second fridge is a post-theater experiment, a conceptual laboratory that transcends the boundaries of traditional performance. moving away from the standard narrative framework, second fridge embraces an innovative form which defies categorization. the very idea of play, narrative, and character is assertively sidelined here, there are no protagonists, no heroes, no storyline and no roles in the conventional sense. instead collective actions, site-specific adjustments, and durational non-actions unfold alongside awkward silences, obsessive repetitions, spatial maneuvers, parallel events or conversings and seemingly unrelated interruptions, creating a mechanism of fragmented yet interconnected tableaus/acts. often the means of production themselves become the object of "theater", turning the process into the art itself. this is not theater in its conventional sense, nor is it strictly performance art, post-dance or classical théâtre de l'absurde, but rather a crossroads of all of these elements intertwined and often conceptually and playfully self-negated. the overall structure is fluid, yet precise and carefully choreographed in its segmentation of time displacements and geometry of expectations. it is essentially non-theater – a place where the experience is both direct and ephemeral, challenging the very notion of what performance can be. second fridge operates in a space where dada meets data, pop meets fluxus, quasi traditional meets futuristic, monty python meets butoh, john cage meets derrida, and where errors and mistakes are desirable, crafting a sequence of tableaus/acts that emerge without an adherence to traditional structure or form. second fridge is an evolving, living concept that exists firmly in the realm of the unknown.