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The joys of sequencing are no longer a synth-geek secret. Riff-Step gives guitar players access to bleeding-edge sounds, and allows discovery of unexplored audio frontiers by providing meta-fretboard counterpoint to melodic lines.

STATUS is also an ideal solution for controlling Moog's MIDI-enabled audio effect "MoogerFooger" pedals including:

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Sometimes people in your organization need to use a phone to call in to a meeting. Microsoft Teams includes the audio conferencing feature for just this situation! People can call in to Teams meetings using a phone, instead of using the Teams app on a mobile device or PC.

You can also set phone numbers by adding them to the TeamsAudioconferencingpolicy and assigning the policy to your users. Toll and toll-free phone numbers added to the policy take precedence over the phone numbers set individually for users via the audio conferencing settings pane. If no phone numbers are added to the Teamsaudioconferencingpolicy, then the phone number set individually for users via the audio conferencing settings pane is displayed in Microsoft Teams meeting requests. Audio Conferencing policy settings for toll and toll-free numbers has more information.

I use the MP1584 to step down 5VDC to 1.5VDC to power an audio equalizer taken from a Panasonic walkman (RQ-P255) from the nineties. However this is working great, sound is great, it introduces a heavy whine and don't know how to avoid this. See also the schematic below of the device I have build. What can I do to remove the whine?

Figure out how the equalizer works and it was very straight forward but requires only 1.5VDC input (the whole device, all other parts, operates on 5VDC). Because of positive reviews of the MP1584, I use this little device to step down 5VDC to 1.5VDC. This is working great except the whine it produces, very annoying. The device has an equalizer on/off switch and when I turn it off, the whine is gone.

I would use just a linear LDO from the 5V or 3.7V (battery) like many suggested before, because the current consumption of the equalizer is too small to justify switching mode power supply. High sensitivity and high impedance preamps are generaly sensitive to perturbations. Event through the ground line noises may come and render the configuration useless... you have to always design the audio chain in such way that the ground line (and also +/- Vcc's) to be from the main supply to the speakers (if not BTL), than to the power amp, then to the potentiometer, then to the auxiliary supplies stabilisers and then to the preamps. From power to sensitive circuits; that is always the order.

On this page, we detail the full, step-by-step sequence needed to install ACE on MacOS 13 (Ventura) and MacOS 14 (Sonoma). This is a one-time process, and you'll be up and running in just a few minutes.

Note: In rare instances, a bug in MacOS prevents System Settings from offering the expected option to allow ACE to function. If you encounter this issue, follow our troubleshooting steps in this article.

So complicated. But after I do this, I see straight horizontal lines going diagonally upward in track view going from the middle to 3/4 of the way up for my wished for pitch change of a half step (C to C# for example).

What are these wheel values called? It's so strange that -107 is no change in shift, and 8091 is the maximum value. Such arbitrary numbers. Am I correct that if 8091 is a pitch shift from C to D (whole step) that approximately half (4095) would be a shift from C to D# (half step)?

Audio takes the spotlight for its knack for boosting understanding, setting impactful vibes, and generally keeping the viewers engaged. Learning how to add audio to Google Slides can be pretty nifty, especially if you are a presenter.

One of my solutions to drawing a wider audience has been to turn my ebooks into audiobooks. Doing this helps me to tap into a whole new audience on Audible who, otherwise may never even have heard of me, adds more versatility to my current products, and boosts the professional image of my book pages.

Here you get to choose whether you are looking for a narrator, have already converted you book into audio and just wish to sell it, or if you will be doing the narrating yourself. I outsource my production so I select the first option.

Now comes the fun part; narrators will start auditioning for your audiobook. You will receive an email notification each time a new audition comes through. I usually wait about 5 days to let them come in. If you have a specific narrator in mind, you can invite them to audition for your book.

Once you have confirmed the audiobook, you will receive an e-mail with the above information. This clearly lays out what the next steps will be. You just have to confirm your bank information and wait.

Making an audiobook using ACX is a great way to stand out in a competitive market. You can reach a whole new marketspace of Audible listeners and cater to customers who prefer listening to audiobooks rather than trying to make time in their busy schedules for reading. Providing both ebooks and audiobooks (and paperbacks too!) boosts your professional image as an author and adds another stream to your passive income.

Download these example audio files to try out the methods in your own audio production software. To use these files, import them into your audio editor and align each file to the top of the session (0:00). The audio is already organized for you.

This is a (Mac) method for syncing clock and transport between Live and VCV using CV Tools in Live to generate a 24ppqn Clock and run trigger and Blackhole to send that Clock and Run to Live as well as to receive 16 channels of audio back from VCV.

At a high level, the problem is that Logic will occasionally (often) spontaneously start playing midi audio back a whole step sharp. I'll be playing a keyboard and in the middle of playing or recording, the pitches all suddenly shift up a whole step. It's nuts!

5) It is track specific. One track will have the problem while others do not. I have examples where two tracks are playing back the same midi notes and one is off by a whole step. I think this removes the controller from the equation.

The VP-81KSi is a high-performance analog step-in switcher for computer graphics video with resolutions up to WUXGA and unbalanced stereo audio signals. The unit can switch any one of eight inputs to one computer graphics video, one unbalanced and one balanced stereo audio and one twisted pair output. The VP-81KSi works in conjunction with up to eight VGA Remote Control Step-in Modules including the SI-1VGA (for TBUS-10), SI-VGAT (under the table) and WSI-1VGA (for standard TBUSes).

One of the top requested features for my daily Chinese vocabulary app was the ability to hear the audio pronunciation for words. To generate audio files from text in bulk, I built a Step Functions workflow that uses the AWS text to speech service, Polly. The workflow generates an audio file for a vocabulary word, saves the audio file to S3, and updates the DynamoDB record for the vocab word with the S3 file location. I'm also speeding up the process of generating audio files for thousands of vocabulary words by processing files in parallel.

When studying a new language, it's helpful to be able to listen to example pronunciation, so it's no surprise many of my Chinese language app users were interested in this feature. It occurred to me that I could use Amazon Polly to generate those audio files. Polly generates mp3 audio files for given text (and vice versa) in several languages.

My app has a vocabulary word bank with several thousands of words that all need audio files generated. My first idea was to write a script to loop through these words and generate the audio files. However, I foresee needing to reuse this workflow as I build new features in my app. For example, in the future I want users to be able to create their own lists, and I will need to provide a way for them to generate audio files for those new lists. With this in mind, I decided to build an automated workflow into my vocab application rather than a one-time script.

My vocabulary words are stored in DynamoDB and grouped by vocab list ID. The full workflow I needed to build was one that would take a vocab list ID as input, query DynamoDB for all the words in that list, call the Polly API to generate the audio file, save that file to S3, and update the DynamoDB record with the S3 key for the audio file so that my app's API responses include the audio file.

Because the task of generating audio for each word can be done independently of the other words, it makes sense to run audio generation tasks in parallel and reduce the time required to loop through the entire word list. I built a Step Functions workflow to orchestrate the different service API calls. 006ab0faaa