Demo Reel

Born in São Paulo in 1992, my passion for games started early and sparked my interest in many things, especially music. The Legend of Zelda: Majora’s Mask was a major inspiration. I began my musical journey in 2002 with the recorder and branched out into multiple instruments throughout my teenage years. In 2012, I pursued a Bachelor of Fine Arts in Conducting at the University of São Paulo, one of South America's most prestigious universities. However, I grew disillusioned with the role of classical music in modern society and began to rethink my career path. It didn’t take long to connect the dots back to my original passion: What if I could create the sounds for games?

With Brazil's gaming industry still in its early stages at the time, I honed my audio production skills in other fields while studying the specifics of game audio on my own. In 2014, I joined the audio production house Mugshot, where I recorded, edited, and mixed music and dialogue for brands like Gatorade, Nestlé, and CCAA. In 2016, I took my first official step into the game audio world, composing the soundtrack and creating the sound design for the endless runner Kromio, from developer Lando Silva. That same year, I deepened my technical skills in a post-production course with award-winning sound designer and mixing engineer Marcelo Cyro.

By 2018, I had joined audio production house Estúdio Angels as a full-time sound designer and mixing engineer, working on projects for Samsung, Audible Studios, Dove, CPFL, Artplan and others. Seeking to further my expertise, I flew to Vancouver, Canada, at the end of 2018 to study audio engineering and audio post (with Justin Aucoin) at SAE Vancouver. Upon returning to Brazil in 2020, I went full-time into game audio, joining Kinship Entertainment as the main sound designer for their title Skydome. There, I managed the entire audio pipeline, from sound asset conception to implementation in Unity using FMOD. Concurrently, I began working with the audiobook company Reel Audiobooks as a contract editor and quality control engineer, where I have since edited hundreds of hours of dialogue, again for Audible Studios, at some of the highest of standards in the industry.

Today, I am dedicated to continuously honing my game audio skills, with a particular interest in sound asset creation, and am driven to share the joy of audio and games with the world.

Beyond my professional work, I believe in giving back when possible. I was a member of Comunicantus, a renowned Brazilian choir-training laboratory, where I supported community choirs as a trained choralist and conductor for two years. I also composed and performed music for educational materials developed by Brasil Cultural. I am strongly interested in projects that champion inclusive and progressive agendas.

My love for gaming is as strong as ever—I still play every new Zelda on release. Music remains a core part of my life, both as a player and a listener, and I've recently developed a fascination with tape recorders and the art of tape mixing. When I'm not in the studio, you'll likely find me outside with my mirrorless camera (a Fuji X-T2) in hand.

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