K. Street Pali Hill is an Indian Thriller soap that aired on STAR Plus. It replaced the highly popular thriller Kaahin Kissii Roz when it concluded in 2004. K. Street Pali Hill was successful for about a year, only to plummet in popularity, owing to many of the actors' replacements. This show pointed many similarities with DD National popular daily soap Shanti
Khushi and Arnav have diametrically opposite ideologies. If Khushi believes in means, Arnav believes only in ends. Khushi's relationships are the most important to her, whereas Arnav believes all people come with a price and can be manipulated for one's benefit.
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Baa Bahoo Aur Baby was as a popular comedy drama, broadcast on India's Star Plus channel between 2005 and 2010. The series revolved around the fictitious Thakkar family, living in a large house in Parla East, Mumbai.
Kahiin to Hoga is an Indian soap opera which aired on STAR Plus between September 2003 and February 2007. The show was created by Ekta Kapoor of Balaji Telefilms. The romantic-drama series was show was one of the famous television program during its airing period which helped Star Plus capitalize the television market in the 2004-2006 era. Kahiin to Hoga suffered huge loss when its lead Rajeev Khandelwal left the show in between.
Tu Sooraj Main Saanjh Piyaji is a Hindi drama serial aired on Star Plus. Sooraj and Sandhya were the ideal couple. Now, their daughter, Kanak sets off on a journey with Uma Shankar, who is her perfect opposite.
Thodi Si Zameen Thoda Sa Aasmaan is an Indian television show broadcast on STAR Plus. The series was produced by popular Indian television actress Smriti Irani along with Ekta Kapoor. The series aired every Sunday at 10pm IST, but later started broadcasting on Fridays'. Smriti herself plays the main lead in the serial.
Kasautii Zindagii Ki was the 3rd most popular and 2nd most awarded show that aired on Star Plus from 2001 to 2008. The show ranked at no# 3 among Star Plus' best shows after Kyunki Saas Bhi Kabhi Bahu Thi & Kahaani Ghar Ghar Kii. The show won many awards for Best Series and its direction.
Kesar is an Indian television serial that aired on STAR Plus, based on the life of a young girl from rural Punjab named Kesar. Kesar concluded on May 31, 2007 but is currently being repeated from the beginning on the TV Asia channel in USA.
Bollywood movies were banned in Pakistan after the 1965 war but the authorities sporadically allowed films to be shown in cinemas over the years. This led to the booming trade of pirated video cassettes and later DVDs. The hopelessly bad camera print and plethora of advertisements failed to stop people from watching multiple two-and-a-half-hour long movies in one evening.
One of the biggest attractions for Pakistanis on holidays abroad was being able to watch Bollywood movies in theatres until 2008 when the ban was finally lifted. The occasional spotting of a Bollywood star at the Dubai Mall or on Oxford Street was a supreme validation of existence.
The buck did not stop at Bollywood. Only God knows what possessed us Pakistanis to be hooked on to the Star Plus cringe fest of the 2000s. Those marked safe from that pandemic should have a star named after them while the rest of us should quarantine under our beds and never come out.
I would partly attribute this decline of Indian entertainment to the rising popularity of Pakistan television dramas and access to global streaming services. Pakistani dramas were always ahead of the curve when it came to television entertainment, but our film industry was never a match for India.
Until then, a one-off Shah Rukh Khan blockbuster or a fantastic Vidhu Vinod Chopra storyline is going to grab our interest and we will be willing to spend time and effort to watch it on Amazon Prime, if not go to a private screening.
However, despite being made in a far more modest budget, our TV dramas have nailed it thanks to good, wholesome content that hits home. Drama producers lost the plot at one point when they made content heavily inspired by India but reined it back in within a few years of a slump. With the emergence of so many private production houses and competition through the roof, Pakistani dramas have really upped the ante with the Indian industry struggling to catch up.
In 2019, yet another ban on Indian movies was imposed in Pakistan. But this time, a large section of fans did not care. They have access to every Indian movie, every Indian web show and every soap opera served to them on a platter courtesy of the world wide web. Turkish and Korean dramas have also acquired a huge fan following in Pakistan, giving Indian shows a run for their money. They may not enjoy the kind of viewership that Indian entertainment has in Pakistan yet, but they are getting there.
But with so many incompetent star kids introduced, so many (all too similar) award shows, so many movies with anti-Pakistan storylines and the South Indian film industry (that most do not and cannot follow because of the language) doing better business than Bollywood, we in Pakistan have lost track and are slowly losing interest.
Mehreen Jabbar's Mera Naam Yousuf Hai enjoys the distinction of being the first TV serial from Pakistan to be aired on the Star network. The broadcast will begin on October 18th, according to BizAsia.
Mera Naam Yousuf Hai is a convoluted romantic drama, which stars Imran Abbas, Maya Ali, Waseem Abbas and Hina Bayat. It was first aired earlier this year on Pakistan's A Plus and was a very popular show.
Star Plus UK's move to broadcast Pakistani content is said to be done to meet a growing demand for it. Other Indian TV channels like Colors and Rishtey broadcast Pakistani shows to great response, and ZEE TV launched the Zindagi channel exclusively for Pakistani dramas in June last year.
Aswin, I'll take the conniving mothers-in-law anyday. This is a really interesting piece and clip on NDTV and its attempts to brand a return to the national family, but the clips seem to suggest a national family that chooses to bracket and/or ignore the economic or social inequalities of globalization. NDTV seems to run counter to many of the filmic representations of the non-resident Indian and diaporic audience that circulated in the late 1990s-present that were focused on multiplying the number of family types that would count in Indian popular culture. By insisting on the dominance of the one TV set audience (one TV per household), NDTV still insists on a singular definition of family. How does NDTV make sense of this singular definition in the current economic climate? And how does Karan Johar rationalize being a part of this venture when so many of his films tried to articulate Indian patriotism with a range of diasporic experiences? On a side note, I think it's interesting that an A-list celeb like Johar is working on a project that seems so socially conservative - given his involvement with films like Khal Ho Naa Ho that likely will never be allowed to appear on NDTV.
Fabulous Aswin! This promo that celebrates family values as a soothing break seems to offer little drama that would entice viewers to tune in. This soothing positivity, cross-genre celebration of family just seems bland. As for you're reading of it--I'd rather tune in for that! Great piece.
Hi Aswin, Nice clip. I have been watching these promos on NDTV and am very curious about how the Karan Johar headed entertainment channel will shape the way we understand NDTV's politics. To an extent I think NDTV tries very consciously to present its viewers with some degree of "diversity" of coverage -- for example, i have not seen as many reports of South Indian cinema or South Indian actors on any other Indian satellite channel (available via Dish or DirectV) as I have seen on NDTV. And unlike Star' news "investigative" jounalism which is more about which Bollywood couple is breaking up (or not), NDTV tries to offer more thoughtful, critical news and commentary. In this context it would be interesting to see how the "family values"-based entertainment show shape up. And hey, let us not forget the diaspora market-- if Karan Johar is involved, can the diaspora be far behind? I wouldn't be surprised if we start getting NDTV entertainment channel pretty soon (before NDTV profit, which I think should be available in the near future). best, Madhavi
Ben - I agree, but I think we express surprise at a-list celebs' involvement in TV partly because we are yet to map and examine the many different links b/w film and TV culture. And let's not forget that karan johar's "koffee with karan" was one of the most popular talk shows for a while and that played a part in getting him roped into this venture. Madhavi - I agree that we need to understand this new venture in relation to NDTV's news channel and perhaps even NDTV Lumiere (the new cinema channel they've launched). I agree that with johar around, the shiny world of the diaspora can't be far behind and it would be important to track this and see what kind of a dent they make in ZEE, Star and Sony's audiences abroad.
Aswin, Johar & Rajshri - you have your Indian family there, or rather the 'ideal' Indian family (I wish I remembered some of those lines from K3G or HAHK that I could rattle off!) but club NDTV with them and suddenly, it becomes really interesting! After all, NDTV's been about Prannoy Roy, Barkha Dutt (yes, the Kargil coverage!) and Rajdeep Sardesai (before his defection to CNN-IBN)...and now, you have NDTV Imagine with KJo being on board, and yes, the huge Ramayan hoardings that were all over the place in Indian cities (I think the campaign was sometime in Dec-Jan). NDTV and Ramayan - that seems to be such implausible combo and yet... By the way, have you checked out the youtube videos on the Global Indian Television Awards (KJo + Balaji). One could almost be mistaken into thinking it's another Filmfare or Samsung Awards night...SRK at Telly Awards! But then, SRK seems to be the current fav...esp with the desi version of 'Are You Smarter Than A Fifth Grader?' coming up. 152ee80cbc
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