obviously everyone knows this movie is really hard for me to watch, as in 2009 I lost my virginity to the doof warrior who plays the flaming electric guitar. I don't like to talk about it publicly, because it was one of the worst breakups of my life...it's just hard and strange. they say you don't really live in LA until you see someone you slept with on a billboard -- but what about when the doof warrior who you lost your virginity to absolutely slays in mad max: fury road? what then? where do I live then? 

realize I might be getting off topic, but I think this is actually just a testament to how good the film is, that I can still watch it even though, someone who I truly cherished (and who I thought cherished me back, but ultimately only wanted me for my body...) is in it.

everyone else is good too I guess

George Miller's Mad Max: Fury Road is nothing less than utterly astonishing. From frame one, Miller paints the cinema screen with a gleefully vibrant vision of chaos and elemental fury. Every performance, every shot, every ingenious switch-up of narrative; It all comes back to George Miller and his prophetic revitalization of cinema. Auguste and Louis Lumire would be both terrified and insanely proud of the stupendous clarity and craft on display, mainly because Fury Road showcases a sense of confidence that hasn't been seen in cinema in a very long time.

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Have you seen the way she looks at him? In the context of the dystopian joyride known as Mad Max: Fury Road one might find that question silly or inane. Love seems far and away in that world. Max and Furiosa? No. Nux and Capable. I asked that question to my friends because I thought it was an often forgotten tangential plotline. It added an extra layer of tragedy to the already dour film and I always looked for it. But no one else seemed to see the trajectory of this seemingly one-sided romance. Naturally, we decided to rewatch the film. We saw as the sands take up heaps of metal and men, war machines spit fire while men spit oil, and the sense of hope fall ever lower. We saw the grizzly deaths of men on an insatiable quest for the splendors of Valhalla. We witnessed them. And among all this there was a girl, looking fondly at a boy tragically unawares of her rays of affection. There is love to find on the fury road.

"I was very interested in a female road warrior," says director George Miller. "And here she is, a character exactly equivalent to Max. They are protagonist/antagonist. They're the ones who go at it from the beginning. She is on this mission, and Max is a wild animal, trapped. And both of them are about their own survival. This is an uncompromising world. It's kind of forward into the past. We regress to a neo-medieval dark age where there are no rules other than to survive." 589ccfa754

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