So from what I know the sound selection (the percussion one shots), changes on the velocity notes and layering different one shots shakers, are the fundamentals to get that fully rich shaker groove as well as eq to give each shaker their space in the mix. It sounds fairly easy, but im struggling to make my shakers sound full and celan...

I usually pan 1 shaker halfway right and another one halfway left (in a 1/16 format) with slightly different velocity marks and it sound pretty decent but I doesn't sound full, so I layer 2 more shakers on top with changes on the velocity and more panned L/R but it starts to sound really messy and all over the place... (of course I use EQ) and it gets even worse when I add more shakers (I add more since I hear like 8+ different shakers sound on those 2 songs ) so that's the main problem I have.


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So, does anyone have any tip on how to set up the velocity marks for the shakers? should it be the same velocity shaker and then pan them to sound clean? and in simple and direct words.. How do you make pro shakers like Camelphat & Gorgon City ?

Using two high-end floor toms as examples (Booty Shakers fit over any floor tom foot), T&R co-founder, Rich, showed me how simply slipping one of their small foam cylinders over each tom foot increased sustain and fattened up the middle and low-end portions of the note on both drums. The difference was absolutely noticeable even in an airplane hangar filled with drums. I have no problem admitting that I was very skeptical at first, but the evidence sh ut those feelings down right away. Pretty remarkable.

Crisp sounding shakers. Small and compact, easy to take with you wherever you go. Great for adding texture to any rhythm! Perfect for didge and drum jams or camp fire grooves! Sold individually, not as a pair.

The Booty Shakers and The Little Booty Shakers make up a family of incredibly simple drum isolation mounts. They have been well designed by two guys in San Diego who refused to settle with drum tones. They do one thing, and they do it well, which is to decouple your drums from the floor (or the stand they're connected to), thereby preventing the larger mass from absorbing the energy of your drum while it resonates. There are two products in the family. TnR's Booty Shakers, which are designed for floor toms, is a set of three foam boots that you slip over the bottom of your tom stands. It's dead simple and only takes seconds to install. I've tested it out with everything from vintage Gretsch and Ludwig kits to more modern C&C or Yamaha kits with absolutely zero fitting or installation problems. The Little Booty Shakers set is slightly more complicated; it's designed for snare stands and has three tiny L shaped pieces of foam that attach to your drum stand with Velcro. Once attached, all that's needed is to open the stand up slightly wider than before, set the snare or tom in, and you're good to go. It was when I installed my Little Booty Shakers to a tom mounted on a snare stand that I noticed the biggest improvement. The snare stand was choking the tone of the drum, and once the Little Booty Shakers were in place, the drum opened up and matched the floor tom. I record 90% of my drum tracks in a great sounding room in San Francisco, CA, and, when appropriate, I really enjoy using minimal mic setups. The only way to achieve a minimal mic setup is to make each drum in the kit sound its best. It's pretty hard to use drum replacement software if you've only got a single mono overhead mic! I would say the Little Booty Shakers kit is a must have if you mount your rack toms with a snare-style drum stand. These mounts are so inexpensive, will last a really long time, and the difference in tone is immense! The floor tom version was great as well, but to my ears the improvement was much more subtle. In the rare section of a song where the guitars drop out and there's a long, sustained floor tom, this helped achieve the ultimate tone. Beware: if you like to mute your drums, or put a sheet over them when you play, then I doubt you'll hear much improvement from the Booty Shakers. However, if you like your drums open - especially if you use a snare stand for your toms, these drum isolation mounts are more than worth the tiny investment.

Some songs do not have drum parts, and yet when playing live, most drummers want to play along in some fashion. One solution is to use shakers and other so-called idiophones. These are usually small and are easily carried in a drumstick case.

There are many types of shakers, from basic to colorful egg-shaped models. These egg shakers are highly recommended because they are light and inexpensive. They look like toys for children, but they have a nice sound. The materials used vary by manufacturer, and so their tonal qualities vary widely, but even products from one manufacturer have slightly different sounds, so you should try them out at the store before buying. These small instruments are not very loud, so, to increase their volume, you can hold two in one hand, or even three in each hand if you like. There are also shakers shaped humorously like vegetables.

The top two in the photograph are standard shakers that are loud and produce different sounds when shaken long-ways or sideways.

Nelson Drum Company is a musical instrument shop that carries vintage drums and percussion for the musician or collector. Our goal is to equip drummers with an inspiring tool that will be top of the line for recording, live performance, or a beautiful mantle piece for the collector.

Little Booty Shakers by TNR Products is a system designed to provide additional cushioning on your snare stand, allowing your snare drum or CajonTab to rest on a soft foam floater instead of the snare stand arms directly. This product may also be used with tom drums mounted on a snare stand for additional resonance and sustain.

Sometimes the solution is in the little details. When it comes to drums, we as drummers are in a constant battle to improve our sound. These little simple products from TnR will make a difference and are an affordable way to help you, as a drummer, uncover your tone.

Dendy Jarrett is the Publisher and Director of Harmony Central. He has been heavily involved at the executive level in many aspects of the drum and percussion industry for over 25 years and has been a professional player since he was 16. His articles and product reviews have been featured in InTune Monthly, Gig Magazine, DRUM! and Modern Drummer Magazines.

TnR TrueVibe (snare stand) iso-mounts float and decouple any drum mounted in a snare stand without connecting to or adding mass. The drum is now free to speak without being restricted.

TnR TrueVibe (floor tom) iso-mounts decouple the legs from the floor allowing them to vibrate with the drum. Now we hear the deep resonant tone come back along with a smooth and even decay. It's the quality and richness of sound that we are after.

Being music lovers as well as musicians we created Tablemates with our friend and TnR Artist Kent Aberle. Kent came to us with the idea that something similar to our drum iso-mounts could stop his turntable from skipping anytime someone walked near it. After a few prototypes and tweaks we arrived at the design you see here. Instead of promoting resonance (like we do with the drum iso's) we apply "decoupling" to resist and absorb vibration. Now the turntable or any playback device, can run smooth no matter how rockin' the party gets.

Toby and Rich (i.e. TnR) have been friends making music together in San Diego CA since the early 2000's. Rich (on the left) spent the 90's working at Taylor Guitars as part of production and the R&D team. Learning from the best about product design and development. Then Rich transitioned to a career composing and producing commercial music for clients as diverse as Cadillac, Clorox, Honda, Motorola, Sprint, Visa and many more. Toby (on the right) landed his first drumming gig touring Europe with the Navy Band. After settling in San Diego he continued his education and drumming career studying with Duncan Moore and David Garibaldi. Toby then completed his BA in music education at SDSU under the direction of Danlee Mitchell, timpanist with the San Diego Symphony. Currently Toby teaches band, drum line and digital music production at Lemon Grove Academy as well as private drum lessons.

The Mini Shaker features modulating bead sounds just by squeezing the ends with your fingers. Constructed with an Acousticon shell, metal beads, and Fiberskyn drumhead material, the Mini Shaker can be played individually or in pairs. Ideal for all styles of music.

Find the perfect shaker to complement a wide variety of musical situations. The selection below consists of quality shakers constructed from a variety of materials and come in different sizes to create distinctive sounds.

Booty Shakers are are made of two foams of different densities. The denser base (polyethylene) prevents the floor from sucking up all of your drum's vibrations, and distributes the point load of the leg over a 2" area. The difference in sound is instantly noticeable.

These things are super handy - they weigh about as much as an empty soda can, they're easy to attach and detach, they're really durable, and they're not expensive! You could go after high-end, expensive drum hardware...or you could pick up some Booty Shakers. Sold in sets of 3.

Fancy adding a touch of extra groove to your beats? Life's not just about kick, hat and snares and every beat maker should have a good source of percussion sounds at their disposal. Essential Percussion contains 192 professionally produced shakers, tambourines and cabasas to get your beats moving! e24fc04721

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