Unfortunately, in this regard, I shoot Sony. Has anyone found anything out there that mimics Fujis Classic Chrome? I tried a Kodachrome preset, but its not really close. Any of the VSCO packs might work? Maybe the one with Ektachrome?
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Classic Chrome Preset Download
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Is there really no open database anywhere, where people have contributed settings for a range of these old film presets? VSCO and DXO are extracting the Michael charging by $60 and upwards for a mere collection of settings for the dials in someone else's software application.
As far as I can tell there is no open database anywhere like that. There are a bunch of individual efforts you can find on peoples sites where they give away their settings, but these are usually tied to a joining an email list, or maybe by making a small donation.
Im not sure about DXO, but I have researched VSCO quite a bit. While you are correct it is basically turning the dials on somebody elses software, it is done in a fairly deep and comprehensive way. It isnt just a preset, but tied into individual cameras profile settings as well.
What you are paying for with VSCO is the research and time they spent going in and mimicking old films as close as possible while taking into account different cameras. So as with most things in life, you pay for convenience. Yes, I could spend hours or days or months coming up with similar settings. Or I can make a one time payment to get a large group of them in bulk, and then tweak them from there to finalize my image.
I like your idea though. A single, huge opensource database where people can share and learn about presets. Monthly competitions, prizes, articles, interviews with photographers....lots could be done with that concept.
I must admit though. I'm slightly confused about the whole Film Profile + Camera Profile pairing. I would have thought that the film profile data would suffice to recreate the 'look' of that film and don't really see what extra the camera profiles bring to the part, apart from providing a [needs be "hypothetical"] tweak to show how that particular old film stock might be rendered by this particular modern camera, if they could somehow be used together.
The Lumix S9 is Panasonic's newest full-frame mirrorless camera. It allows users to create their own custom looks for out-of-camera colors and is the first full-frame Lumix camera aimed squarely at social media content creators.
The Sony a9 III is the world's first full-frame mirrorless camera to feature a global electronic shutter with simultaneous readout. After extensive testing of this 120 fps sports camera, to see what you gain (and, perhaps, lose).
The Fujifilm X100VI is the sixth iteration of Fujifilm's classically-styled large sensor compact. A 40MP X-Trans sensor, in-body stabilization and 6.2K video are the major updates, but do they make the camera better?
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The second I found while I was investigating ways of improving the colour output. He indicates he has built colour correct profiles for all of the Fujifilm film simulations but I have yet to validate whether that is correct. I do think his classic chrome rendition is better however.
Would the warmer, harsher Classic Neg be better for photographing this arid, hot place than the cooler Classic Chrome? Would it better project that mood? I used a documentary Classic Neg preset that I just created. And to show you the differences between Classic Chrome, I also processed these photos in X RAW Studio using my Classic Chrome preset, which are here with the Classic Neg photos.
I love the blues in classic neg along with the deeper contrast which makes some images look sharper. In some the images the mountains in the background have more contrast adding to the story of the scene in a mountain surrounded area
Oh it's so much more than that! The highlight and shadow tones are handled differently and colors all over the tonal map are shifted in different hue & saturation directions. It just takes a lot of going out and shooting to really see what the differences are.
Sometimes I miss Nikon's or Zeiss' strong colors, and I partly understand what Ken Rockwell thinks about the slightly muted colors from Fuji, where he says Nikon or Canon is better for everything, ...but people, , but at the same time there is something VERY charming about those pictures from Fuji.
My favorite in your photos is Classic Chrome, but I can see that certain things would dress classic neg. incredibly good, and something you can not get - at all - with Nikon or others (has 10 cameras).
That's awesome to hear. Yes, FujiXWeekly has some great recipes but I've found the selection to be too overwhelming :) Hopefully, you can sort through all of it and find one that suits you, or build your own from scratch!
i'm quite fond of the classic negative simulation but the look is pretty bold and probably not best suited to professional photography. i LOVE what classic negative does to greens and reds though - it changes the hue and saturation just enough to create a true vintage look. the look is perfectly demonstrated at this link:. -x.com/en-sg/news/2019/1104_2666/
That begs the question, "what is professional photography"? Perfect color renditions? The trendy color grading techniques of the day? Professional photography is what you want it to be, and if you can build a niche using Classic Neg, don't let the market tell you otherwise :)
The E-Chrome Collection is my new pack of Lightroom presets, based on classic analog films. It goes beyond emulation to bring out incredible tones in your photos. If you want to learn more about what went into this pack and how photographers are using it to take their work to the next level, check out the E-Chrome Collection Launch Page.
Overview: A lively, super-clean aesthetic. This preset was inspired by a set of Kodak Ektachrome film prints, but with (I think) improved skin tones (real Ektachrome has a tendency to produce overly-magenta skin tones).
Overview: An Agfa-esque look with prominent red undertones. This is a very usable general preset. It produces beautiful, nostalgic tones with the smallest hint of cross-processing. Great for snapshots of all kinds.
Overview: This preset has beautiful, soft, organic feel that is similar to the effect of over-exposing Kodak Portra . Very natural skin tones with beautiful teal blues. Soft, faded shadows and highlights.
Overview: My take on Fuji professional portrait films, like 400h. Soft, warm skin tones with the perfect amount of green tinting in the shadows. This is also a popular look for fashion photography and wedding photography.
First, other toolkits have presets that are probably easier to set directly. I saw one toolkit selling for $50 that had 10 presets just for setting the exposure. Seriously, how hard is it to change the exposure? Do we really need a preset for this?
Hey Nate,
I like to buy your presets but in one point i struggle a Little bit. I use the Olympus OM-D E-M1 Mark II and this camera is not listed. Can I use the profile for the Mark I instead or will you provide the Mark II profile soon?
Thank you ?
Thanks so much Florian! YES! The new E-Chrome updates JUST went out to all current users (it may take a few minutes to reach your inbox). Will need to update the page but lots of good stuff including:
The Fujifilm X100V is a great choice for photographers looking for an easy-to-use, high quality camera. The classic chrome film simulation mode on this camera captures gorgeous colors and tones that are perfect for everyday shooting. But what really sets the classic chrome setting apart from other film simulations is the way it renders fine details. This is why I prefer to use classic chrome when shooting with my X100V.
After years of falling in love with street photography, I realized it will likely be the one genre of photography that I will never find boring. While my film-look presets served their purpose for street photography as well, I wanted something more refined, a purpose built set of presets just for street photography.
I wanted to create a set of looks that works for all kinds of street photography: From vibrant and punchy colors on rainy days in the city, to warm summer hues in coastal towns, and the pastels of the desert, each preset in this pack was meticulously crafted. And while street photography remains the heart of this pack, I've also used these presets a ton for landscape and automotive photography. Even though it was not the focus of this pack, I think these looks could also work well for portraits.
No matter the conditions, the location or the type of photography, this preset pack will deliver soft highlights, and punchy colors, with a cinematic feel you won't get anywhere else. 152ee80cbc
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