"Firecracker" is a song co-written and recorded by American country music artist Josh Turner. It was released in June 2007 as the lead-off single from Turner's album Everything Is Fine, which was released on MCA Nashville on October 30, 2007.[1] His fastest-climbing single,[1] the song reached a peak of number 2 on the Billboard Hot Country Songs charts. Turner wrote this song with Shawn Camp and Pat McLaughlin.

A music video was released to promote the single, directed by Peter Zavadil. In the video, Josh Turner is seen pulling up to a fireworks outlet. While he is inside shopping, mixed in are scenes of a young man, flirting with the girl at the counter, played by Miss Kentucky Teen USA 2005, Sarah Bryan Withers. Turner is shown performing the song on an outdoor stage in parts of the video.The video is shot in Kimball, Tennessee, near Jasper and South Pittsburg.


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"Firecracker" debuted at #58 on the U.S. Billboard Hot Country Songs for the week of July 14, 2007. In its 24th week on the chart, the song jumped from #4 to #2 on the chart, being held from the top spot by Taylor Swift's "Our Song", which leapfrogged "Firecracker" when the former leaped from #6 to #1. The song held the position for two weeks. It was later ranked at #53 on the year-end chart.

Mariah, on the other hand used the sample for smarts - you get that the casio ice-cream-truck lilt is supposed to serve as a sweet counterpart to her mellifluous melodies with all the coy "I wanna"s, but although it works as an idea, there is a disconnect on the track itself. The sample is drowning, and Mariah sometimes even sounds like she sings against it, not with it. Eventually, it does nothing for the song. The later Cameo sample was better, and it gave the song a harder edged background for more balanced yin-yang feel.

FirecrackerArtistYellow Magic OrchestraAlbumYellow Magic OrchestraRelease DateNovember 25, 1978GenreSynthpop, disco, funk, exoticaLength4:50SongwriterMartin DennyProducerHaruomi Hosono, Kunihiko MuraiLabelAlfa RecordsFirecracker is a song written by Martin Denny that was originally included on his 1959 album Quiet Village. The song would be re-recorded in 1978 by Yellow Magic Orchestra for their self-titled debut. It ended up being their biggest hit in the United States, peaking at #42 on the Billboard charts on April 24, 1980.

The song was originally written by American exotica composer Martin Denny, who was well known for composing easy listening interpretations of world music. Firecracker, which was released in August 1959 on his album Quiet Village, was intended to be his take on Chinese and, to a lesser extent, Japanese music.

The recording of the song commenced on July 10, 1978, and was the first song the band recorded together. According to Hosono, the band originally recorded the song against a click with only three other parts: Hosono on bass, Ryuichi Sakamoto on keyboards and Yukihiro Takahashi on drums. The group was dissatisfied with the result, considering it to be too uninspired and similar to the original. The recording was scrapped and the band set out to create a brand new arrangement for the song.

Their arrangement was punctuated by a punchy synth bass riff written by Hosono, as well as a Roland MC-8 sequencer and some improvised piano flourishes courtesy of Sakamoto. The percussion on the track is almost entirely electronically sequenced, though the clap is performed by Takahashi using a Pollard Syn-Drum. The firecracker explosion sound effect at the end isn't electronically generated, but is instead a sound effect.

When the album was released in the United States by A&M Records in 1979, Firecracker was the song selected by A&M to be the lead single. In the US, the song was marketed under a multitude of titles, the most common of which being 'Computer Games' and 'Computer Games (Theme From the Circus)'. This is probably due to some confusion that arose from the fact that on the album, the opening intro track, Computer Games (Theme From the Circus), segues directly into Firecracker.

Aided by Yellow Magic Orchestra's concurrent worldwide tours, Firecracker became a dance hit in the US in 1980, peaking at #42 on the Billboard charts on April 24th of that year, becoming the only YMO song to enter those charts. The band famously mimed the song on American music show Soul Train on November 2, 1980, along with their recent cover of Archie Bell & the Drells' 'Tighten Up'. The performance was followed by an interview with the band by a bemused Don Cornelius, host of the show, who visibly struggled to carry the interview due to the language barrier.

When Yellow Magic Orchestra's recording of Firecracker became a US hit, the band received a telegram from Martin Denny, thanking the band for covering his song and wishing it luck on the charts. Denny would later return the favor in 1990 when he recorded the album Exotica '90 with a variety of Japanese musicians. The album included a new re-recording of Firecracker.

The band would go on to perform the song in almost every set of theirs between 1978 and 1980. It was briefly retired for the 1981 Winter Live Tour, in order to make room for their more recent material, though it would make a comeback for their final 1983 tour, becoming the final song performed by the band during their initial run when they played it on December 22 of that year at the Budokan.

Outside of YMO, the song has become a staple of Hosono's setlist, first making an appaearance on May 8, 1976 when his band Tin Pan Alley (which included Sakamoto on keyboards) performed it in Chinatown, Yokohama.

Yellow Magic Orchestra's version of the song is infamous for being the catalyst of a feud between American pop singers Mariah Carey and Jennifer Lopez in 2000. Carey had planned to sample the recording for her song 'Loverboy', off her album Glitter. A month after she obtained the rights to the sample, Lopez used the same sample for her song 'I'm Real' off the album 'J.Lo', effectively stealing her idea. Since Carey's album was to be released a month after Lopez's, she reluctantly decided to change the sample to one from 'Candy' by American funk band Cameo.

Our protagonist has kept his energetic and fun spirit hidden but now he is ready to take his dancing shoes out of his pocket. With these, he is a charming man who is confident to show everyone his expressive personality. The dance is a form of expression. The shoes are a metaphor for him taking the dancing steps to express himself to people he meets. Thus, he is no longer waiting to be a firecracker man; a man who charms people with his personality and makes everyone he sees smile. He now is going to be a firecracker man!

FirecrackerArtist(s)Vocalist(s)Alyssa Baker, Sarah Carmosino, Keara Graves & Olivia SoloComposer(s)Emily Doty, Craig McConnell & Matthew TishlerProductionEpisode(s) used in"Welcome to the Jungle""Dancing with Myself""Here Comes Your Man""12 Hour Party People""Wink It Out"Genre(s)PopLength3:05"Firecracker" is a song that is heard in Season 4. It is originally from Season 1 of Lost & Found Music Studios.This song is most notably used for Jacquie and Kenzie's duet in Studio 1.[1]

I downloaded a live version of this song... it makes me smile cuase in one of the verses he says "hey Louisiana, She's with me tonight".. me being from the boot state and all, it makes me feel special...lol

i normally like the slower ryan songs but this is up there with my favorite, not really sure about the last verse means but excellent all the same. i really like the line "broken bluesy whisper sing to me tonight" i heard a version of elton john singing this song using the piano instaed of the harmonica it sounded strange

As on their first release, The Jennys perform almost nothingbut original material. Annabelle Chvostek contributes four songs, as do NickyMehta and Ruth Moody. One traditional tune, "Long Time Traveler," arrangedby the Jennys completes the CD's roster. Their brand of modern folk combinesequal parts of Celtic with Appalachian, blues, and old-time country and wraps itall up with pitch-perfect multi-lead vocals. The Jennys exploit their threevoices to the fullest with multi-part harmonies and clever use of double leadsin every song. Although each Jenny has a different song-writing style they allshare a love and respect for beautiful melodic lines and a willingness toinvolve the other members in every song. Without the liner notes I doubt manylisteners could identify which song came from which writer's pen.

Although the Jennys play quite a few instruments amongthemselves, with Chvostek on guitar, mandolin, and violin, Mehta on guitar andharmonica, and Moody on guitar, accordion, and banjo, they have a good-sizedband to back them up on Firecracker. Christian Dugas plays drums, JoePhillips plays acoustic bass, Mike Hardwick plays electric guitar, acousticguitar, and dobro, Kevin Breit, Justin Abedin, and Brian McMillan play electricguitars, national guitar, dobro, and mandolin, Richard Moody plays viola andviolin, Mark Mariash plays tambourine and additional percussion, Andrew Downingplays acoustic bass, John Dymond and Grant Johnson play electric bass, andproducer David Travers-Smith adds trumpet, E flat peck horn, Hammond M3 organand percussion. Even so many players at his disposal the album never soundsover-produced. Amplified instruments co-exist with the acoustic ones, andusually the electrics reside well back in the mix, preserving the tunes folksyfeel. The Jenny's voices are the true lead instruments on every song in Firecracker.I can't fault David Travers-Smith's production decisions. The sonicsnever obscure or dilute the emotional impact of the Jenny's music.

Firecracker, a popular song by country artist Josh Turner, has garnered attention for its heartfelt lyrics and soulful melody. Its meaning resonates with listeners as it explores themes of love, passion, and the explosive nature of relationships. In this article, we delve into the depth and significance of Firecracker, analyzing its lyrics and uncovering the emotions it evokes. 17dc91bb1f

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