The film's soundtrack is scored by Harris Jayaraj, who replaced Devi Sri Prasad as the composer of the film series. The film marks the eighth collaboration between Suriya after Kaakha Kaakha, Ghajini, Vaaranam Aayiram, Ayan, Aadhavan, 7aum Arivu and Maattrraan (2012). Taking a break after various schedules of shooting, director Hari and Harris Jayaraj completed the song composing in Bangkok, Thailand.[29] The audio rights of the film was acquired by Eros Music and the complete album was released on 27 November 2016. Reviewing the album, Srivatsan of India Today stated "S3 might not be Harris' best work, but definitely not bad either. Having said that, it's a pucca (transl. really) commercial album from the composer. Be it the songs or the theme music, the album has enough scope to pander to the B and C centers".[30]

The album was panned by music critics. Joginder Tuteja of Bollywood Hungama awarded the album two stars out of five and said "Singham turns out to be a fine album though one does feel that there could have been much more than just three songs here. While 'Saathiyaa' is the pick of the lot and has the potential to play on beyond the theatrical run of the film as well, title song "Singham" brings in the right mood despite its setting. However given the fact that the film is not quite a musical and the focus would be primarily on pushing its action flavour, the album would find it tough to make much of a mark commercially."[43] Tanuj Manchanda of Planet Bollywood gave the album five and a half stars citing that "Ajay-Atul produces a satisfactory soundtrack, after their first attempt in Virudh and shows their versatility in a short span of 3 songs. One looks forward to their forthcoming venture My Friend Pinto which will be their second Bollywood film as composers. Overall, the songs are decent and have the ability in them to become a success. It will help in enhancing the film's narrative."


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In order to achieve Hari's vision of making an unbridled racy movie, three technicians have worked hard behind the scenes. Priyan's camera incessantly zooms, hovers, pans and never takes a break for even a moment. Editor VT Vijayan abruptly cuts, ramps most scenes and hardly cares for smooth transitions between scenes. Devi Sri Prasad keeps the tempo of background music uniformly high throughout. Devi Sri Prasad has done a better job in background score compared to the songs. The choreography and stunt sequences appear to be similar to the first part. 006ab0faaa

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