State Lines Song Download

Would anyone be able to tell me what they feel/understand when they listen to this song, or read the lyrics? It's been my one of my favourites for a while, but I only really connected to the lyrics in a vague sort of way and it would be really nice to understand it better.

I did look it up and the only thing I could find was a tiny bit the artist (Ali Lacy) had shared about the name of the song when he released it saying, "The name 'State Lines' represents the idea of bordering something, it reflects a feeling or place of uncertainty."

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"State Lines" by Novo Amor is a reflective, melancholic song about how someone is struggling to maintain a connection with a distant loved one. The narrator is trying to forgive their own mistaken thoughts about the other person, but has difficulty getting their head around the idea of trying to stay connected. The chorus questions the progress of their efforts, asking the other person if they ever really talked and if, after all, their relationship has been fading away. The outro suggests the narrator's determination to make the relationship work, despite the difficulties in trying to be together as they move between different states.

Tiny Engines act State Lines will be hitting the road this summer with The Hotel Year, covering the midwest and east coast. State Lines will be releasing a 4-song EP on June 26th; you can steam two of those songs here.

The State Lines Duo are a captivating and accomplished male acoustic duo. This slow-beat acoustic duo perform all your favourite party songs but in relaxed live-lounge style to set the perfect mood at your event.

Gorgia Delves, known professionally and performs under the stage moniker of Georgia State Line, is an Australian singer and songwriter. Georgia State Line released their debut studio album In Colour in September 2021.[1]

Delves and bandmate Patrick Wilson met while studying music at a university in Melbourne in 2014, forming both a romantic and professional relationship. In 2016, Delves and Wilson recruited an unofficial band to perform her songs.[1]

Several singles were released between 2018 and 2020. In September 2021, Georgia State Line released their debut studio album In Colour. The album was recorded by James Cecil in the Macedon Ranges and documents Delves' journey. Delves said "These songs really embody what it means to move through the pains and joy of inevitable change."[4] In a 4 out of 5 star review, Cat Woods from NME said "In Colour is a fresh, Australian take on a time-honoured sound that harks back to the blues-and-rootsy Americana of the '50s and '60s."[1]

California State Parks invites you to learn about the history of stage lines to California. Our online articles tell about how people traveled in the era before the automobile. You can also find out about the state parks and museums where you can see the original stages, that once traveled the dusty roads of California in the 19th century.

No more than twenty minutes were allowed to stop at a station. There were 100 stage wagons distributed to the various stations and no single stage completed the entire journey.

John Butterfield was a strict disciplinarian. In the fine print at the bottom, he outlines his requirements for meeting the schedule. He notes how much total time would be lost if each driver took ten minutes more than he should at each station. According to the contract, if the mail was not delivered in twenty-five days between the eastern and western terminus, a fine would be levied on the company. View and download Overland Mail Company Timetable

In 2008, festivals and programs were held as part of our Stagecoach Days: 150th Anniversary, recognizing and celebrating the history of the stagecoach. Events featured living history days, tours, lectures, stories, songs and stage equipment displays.

View Stagecoach Days 2008 Event Information.

What if our Floridian artist produced work in New York, rather than California? The same distinction applies in most cases. The state generally cannot tax a nonresident for an ownership interest in intellectual property, even if the artist created it in New York. However, ongoing payments for personal services performed in the state are taxable, even for nonresidents. Musical artists are not the only ones who need to bear these rules in mind. The same principles apply to actors, voice-over artists, or anyone else who may earn residuals from film or television work created in these states. It is important to fully understand the nature of your ongoing compensation to pay the tax you owe. Distinctions between types of compensation may not always be intuitive.

Many artists now see the appeal of moving to states like Florida and Texas, with friendlier tax climates. But these artists are likely to continue collaborating with their peers in Los Angeles, New York City and elsewhere. Getting on top of the way various royalty payments are taxed will ensure you can make the most of your move while paying each state its due.

Released the same year as "Nuthin' but a 'G' Thang," Arrested Development's first single sat closer to the socially-conscious camp of hip-hop hippies like PM Dawn, leaving pimps, blunts and Snoop Dogg cameos to the gangstas. Leader Speech wrote "Tennessee" in his dorm room at the Art Institute of Atlanta, after losing his grandmother and his older brother in the same week. Built around an uncleared sample from Prince's "Alphabet St.," the inclusion of which would later cost the band $100,000 in legal fees, the song unfolds like the funkiest prayer this side of Funkadelic's "Eulogy and Light," with Speech talking to God about slavery, modern-day black culture, death and the strange lure of the Volunteer State.

Inspired by Edward Albee's fiery four-character play Who's Afraid of Virginia Woolf, Billy Edd Wheeler wrote "Jackson," about a couple whose romantic spark was losing its flame, and sought input from legendary tunesmith Jerry Leiber ("Hound Dog," "Jailhouse Rock"). More an editorial contributor than co-writer on it, Leiber suggested placing the then-buried "We got married in a fever, hotter than a pepper sprout" line at the beginning of the song, thus creating one of the most famous opening lines in country music history. Although first recorded by the Kingston Trio in 1963, the best-known version came four years later from yet-to-be-married singers Johnny Cash and June Carter. "Jackson" became a Number Two hit and a Grammy winner for the dynamic duo and has since been featured in such blockbuster films as Walk the Line and The Help.

Georgia boys Ludacris and Field Mob paint an honest picture of the so-called "Dirty South" in this 2005 track that samples Jamie Foxx's Oscar-worthy version of "Georgia on My Mind." Their home state is tough: "Come anywhere on my land and I'll aim at your Georgia dome." It's rich with civil rights history: "The birthplace of Martin Luther King" is also where "your folks picked cotton." And it pleases all the senses, with everything from the state's signature peach cobbler to Atlanta's many strip clubs. (We did say all the senses.) Most of all, "Georgia" is a love letter to a place where the rappers are proud to plant their roots and viciously stake their claim.

"Dixie Chicken" so entirely embodies the sly, swampy gestalt of what it means to be from below the Mason-Dixon Line that it instantly transports you there. From Bill Payne's stone-skipping, light-handed piano intro to Lowell George's slightly slurry delivery, the title track from Little Feat's seminal 1973 album takes place in Memphis, but the slinky, full-bodied sound is straight out of New Orleans. The lady in question is such a smooth Southern belle that before the Dixie Chicken knows it, his Tennessee Lamb has taken all his money and left him for the guitar player and his fine memories. Not only have Phish and Garth Brooks performed excellent covers of the song, the Dixie Chicks named themselves after the tune.

When you're born in the backseat of a Greyhound bus, is there any doubt that you'll spend your life on the road? Not if you're the protagonist of the Allman Brothers' biggest hit, 1973's "Ramblin' Man," who spends time traveling from Nashville to New Orleans and points in between. Dickey Betts may have loosely based the song on Hank Williams' 1951 tune of the same name, but the band created its own unique tune that ultimately became a tentpole of the Southern rock movement and was just enough of a step into country that some of the band members were initially hesitant to record it. As soaring as the track is on their Brothers and Sisters album, the jubilant, extended live version became the cornerstone of the band's concerts for years.

Like it or loathe it, Lynyrd Skynyrd's tribute to Dixie has been damn near inescapable for four decades, rendered immortal by several generations of classic rock radio DJs and proud southerners. It's also a bundle of contradictions: a song called "Sweet Home Alabama" that was written by a band of Florida natives, recorded in Georgia and delivered as a kiss-off to the Canada-born Neil Young, who'd taken potshots at the American South with "Southern Man" and "Alabama." Regardless, nothing could stop "Sweet Home Alabama" from becoming the rebel (flag) yell heard 'round the world. More than 40 years later, it's still pulling double duty as the signature song not only for Skynyrd, but the entire Southern rock genre.

You can take the guy out of the south, but "in my heart I'm always there," Darius Rucker sings in this concert favorite from the 2010 album named after his southern hometown, Charleston, SC 1966. So when he goes to California and says "yes, m'am," the singer gets the same kind of confused look that a New York waitress gives him when he orders sweet tea. Call him crazy, but Rucker's "southern state of mind" just keeps him from getting homesick. Five years later and the rock-gone-country star continues to wear his roots on his musical sleeve. He's titled his upcoming album, Southern Style, after a similar song that touts the virtues of hospitality, good manners and great food. e24fc04721