Hello and welcome to Slark Atelier — where creativity comes to life.
Realize your artistic goals in a comfortable, relaxed studio environment designed to inspire. Connect with fellow artists, explore new ideas, and let your imagination thrive!
" Chinese Fan and Lemon" by Albert Slark
Oil on Canvas
At Slark Atelier, our training is rooted in the time-honored traditions of the 19th-century French Academies. We draw inspiration from the renowned Charles Bargue and Jean-Léon Gérôme drawing course — a classical system designed to develop precision, observation, and technical mastery.
We specialize in:
Portraiture
Figure Drawing
Still Life
Landscape
Students begin with pencil and charcoal, building strong foundational skills. Once mastery is achieved, we transition into oil painting.
Your journey begins with your first Bargue plate.
You will learn to:
Accurately measure distances using a plumb line
Train the eye to see proportion and angles
Understand light and shadow (shading)
Develop refined line quality
Render texture with sensitivity
After completing Bargue drawings, students advance to cast drawing, working from a three-dimensional plaster cast in charcoal — an essential step in classical atelier training.
While working from Bargue plates and casts, drawing from life remains vital.
🖌 Open Studio Life Drawing is held every Thursday evening, and students are strongly encouraged to attend.
We are committed to helping students build strong, competitive portfolios for college applications, with focused guidance and professional feedback.
Cast Drawing
Student Work
Painting begins in oil using only black and white.
Students start by creating a 9-step value scale, Using Ivory black to pure white, including every nuanced shade of grey in between. This foundational exercise trains the eye to see value relationships with clarity and precision — the cornerstone of strong painting.
From there, students begin grisaille (grey underpainting) applied to:
Figure studies
Portraits
Still life
Working in grisaille develops an understanding of light, volume, and structure without the complexity of color.
At this stage, students learn the essential structure of building a painting:
Thin underpainting (lean layers)
Careful inking or outlining of the drawing
Establishing shadow masses
Developing mid-tones
Placing lights
Finishing with thick, opaque highlights
This layered approach follows the classical “fat over lean” principle, ensuring both technical integrity and archival stability.
Once students demonstrate control of value and form in black and white, they advance to:
Monochrome painting (one color plus white)
A limited color palette, allowing the student to understand color harmony, temperature, and mixing paint without overwhelming them.
This gradual progression ensures confidence, control, and mastery at every stage.
Monochrome Underpainting
Examples of B&W paintings,
student work
After students gain confidence in handling and mixing paint, we transition into full colour painting. Advanced students explore the complete academic painting process, including:
Grisaille underpainting
Dead colouring
Second painting
Finishing and glazing
A strong emphasis is placed on Old Master studies, which are essential to understanding classical technique. We begin with the masters of the Renaissance and progress through to the 19th century, studying artists such as William-Adolphe Bouguereau and his circle.
All levels are welcome — from beginners to advanced professionals.
Classes: Every Saturday, 10:30 am – 1:30 pm
Location: Studio in Ajax, Ont.
To book an appointment or arrange a studio tour, please contact:
albert.slark@gmail.com
905-767-8678
Verdaccio underpainting after Raphael Sanzio
"Study of a Girl's Head" after W.Bouguereau
by Albert Slark