Objectives:
Be able to identify examples of Amateur and Professional Audio
Understand why Audio is at least 50% of your production planning and process
Know how audiences respond to poor audio
Use subject based terminology for sound elements
Debate and explore literal and implied meaning of audio elements
Compare the two examples below in class with your lecturer and join in class discussion on audio quality. Consider what is good and not so good about both examples
Embed the two videos in your BLOG and answer the questions below.
What can you hear? (List the audio elements using correct terminology)
How many different sounds can you hear at once?
What is good about the audio?
What could be better?
How do you think this was mic'd? (Inbuilt Mic, Lav Mic, Shotgun Mic, ADR)
What can you hear? (List the audio elements using correct terminology)
How many different sounds can you hear at once?
How might this affect the quality of the dialogue recording?
What is good about the audio?
What could be better?
How do you think the dialogue was mic'd? (Inbuilt Mic, Lav Mic, Shotgun Mic, ADR)
In the short film below, Ben Osmo, Sound Recordist for Alien Covenant, talks about some interesting aspects of his job working with producer, Ridley Scott. I hope you find this interesting and start to see the work that goes into procuring good sound. In the last 30 seconds of this YouTube, Ben talks about what happens when sound is poor.
Watch the video in class; discuss the questions below; embed it in your BLOG, and use the outcome of the class discussion to answer the questions in your own words.
Discuss the video above referring to the questions below in class; and then, individually, answer the questions in your BLOG:
Ben describes two audience responses if film audio is poor. What are they?
Should film audio be noticeable? Why?
What is more noticeable? Good Audio or Poor Audio?
Listen to the following Trailer with your lecturer without the visuals. Using the worksheet below, populate the left hand column with descriptions of what you can hear.
Repeat the exercise while watching the visuals and see if your answers are the same.
Discuss outcomes as a class
Your lecturer will help you to understand the main audio elements you would expect to encounter in a cinematic movie, along with their purpose and meaning.
For example: If you hear Thunder in a movie; is it purely coincidental or is it there for another reason?
By the end of this class you should be able to fill in all three rows of the worksheet below. Complete this by next week and embed in your BLOG. This worksheet is available on Teams and Moodle.