.

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Joe returns to Earth but accidentally brings 22 with him, and they awaken in the wrong bodies, with 22 inhabiting Joe's body and Joe inhabiting the body of a therapy cat. They locate Moonwind, who agrees to meet at the jazz club that night to restore Joe to his body. In the meantime, 22 settles into Joe's body and starts to find enjoyment in trivial things like food, wind, and music. She holds poignant conversations with Libba, Joe's student Connie, and Joe's barber Dez, deepening her understanding of life. Meanwhile, Terry, the being in charge of counting souls, discovers the count is off and arrives on Earth to find Joe.

As the day ends, Joe and 22 visit Moonwind to return Joe to his body, but 22, having finally discovered the joy of living, refuses to leave Joe's body and flees. As Joe chases her through a subway station, Terry traps them both and returns them to the Great Before. 22 discovers her badge is complete, but a bitter Joe insists it was the result of experiencing life in his body with his preferences and she has no purpose of her own. Distraught, 22 throws the badge at him and retreats into the Zone. A Jerry informs Joe that a spark is not a soul's purpose in life, but Joe refuses to believe this and discreetly uses 22's badge to return to Earth.

The show at the jazz club is successful, but Joe is confused when it does not bring the fulfillment he was expecting. Looking at small objects that 22 collected while occupying his body, he recalls the moments they had enjoyed together and realizes these experiences gave 22 her spark. Joe plays piano and enters the Zone with the intent of returning 22's badge but discovers she has become a lost soul, obsessed with the idea that she has no purpose. Joe chases her down and shows her a sycamore seed she collected to remind her of her time on Earth. They realize that a spark is not a soul's purpose, but simply a desire to live. Joe's actions restore 22 to normal; he returns her badge and accompanies her for as long as he can on her journey down to Earth.

Additionally, Daveed Diggs plays Paul, Joe's neighborhood frenemy;[2][7] Cora Champommier plays Connie, one of Joe's middle school band students; Margo Hall and Rhodessa Jones play Melba and Lulu, Libba's co-workers;[10] June Squibb plays Gerel, a soul who meets Joe before going to the Great Beyond;[4] and Esther Chae is credited with playing Miho, a bassist in Williams' band, but Miho has no lines in the final film.[11][12] Cody Chesnutt provides his vocals, from his song "Parting Ways", as a street singer with a guitar.[13]

Soul began development in January 2016, when director Pete Docter sought new creative directions during the announcement of the 88th Academy Awards.[14][15] He pondered the origins of human personalities with the concept of determinism. In his first meeting with co-writer Mike Jones, Docter pitched an idea set in the astral plane involving souls with personalities.[16] The film spent four years in production,[17] with an approximate $150 million budget.[18]

The idea of Joe's soul entering the body of a therapy cat came from Mike Jones. Docter and Powers appreciated the idea, as it allowed Joe to "be able to look at his own life from a different perspective" and appreciate it. According to Murray, the filmmakers were undecided on Soul's ending before the last screening. Some test versions of the film ended featuring Joe pondering whether to pass on to the Great Beyond; returning to Earth a year later; or staying in the Great Before as a mentor. Initial storyboards featured several brief scenes showing 22's life on Earth after her new birth, including one of her reuniting with Joe in New York. These scenes were ultimately discarded.[22]

The souls were animated by the filmmakers in a "vaporous", "ethereal", and "non-physical" way. Souls were designed to depict various religious and cultural outlooks.[25] The designs were also inspired by early drawings made by Docter. Animators created two designs for the souls in the film: one for the new souls in "The Great Before" (described as "very cute, very appealing, with simple, rounded shapes" by supervising animator Jude Brownbill) and one for mentor souls (feature distinctive characteristics since they have been on Earth).[30] They differentiated souls from ghosts by adjusting their color palette accordingly.[31] Animating the souls' designs was challenging and substantial. According to Murray, several artists helped create the souls' designs by giving their suggestions and opinions on how they should look.[32]

The design of soul counselors ("Jerrys") originated from line drawings made by story artist Aphton Corbin. Another artist created wire sculptures of them, and the design was finalized.[31] Together, with the design of "Terry", they were seen by critics as a reference to Osvaldo Cavandoli's 1971 Italian animated series La Linea.[33][34][35]

The score and the original songs from Soul were released in two vinyl-exclusive albums, while also compiled onto a single digital album.[44][45] "It's All Right", the end credits song performed by Batiste, was originally recorded by The Impressions. A second cover of the song, a duet between Batiste and British soul singer Celeste, was released alongside the film.[46]

In many religious and philosophical traditions, the soul is the spiritual essence of a person, which includes one's identity, personality, and memories, an immaterial aspect or essence of a living being that is believed to be able to survive physical death. The concept of the soul is generally applied to humans, though it can also be applied to other living or even non-living entities, as in animism.[1]

The Modern English noun soul is derived from Old English swol, swel. The earliest attestations reported in the Oxford English Dictionary are from the 8th century. In King Alfred's translation of De Consolatione Philosophiae, it is used to refer to the immaterial, spiritual, or thinking aspect of a person, as contrasted with the person's physical body; in the Vespasian Psalter 77.50, it means "life" or "animate existence".

In Judaism and in some Christian denominations, only human beings have immortal souls (although immortality is disputed within Judaism and the concept of immortality was most likely influenced by Plato).[3] For example, Thomas Aquinas, borrowing directly from Aristotle's On the Soul, attributed "soul" (anima) to all organisms but argued that only human souls are immortal.[4] Other religions (most notably Hinduism and Jainism) believe that all living things from the smallest bacterium to the largest of mammals are the souls themselves (Atman, jiva) and have their physical representative (the body) in the world. The actual self is the soul, while the body is only a mechanism to experience the karma of that life. Thus if one sees a tiger then there is a self-conscious identity residing in it (the soul), and a physical representative (the whole body of the tiger, which is observable) in the world. Some teach that even non-biological entities (such as rivers and mountains) possess souls. This belief is called animism.[5]

In the ancient Egyptian religion, an individual was believed to be made up of various elements, some physical and some spiritual. Similar ideas are found in ancient Assyrian and Babylonian religion. The Kuttamuwa stele, a funeral stele for an 8th-century BCE royal official from Sam'al, describes Kuttamuwa requesting that his mourners commemorate his life and his afterlife with feasts "for my soul that is in this stele". It is one of the earliest references to a soul as a separate entity from the body. The 800-pound (360 kg) basalt stele is 3 ft (0.91 m) tall and 2 ft (0.61 m) wide. It was uncovered in the third season of excavations by the Neubauer Expedition of the Oriental Institute in Chicago, Illinois.[6]

The Bah Faith affirms that "the soul is a sign of God, a heavenly gem whose reality the most learned of men hath failed to grasp, and whose mystery no mind, however acute, can ever hope to unravel".[7] Bah'u'llh stated that the soul not only continues to live after the physical death of the human body but is, in fact, immortal.[8] Heaven can be seen partly as the soul's state of nearness to God; and hell as a state of remoteness from God. Each state follows as a natural consequence of individual efforts, or the lack thereof, to develop spiritually.[9] Bah'u'llh taught that individuals have no existence prior to their life here on earth and the soul's evolution is always towards God and away from the material world.[9] 17dc91bb1f