Obviously there are so many great Elliott Smith songs and he never released a single song that didn't feel special, but what are some Elliott Smith songs that y'all hold close to your heart? Because of personal connection, enchantment by the music, whatever...What songs of his really speak to you? To me, The Biggest Lie and Half Right are both really beautiful and something about them is just comforting to me. Everything Means Nothing to Me is maybe my favorite song of his as far as instrumentation--the simplistic start with just the piano and his voice to the beautiful but haunting ending when the drums and strings come in--it's just a hell of an experience of a piece of music. Abused is another really underrated song of his imo. One of his catchiest songs, I really wish it had been fully recorded and mixed and put on an album.

The English rock band the Smiths recorded 74 songs during their five-year career, which included 70 originals and 4 covers. The band was formed in Manchester in 1982 and signed a one-off recording contract with independent record label Rough Trade Records, releasing their debut single, "Hand in Glove" in May 1983.[1] The single found success in the UK, earning the group a full contract.[2] Their follow-up singles, "This Charming Man" and "What Difference Does It Make?" fared better on the UK charts and helped increase the band's popularity.[2] The next year saw the release of their self-titled debut album, several non-album singles, and Hatful of Hollow, a collection of B-sides, live recordings, and numerous non-album singles.[2][3][4] The band's popularity increased with Meat Is Murder (1985), their only UK number one album, and The Queen Is Dead (1986), which reached number two on the UK charts and peaked in the US Top 100.[2] Several non-album singles after Hatful of Hollow saw release on the compilations The World Won't Listen and Louder Than Bombs in early 1987.[2][5][6] Despite their chart success, tensions began growing in the band, mainly between Marr and Morrissey and the band's label; the band announced their break-up shortly before the release of their final album, Strangeways, Here We Come.[2][7] The live album Rank followed in 1988.[8]


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The majority of the Smiths' songs were written by the songwriting partnership of Morrissey and Johnny Marr.[1] Throughout their career, their songs differed from the traditional synth-pop British sound of the early 1980s,[2] instead fusing together 1960s rock and post-punk.[9]In their early years, the band purposely rejected synthesisers and dance music,[10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences.[11] The Queen Is Dead was notable for featuring harder-rocking songs with witty, satirical lyrics of British social mores, intellectualism and class.[12] Throughout their career, Morrissey drew attention during interviews and live performances for his provocative statements, such as criticising the Thatcher administration and being pro-vegetarian, as shown in the title track of Meat Is Murder.[13] The Smiths often addressed controversial topics in their lyrics, including homosexuality ("Hand in Glove"),[2] the Moors murders ("Suffer Little Children"),[2] as well as burning "the disco" and hanging "the DJ" ("Panic").[14] Since their breakup, the Smiths have been considered one of the most influential bands of the 1980s,[2] with Ian Youngs of BBC News describing them as "the band that inspired deeper devotion than any British group since the Beatles."[15]

In January 2019, Smith released the song "Dancing with a Stranger" with Normani as a single and it reached the top ten in the UK, the US and other countries. In February, Smith performed a medley of songs alongside Calvin Harris, Rag'n'Bone Man and Dua Lipa at the 2019 Brit Awards held at the O2 Arena in London. "How Do You Sleep?" was released on 19 July 2019.[66]

Smith was briefly considered for the lead singer position in Blue yster Cult. She contributed lyrics to several of the band's songs, including "Debbie Denise", which was inspired by her poem "In Remembrance of Debbie Denise", "Baby Ice Dog", "Career of Evil", "Fire of Unknown Origin", "The Revenge of Vera Gemini", on which she performs duet vocals, and "Shooting Shark". She was romantically involved at the time with the band's keyboardist, Allen Lanier. During these years, Smith was also a rock music journalist, writing periodically for Rolling Stone and Creem.[21]

In March 1975, Smith's group, the Patti Smith Group, began a two-month weekend set of shows at CBGB in New York City with the band Television. The Patti Smith Group was spotted by Clive Davis, who signed them to Arista Records. Later in 1975, they recorded their first album, Horses, produced by John Cale amid some tension.[21] The album fused punk rock and spoken poetry and begins with a cover of Van Morrison's "Gloria", and Smith's opening words: "Jesus died for somebody's sins but not mine", an excerpt from "Oath", one of Smith's early poems. The austere cover photograph by Mapplethorpe has become one of rock's classic images.[27] As punk rock grew in popularity, the Patti Smith Group toured the U.S. and Europe. The rawer sound of the group's second album, Radio Ethiopia, reflected this. Considerably less accessible than Horses, Radio Ethiopia initially received poor reviews. However, several of its songs have stood the test of time, and Smith still performs them live.[28] She has said that Radio Ethiopia was influenced by the band MC5.[26]

The Patti Smith Group produced two further albums before the end of the 1970s. Easter (1978) was their most commercially successful record, including the band's top single "Because the Night", which was co-written with Bruce Springsteen. Wave (1979) was less successful, although the songs "Frederick" and "Dancing Barefoot" both received commercial airplay.[30]

In 1996, Smith worked with her long-time colleagues to record Gone Again, featuring "About a Boy", a tribute to Kurt Cobain, the former lead singer of Nirvana who died tragically in 1994. That same year, she collaborated with Stipe on "E-Bow the Letter", a song on R.E.M.'s New Adventures in Hi-Fi, which she performed live with the band.[35] After the release of Gone Again, Smith recorded two further albums, Peace and Noise in 1997, which included the single "1959" about the invasion of Tibet, and Gung Ho in 2000, which included songs about Ho Chi Minh and Smith's late father. Smith was nominated for the Grammy Award for Best Female Rock Vocal Performance for two of the "1959" and "Glitter in Their Eyes".[36]

On April 27, 2004, Smith released Trampin', which included several songs about motherhood, partly in tribute to Smith's mother, who died two years earlier. It was her first album on Columbia Records, which later became a sister label to her Arista Records, her previous label. Smith curated the Meltdown festival in London on June 25, 2005, in which she performed Horses live in its entirety for the first time.[39] This live performance was released later in 2004 as Horses/Horses.

In 2012, Smith was awarded an honorary doctorate in fine arts from Pratt Institute in Brooklyn.[50] Following the conferral of her degree, Smith delivered the commencement address[51] and played two songs along with long-time band member Lenny Kaye. In her commencement address, Smith said that when she moved to New York City in 1967, she would never have been accepted into Pratt but most of her friends (including Mapplethorpe) were students at Pratt and she spent countless hours on the Pratt campus. She added that it was through her friends and Pratt professors that she learned many of her own artistic skills.[52]

In 1998, Stipe published a collection of photos, titled Two Times Intro: On the Road with Patti Smith. Stipe sings backing vocals on Smith's songs "Last Call" and "Glitter in Their Eyes". Smith sang background vocals on R.E.M.'s songs "E-Bow the Letter" and "Blue".[86]

Smith premiered two new protest songs in London in September 2006.[104] Louise Jury, writing in The Independent, characterized them as "an emotional indictment of American and Israeli foreign policy". The song "Qana"[105] was about the Israeli airstrike on the Lebanese village of Qana. "Without Chains"[106] is about Murat Kurnaz, a Turkish citizen who was born and raised in Germany, held at Guantanamo Bay detainment camp for four years. Jury's article quotes Smith as saying:

I wrote both these songs directly in response to events that I felt outraged about. These are injustices against children and the young men and women who are being incarcerated. I'm an American, I pay taxes in my name and they are giving millions and millions of dollars to a country such as Israel and cluster bombs and defense technology and those bombs were dropped on common citizens in Qana. It's terrible. It's a human rights violation.

In 2015, Smith appeared with Nader, spoke and performed the songs "Wing" and "People Have the Power" during the American Museum of Tort Law convocation ceremony in Winsted, Connecticut.[111] In 2016, Smith spoke, read poetry, and performed several songs along with her daughter Jesse at Nader's Breaking Through Power conference at DAR Constitution Hall in Washington, D.C.[112]

Missy Stewart (production designer): The music is one of the stronger parts of the movie and getting Elliott to do the songs was just brilliant. I still think to this day that it is one of the most beautiful soundtracks because of that. I remember because [at the Oscars] Celine Dion played this giant music number from Titanic and then Elliott came out with a white suit and his guitar. He just played acoustic guitar. It was just sort of the essence of that movie. You can do something simple and make it true. e24fc04721

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