Concentration II

Repair

This concentration of work revolves around the repair of broken objects in unconventional ways to serve as a metaphor for personal experiences that appear or feel to have “broken” or negatively affected oneself. It looked at the healing process and change that follows breakage and showed that imperfections or change do not need to be hidden, but should be accentuated and emphasized. The main focus was domestic, functional objects that often have a close relationship to the body or that you interact with to symbolize an individual. Many of the pieces were influenced by a Japanese process called kintsugi in which common objects are repaired using gold, silver, or platinum lacquer. It tries to embellish repaired areas to value the history of the object and give it new life.

Fibrous Repair

2018

11.5" x 6" x 8"

Stoneware, Low-Fire Glazes

Change Served Two Ways

2018

Each: approx. 4" x 5" x 4" Both: 4" x 10" x 4"

Stoneware, Low-Fire Glazes

Rocks and Greens

2018

Each: 3.5" x 3.5" x 3.5" Both: 3.5" x 7.5" x 3.5"

Stoneware, Low-Fire Glazes

Joint Call

2019

3" x 5" x 5"

Stoneware, Low-Fire Glazes

Stitched with Gold

2019

3" x 5" x 5"

Stoneware, Low-Fire Glazes

Bees Nest

2019

3" x 4" x 4"

Stoneware, Low-Fire Glazes

Broken Foot

2019

4" x 4" x 4"

Stoneware, Low-Fire Glazes

I'm Fine (Installation)

2019

73" 91.5" x 30"

Chair, Embroidery Thread, Rug, Photographs, Picture Frames

I'm Fine (Chair)

2019

41" x 33" x 27"

Chair, Embroidery Thread

I'm Fine (Photos)

2019

Each: 10" x 8", All: 10" x 44"

Digital Photographs

See Advanced Fiber - Process for process and more detail shots of "I'm Fine"