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My work is influenced by music, archaeology, the sea, and science. I have enjoyed tutoring classes in abstract and digital art, exhibiting in solo and shared spaces, and curating online exhibitions. Twice short-listed for the Royal Academy Summer Exhibition in London. Winner Joan du Platt Taylor award for nautical archaeology. Collections: Cambridge, Norfolk, Suffolk, Cornwall, London, Texas, Nova Scotia.
My work is influenced by music, archaeology, the sea, and science. I have enjoyed tutoring classes in abstract and digital art, exhibiting in solo and shared spaces, and curating online exhibitions. Twice short-listed for the Royal Academy Summer Exhibition in London. Winner Joan du Platt Taylor award for nautical archaeology. Collections: Cambridge, Norfolk, Suffolk, Cornwall, London, Texas, Nova Scotia.
EXHIBITION
UNIVERSITY OF THE THIRD AGE, BRIDGE STREET, CAMBRIDGE, UK
MONDAY 9 NOVEMBER - FRIDAY 11 DECEMBER 2026
Pencil, Charcoal, iPad, Multimedia, & Chalk Sculpture Imagery.
Including themes from the sea and from archaeology. There are selected references to the Cambridge poet
JH Prynne's 'White Stones' and to Ted Hughes's 'Crow'
THE WHITE STONES
FROM THE LAND
FROM THE SEA
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BACK CATALOGUE
Reworking of 'The Fisherman ' Short-listed Royal Academy Summer Exhibition, 2021. This is a 40 x 40 cm iPad painting, professionally printed on Giclee Archival paper. It makes references to West Africa and the Caribbean.
Reworking of 'The Fisherman ' Short-listed Royal Academy Summer Exhibition, 2021. This is a 40 x 40 cm iPad painting, professionally printed on Giclee Archival paper. It makes references to West Africa and the Caribbean.
BELOW
'Entropy No. I' acrylic and commercial paint on 1.2m canvas.
BELOW
BELOW
Multimedia (pencil and iPad) with music made on the iPad.
BELOW
Moreston, Norfolk. Pen, ink and watercolour.
Pencil drawing of a ketch at Blakeney edited as a four sector panel.
Motor yacht, Blakeney, pencil on paper and digital edit.
Below - Cherry trees, Japanese woodblock cut on birch panel - lifted on Ho Sho paper.
Below:
(i) 'The Counter-Player' collage and paint on canvas. Displayed with Kora.
(ii) After Henry Moore's 'Superior Eye'.
Below: Marrakesh, October 2025; High Atlas Mountains.
BELOW Three vibe-coded jazz tracks (Images: ink on paper with watercolour, digital edit; multimedia).
Below - 'The Wind Picks Up Her Hair' - an illustration of a song written and performed by Jeremy Harmer in Kingston, Cambridge. And 'The Crow' after Ted Hughes.
Below - Earlier work to 2022
Above - Rishi (K)'s Painting
Above - Entropy I (left, above) acrylic paint on canvas (1.22 x 0.76 m); and Entropy 2 SOLD
Below
After Alberto Giacometti - Sculptures (monochrome images - with shadows) in clay, aluminium wire, acrylic paint (30 cm height including stand). Part of a series, some with 22ct gold leaf.
'Mother and Child': after an unnamed 16th C painting in the Fitzwilliam Museum, Cambridge, UK.
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