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The Star Wars franchise depicts the adventures of characters "A long time ago in a galaxy far, far away"[3] across multiple fictional eras, in which humans and many species of aliens (often humanoid) co-exist with robots (typically referred to in the films as 'droids'), which may be programmed for personal assistance or battle.[4] Space travel between planets is common due to lightspeed hyperspace technology.[5][6][7] The planets range from wealthy, planet-wide cities to deserts scarcely populated by primitive tribes. Virtually any Earth biome, along with many fictional ones, has its counterpart as a Star Wars planet which, in most cases, teem with sentient and non-sentient alien life.[8] The franchise also makes use of other astronomical objects such as asteroid fields and nebulae.[9][10] Spacecraft range from small starfighters to large capital ships, such as the Star Destroyers, as well as space stations such as the moon-sized Death Stars.[11][12][13] Telecommunication includes two-way audio and audiovisual screens, holographic projections and hyperspace transmission.[14]

The overwhelming success, led to a 10-episode adaptation of The Empire Strikes Back debuted in 1983.[192] Billy Dee Williams joined the other two stars, reprising his role as Lando Calrissian.[citation needed]

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On the inspiration for the First Order formed "from the ashes of the Empire", The Force Awakens director J. J. Abrams spoke of conversations the writers had about how the Nazis could have escaped to Argentina after WWII and "started working together again."[262]

Star Wars fundamentally changed the aesthetics and narratives of Hollywood films, switching the focus of Hollywood-made films from deep, meaningful stories based on dramatic conflict, themes and irony to sprawling special-effects-laden blockbusters, as well as changing the Hollywood film industry in fundamental ways. Before Star Wars, special effects in films had not appreciably advanced since the 1950s.[279] The commercial success of Star Wars created a boom in state-of-the-art special effects in the late 1970s.[276] Along with Jaws, Star Wars started the tradition of the summer blockbuster film in the entertainment industry, where films open on many screens at the same time and profitable franchises are important.[280][267] It created the model for the major film trilogy and showed that merchandising rights on a film could generate more money than the film itself did.[266]

Across the blue back design, catch countless details - from the top of R2-D2 to the Rebel Alliance symbol, repeating patterns of X-wing starfighters, and two lightsabers on each side edge. Across the red back design - details from the Death Star to the First Order, Sith, and Empire insignia, repeating patterns of TIE fighters, and Darth Vader's lightsaber on both sides!

Every character established in Episode I is either killed or removed before it ends (Darth Maul, Qui-Gon, Chancellor Valorum), unimportant (Nute Gunray, Watto), or established better in a later episode (Mace Windu, Darth Sidious). Does it ever matter that Palpatine had an apprentice before Count Dooku? Nope, Darth Maul is killed by the end of Episode I and never referenced again. You may as well just start with the assumption that Dooku was the only apprentice. Does it ever matter that Obi-Wan was being trained by Qui-Gon? Nope, Obi-Wan is well into training Anakin at the start of Episode II, Qui-Gon is completely irrelevant.

The franchise takes place in an ancient, faraway galaxy: a Science Fantasy universe where robots and starships exist alongside mystical sages who draw their powers from a mysterious life-energy known as "the Force". While the franchise's full timeline spans thousands of years of history, the majority of the stories within it are focused on two main conflicts: first is the rise and fall of the tyrannical Galactic Empire, from their origins as a noble Republic to their battle against a galaxy-spanning Rebel Alliance.

Star Wars: The Last Jedi finished its third week of release with $4.3 million on Thursday giving it a total of $548.9 million after three full weeks of release. Again, it fell faster than The Force Awakens (down 4% to $6.0 million) and Rogue One (down 8% to $3.9 million). However, The Last Jedi is still on pace to become one of the biggest domestic hits of all-time, so even if it really starts to collapse from now on, it will still be a massive hit. More...Last Jedi has a Wonderful Wednesday with $5.1 millionJanuary 4th, 2018

Star Trek Beyond will fall just short of $60 million at the box office this weekend, according to Sunday estimates from Paramount. The studio has the film coming in at $59.6 million over three days, which is substantially short of the $79.2 million earned on debut by Star Trek (the reboot) in 2009, and the $70.2 million made by Star Trek Into Darkness. The so-so start comes in spite of excellent reviews, which are now running at 84% on Rotten Tomatoes, and the franchise seems to have trouble reaching beyond its core audience.More...Featured Blu-ray / DVD Review: Star Wars: The Force AwakensApril 4th, 2016

As expected, Star Wars: The Force Awakens dominated the weekend box office earning $90.24 million, breaking several records along the way. However, it did fall 40% over the weekend, which is a lot for this time of year. It appears The Force Awakens is acting more like a typical blockbuster hit and less like the typically leggy December release. That said, I don't think Disney is disappointed with the results so far. On the other hand, The Hateful Eight got off to a disappointing start earning third place with just a fraction of Django Unchained's opening weekend. The overall box office was down from last week, but was still an incredible $219 million. This was 26% lower than last week, but 41% higher than the same weekend last year. Year-to-date is a little less useful, as 2016 is only 3 days old, but it is 27% higher than 2015 was after the first weekend. This is even more impressive, as 2015 had an extra day before the weekend. More...Weekend Estimates: Force aweakens with $88.3 million weekendJanuary 3rd, 2016

There are two questions that are being asked about this weekend. Firstly, will Star Wars: The Force Awakens become the first film to earn $100 million three weekends in a row? Secondly, will The Hateful Eight live up to Django Unchained? I'm going to say no to both, but the former is much more likely than the latter. The rest of the top five should look the same as last time, with Daddy's Home being the best of the holdovers. The Force Awakens should earn more than the top five did last year, giving 2016 a fast start on the year-over-year comparison. One last note, there are only two limited releases this week, including Anomalisa, which we previously talked about. The only other limited release is Devil and Angel, which has no reviews, so there's not much to talk about. Because of this, there will be no Limited Release Report this week. More...The Force Awakens Destroys Fastest to $600 million RecordDecember 30th, 2015

It's a good week on the home market with two $100 million hits coming out: The Heat and Pacific Rim. I've heard good things about both films, but unfortunately, neither screener has arrived. Also, while we have two big release on top, there's not a lot of depth and we quickly run into releases that would be filler during a normal week. At the time I started this column, no new releases for the week had arrived on time, but at least that gave me a chance to get a bit caught up on some of the previous late arrivals. This list includes two contenders for Pick of the Week: White Collar: Season Four and Modern Family: Season Four on DVD or Blu-ray. Both are must haves, but the latter won out for Pick of the Week honors. More...Featured Blu-ray: WillowMarch 30th, 2013 e24fc04721