Embedded Files
A
A
Abstract Art (see "Non-Objective Art")
Aerial Perspective (see "Atmospheric Perspective")
Aggressive Colors (see "Color Temperature")
Analogous (see "Color")
Area by Area (or "Windowshading")
Atmospheric Perspective (see "Aerial Perspective")
B
B
Baby Oil (see "Mineral Oil")
Balance (or "Equilibrium")
Bleeding (see "Blending")
Blending (see "Bleeding")
Block-In (see "Construct")
Blooming (or "Blushing")
Blushing (see "Blooming")
Boiled Oil (see "Processed Oils")
Broken Color (or "Fractured Color")
Brushwork (see "Mark Making")
C
C
Canvas (see "Support")
Center of Interest (see "Focal Point" and "Dominance")
Chiaroscuro (or "Light-Dark")
Chroma (see "Color")
Cobalt (or "Cobalt Blue")
Cold-Pressed (see "Paper Texture")
Color (see "Analogous Colors" and "Color Scheme")
Color Mixing (see "Optical Blending")
Color Scheme (see "Monochromatic," "Analogous," "Triadic," and "Complementary")
Color Temperature (see "Aggressive Colors," "Cool Colors," and "Warm Colors")
Complementary (see "Color")
Construct (see "Block-In")
Contour Drawing (see "Line Drawing")
Contraposition (or "Contrapposto")
Contrapposto (see "Contraposition")
Contrast (see "Variation" and "Variety")
Cool Colors (see "Color Temperature")
Couche (see "Underpainting")
Cover (see "Hide" and "Tinting Strength")
Craquelure (see "Crazing")
Crazing (see "Craquelure")
Croquis (or "Pencil Sketch")
D
D
Direction (see "Line" and "Movement")
Direct Painting (see "Wet-on-wet")
Dominance (see "Center of Interest," "Focal Point," and "Emphasis")
Dry Touching (or "Dragging")
E
E
Edges (see "Hard Edge" and "Soft Edge")
Emphasis (see "Dominance")
Equilibrium (see "Balance")
Extender (or "Extender Pigment" or "Filler")
F
F
Filler (see "Extender")
Focal Point (see "Center of Interest" and "Dominance")
Form (see "Shape")
Frottage (or "Rub")
H
H
Hard Edge (see "Edges" and "Soft Edge")
Harmony (see "Unity")
High-Key (see "Value Key")
Hot-Pressed (see "Paper Texture")
Hue (see "Color")
I
I
Impasto (see "Texture")
Impress (or "Impression")
Indirect Painting (see "Direct Painting")
Intensity (see "Color")
L
L
Lean Paint (see "Fat Paint")
Light-Dark (see "Chiaroscuro")
Lightfast (see "Permanence")
Line (see "Direction")
Low-Key (see "Value Key")
M
M
Mark Making (see "Brushwork")
Mineral Spirits (see "Solvent")
Monochromatic (see "Color")
Montage (see "Collage")
Movement (see "Line" and "Direction")
N
N
Non-Drying Oils (see "Drying Oils")
Non-Objective Art (see "Abstract Art" and "Representational")
Notan (or "Massing," and "Shapewelding")
P
P
Paint Thinner (see "Solvent")
Painting Knife (see "Palette Knife")
Permanence (see "Lightfast")
Phthalocyanine Blue (or "Monastral Blue," "Phthalo Blue," or "Thalo Blue")
Pigment Loading (or "Pigment Volume Content (PVC)")
Plein Air (see "En Plein Air")
Positive Shape (see "Negative Space")
Primary Colors (see "Colors")
Proportion (see "Size")
R
R
Refined Oil (see "Processed Oils")
Representational (see "Non-Objective Art")
Restricted Palette (see "Limited Palette")
Retouch Varnish (see "Varnish")
S
S
Saturation (see "Color")
Secondary Colors (see "Color")
S'graffito (or "Scratch")
Shade (see "Color")
Sketch (see "Value Study" and "Thumbnail Sketch")
Soft Edge (see "Edges")
Stand Oil (see "Processed Oils")
Stretcher (see "Strainer")
Study (see "Value Study")
Stump (see "Tortillon")
Substrate (see "Support")
Sun-Bleached Oil (see "Processed Oils")
Sun-Thickened Oil (see "Processed Oils")
T
T
Tangents (see "Kissing")
Tenebroso (or "Tenebrism")
Tertiary Colors (see "Color")
Thumbnail Sketch (see "Sketch")
Tint (see "Color")
Tone (see "Value")
Tortillon (or "Torchon")
Triadic (see "Color Scheme")
U
U
Underpainting (see "Couche")
Unity (see "Harmony")
W
W
Warm Colors (see Color Temperature")
Watercolor Blocks (see "Paper Weight")
Wet-on-wet (see "Direct Painting")
Windowshading (see "Area by Area")
XYZ
XYZ
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